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Definition
*Holy Trinity by Masaccio, 1425
Fresco (on a wall) Orthagonals used |
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The Tribute Money by Masaccio, fresco, ca. 1425
atmospheric perspective, fresco |
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Definition
The Arnolfini Wedding Portrait
Jan van Eyck, Flanders, c. 1434,
Oil on panel
note the mirror and the signature above which reads "Jan van Eyck was here" |
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Definition
Samuel van Hoogstraten
View of a Corridor
1662, Oil on canvas, 8’6” x 4’5 |
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Jacob van Ruisdael, View of Haarlem from the Dunes at Overveen, ca. 1670, oil on canvas
landscape, note church as important. |
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Definition
AmbrosiusBosschaert
Vase of Flowers
1618-21
Oil on panel
not all the flowers would be arounds at the same time --> contrived subject. |
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Definition
GuoXi, Early Spring, ink on silk, Northern Song (1072)
hanging scroll, ~5’ 2”
large use of negative space. |
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Definition
Ni Tsan, The Jung-hsi Studio
Yuan, ca. 1340, ink and color on paper,
hanging scroll
perspective is suggested with the use of negative space. |
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Definition
Hsia Kuei, Gazing at the Waterfall, 16thc/ Ming, album leaf
corner style |
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Definition
Anon, Portrait of Shen Chou
early 16thc/Ming Dynasty |
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Definition
The Frolicking Animals, ink on paper handscroll, late 12th c
no straight lines suggests activity. |
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Definition
Sesshū, Winter Landscape
Hanging scroll, ink on paper, ~18 x 11”
late 15th century (Muromachi period)
note the lines basially draw out the form of the painting |
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Definition
Sōtatsu, Wind and Thunder Gods, 17th c/Edo period
Color, gold, and silver on paper, folding screens |
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Definition
KanōNaganobu, Merrymaking under the Cherry Blossoms
6-panel folding screen, ink and color on paper, ca. 1600 (Momoyama period), ~ 5’ x 11.5 |
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Definition
Suzuki Harunobu,
Viewing Plum Blossoms at Night
Woodblock print, ca. 1765/Edo |
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Term
| THE PAINTING THAT LOOKS LIKE A CRAYON DRAWING WITH AN ALIEN IN IT |
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Definition
A devotee performing puja
ca. 1520-40
Gouache on paper, ~6 x 8” |
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Term
| THE ONE WITH ALL THE PEOPLE SITTING DOWN AND SHIT WITH THE ONE GUY IN THE CENTER IN YELLOW. |
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Definition
Nar Singh,
Akbar Holds Discussions in His Debating Hall,
1604, Gouache on paper |
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Definition
Basawan, attrib,
Madonna and Child,
ca. 1585-90, Gouache on paper |
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Definition
Jahangir and Prince Khurram Feasted
by NurJahan, ca. 1617
Gouache on paper |
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Definition
Nader al-Zaman (Abu’lHasan)
Shah Jahan as a Prince
Opaque watercolor/gold on paper, ca. 1617 |
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Definition
Unknown artist, Foreign Emperors and Kings on Horseback, early 17th century
ink & color on paper, 4 panel screen, 65 x 181” |
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Term
| MULTIPLE PANNELS WITH SOME WEIRD ASS PERSPECTIVE AND SOME WEIRD ASS COMPOSITION |
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Definition
| Western Genre Scene (unknown artist), early 17th century, ink/color/paper |
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Definition
| NambanScreens (Kano school), ink/color/gold on paper |
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Definition
| ShibaKōkan, View of Mimeguri in Edo, etching (ink & hand color on paper), 1783 |
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Definition
ShibaKōkan, European Landscapes with Figures, oil on silk hanging scrolls, 1790s
~45 x 22” each |
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Definition
| ShibaKōkan, 7 League Beach at Kamakura, two panel screen, oil on paper, 1796 |
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Term
| THAT ONE THAT HAS ALL THE ELEMENTS OF SOMEPLACE IN EUROPE BUT IS NOT ACTUALLY A PLACE. THE PENIS MONUMENT IS IN THIS PICTURE/OBOLISK |
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Definition
| AōdōDenzen, View of a European Plaza, etching (ink on paper), 1809 |
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Term
| SIMILAR TO ANY ANNUNCIATION EXCEPT IN CHINESE STYLE |
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Definition
Annunciation
Chinese woodcut
1619-1623 (late Ming) |
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Term
| ITS A FUCKING TREE WITH A GODDAMN MOUNTAIN IN THE FUCKING BACKGROUND WITH ONE COCKSUCKER TO THE RIGHT AND THERES CUNT DRIPPINGS EVERYWHERE, I MEAN COLOR. |
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Definition
| Hsiang Sheng-mo, Solitary Tree, ink and color on paper, album leaf, 1649 (Qing) |
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Definition
The Ch’ien-lung Emperor in
Ceremonial Armor on Horseback
Giuseppe Castiglione
ink and color on silk, 1739 or 1758
~7.5 x 10.5’ |
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Definition
A Hundred Horses in a Landscape
Castiglione, ink & color on silk, 1728
~3 x 25’ |
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Term
| THE CHINESE AND SYNTHESIS THAT IS INK ON SILK AND ACTUALLY HAS SOME 3D SPACE |
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Definition
Night Market at Yang-ch’eng
Attr to Castiglione
ink and color on silk, 1736 |
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Definition
The Belvedere in the Yuan-ming-yuan(European palaces in the Imperial Gardens)
Print by a follower of Castiglione, Buildings designed by Castiglione
engraving, 1793 |
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Term
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Definition
| Analyizing how a work of art shpaes the experiences, ideas, and views of the individuals and/or groups that make, use, or view the art |
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Term
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Definition
Methods and questions mostly concerning visual and physical aspects of the work. No outside sources are needed. In short, what the artist conveys visually. They include:
color, mass/volume, perspective, scale, line, space, composition, emphasis , shading and light. |
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| All of the time; it is a term to talk about not only high art but low and folk. Basically an all encompasing term for the art of an era. (Don't quote me on this) |
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| A method of dipcition of 3d space on a 2d surface. This si a visual construct in which parrallel lines (orthagonals) converge on a single vanishing point. |
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Definition
| A way to create 3d space on a 2d surface w/ the use of color, light, shadow, size and focus. Nearer objects are larger, in focus and usually lighter, while further away objects are out of focus, smaller and darker. This is a technique that tries to imitate how the eye sees depth. |
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Definition
| Telling a story on a work with multiple events at once. |
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Definition
| In woodblocks, the color part is raised while the rest is cut awat so only the colored part connects with the paper. |
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| A scene that dipicts everyday life |
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| visible brush strokes to show the skill of the artist, changing strokes. While linear hides the strokes and focuses on creating the illusion of a third dimension. |
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| was not mentioned but is included in Ian;s study guide.....it's forced perspective. |
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Definition
| dipicting the scene how it really is.* |
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| Shifting/moving perspective |
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Definition
| a scene where certain aspects are painted from different angles. |
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Term
| Breath-resonance/ideal realm |
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Definition
| The place the artist wants to take you to, it does nto exist but is based off an actual place. This realm is meant to be somewhere suited for the Chinese as the center of the universe. |
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| style of traditional Japanese painting. |
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| a painting rooted in one corner w/ negative space. (Chinese) |
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| opaque water color that is like typical water colors but has a binding agent which makes it opaque....redundant I know. |
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| symbols and what they mean in art. |
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| the history of a piece of art, who has owned it etc. |
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| portugese influenced japanese art. |
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| an Italian term which literally means 'light-dark'. In paintings the description refers to clear tonal contrasts which are often used to suggest the volume and modelling of the subjects depicted |
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| Dutch studies: the second fore with western art in Japan, Denzen and Kokan were apart of this. |
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Definition
| the use of a plate to press an image. The ink rests inside the cuts on the plate and is pressed hard enough to adhear the ink to the paper. These prints are easily id'd because it looks like they have been pressed. |
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Definition
| Not much is know about him, but he was the first of the Japanese to have success with the dutch studies style. did itaglio and did many eastern subjects in the Western style. |
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| Giuseppe Castiglione (aka Lang Shining) |
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Definition
| A jesuit who eventually ended up painting for the chinese court. Was know for his synthesis of eastern and Western styles and could paint horses and flowers damn good. |
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Definition
Western style in the Chinese court.
mainly just the imperial palaces but i guess it includes the paintings too. |
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| Emperor Qian Long's letter to King George III of England |
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Definition
| Take aways: The chinese emperor is not interested in the Strange things from Europe as he ahs what he needs. The emperor will let trade at Canton happen, thats it. He doesnt give them much. |
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| Shiba Kokan's treatise on art. |
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| Thinks western art accuratley dipicts what is really there, kokan likes this. Says the ture form is captured by western artist but not by eastern. |
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