Term
14th Century Italy
-Style, Techniques, Artists |
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Definition
*gothic art; grew out of byzantine & romanesque traditions
*Symetrical, gold backing, disk halos, Akward proportions, gold leaf fabric, common faces.
*Cimabuel, Duccio, Ambogio, Giotto |
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| Chimabuel, "Virgin & Child Enthroned" -1280 -Tempera &gold on Panel |
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| Giotto, "kiss of Judas" -1305-1306 -Fresco, Arena Chappel |
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| Duccio, "Mastera Altarpeice" -Temera & Gold on wood -1308-1311 |
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| Ambogio Lorenzetti, "Allegory of Good Government in the Country/City" -Fresco -1338-1340 *Natural scale, attempts on perspective, non religiose. |
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| 15th Century Northern Europe -Style, Techniques, Artists |
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| -Early renisance art -Aerial Perspective, Humanism, Classical thought, natuarl world -Jan van Eyck, Limbourg brothers, *Oil painting, comishioned paintings, Symbolism, Prodistant reformation |
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| Jan van Eyck, "Double portrait of Giovanni Arnolifini and his wife" |
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| Master of Flemalle, Merode Altarpiece |
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| Jan van Eyck, Ghent Altarpice |
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| Rogier van der Weyden, "depostition" |
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| Hugo van der Goes, "portinari Altarpice" |
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| variations in color & clarity caused by distance. |
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| The illusion created on a flat painted surfacein which a figure apears to recead into space. |
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| Any line running back into the represented space of a picture perpandicular to the imagined picture plan |
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| An artwork made of panels |
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| a private prayer book having calanders, and specail prayers. |
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| Two panels of equal size hinhged together. |
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| a stance that embraces, individuallity, being human, critical thinking and evidence based thinking. |
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| An altarpeice constructed from multiple panels, sometimes with hinges to allow movable joints. |
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| A rectangular engraved column element that is used for decoration in archetecture. |
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| A plump naked little boy. Cupid/Cherub |
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| A religiouse movement int he 16th century that attempted to reform the roman catholic church. |
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