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| Represents something figuratively |
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| Prepresentational Art; exactly as it is in reality |
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| Representational Art; better than reality |
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| Representational Art; artists emphasizing on reality |
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| Borderline Representational Art; gets at just the very essence of figures |
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| Represents non-figurative/abstract ideas |
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| 1850-1950, Netherlands, De Stijl Movement |
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| Aesthetic art based on "beauty" |
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| Made for public impression and viewing |
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| Intended for private enjoyment at the time of creation |
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| 1900-1950, American, Abstract Expression Movement |
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| What the artwork represents |
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| Social and Political content |
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| Intended for Religious reasoning, brings about blessings |
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| Content attempting to portray personal emotions |
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| Ways to critique artworks |
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| How is fulfills political, religious and social elements, as well as how it engages the viewer |
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| Judging the ability of the work to communicate feelings and ideas |
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| Line not completely apparent |
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| Lines that convey ideas or messages |
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| Aesthetic Lines, can sometimes add detailed information |
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| Contrasting Color Combinations |
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| Eye-Catching color schemes that use complementary colors |
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| Having a large range of colors |
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| Having a small range of colors |
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| Advancing & Receding Color |
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| Colors that appear darker or lighter against other colors withing the colors hue. |
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| The strength of chrome intensity in a color |
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| Color opposing one another on a color wheel |
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| Hues in order from high to low, high hues are brighter colors, low hues are darker colors |
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| Red, Yellow, Orange Hue Family |
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| Blue, Blue-Green, Violet Hue Family |
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| Adjacent to each other on the color wheel |
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| Powdered Pigments and a Binder |
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| The separation of light and dark tones throughout a work |
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