Term
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Definition
Cimabue
Madonna Enthroned
1300
Tempera on Panel |
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Term
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Definition
Giotto
Maddona Enthroned
1300
Tempera on Panel |
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Term
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Definition
GIOTTO
Frescoes in the Arena Chapel, Padua
1300
Fresco |
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Term
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Definition
Ghiberti
The Sacrifice of Isaac
1400
Gilt Bronze |
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Term
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Definition
Donatello
David
1420
Bronze |
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Term
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Definition
Pisano
South Doors
1330
Gilt Bronze |
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Term
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Definition
Masaccio
The Holy Trinity with the Virgin, St. John and two donors
1425
Fresco
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Term
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Definition
Ghirlandaio
Portrait of Giovanna Tornabuoni
1500
oil on panel |
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Term
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Definition
Leonardo da Vinci
The Last Supper
1500
Tempera wall Mural
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Term
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Definition
Leonardo da Vinci
Portrait of Ginevra de' Benci
1500
oil on panel |
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Term
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Definition
Leonardo da Vinci
Mona Lisa
1500
oil on panel |
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Term
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Definition
Raphael
The School of Athenz, Stanza della Segnatura
1500
Fresco |
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Term
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Definition
Michelangelo
Pieta
1500
Marble |
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Term
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Definition
Michelangelo
David
1500
Marble |
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Term
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Definition
Michelangelo
Ceiling fresco, Sistine Chapel, Vatican Rome
1500
fresco |
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Term
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Definition
Titian
Venus of Urbino
1550
oil on canvas
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Term
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Definition
Robert Campin and workshop
Merode Tryptich
1425
oil on panel |
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Term
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Definition
Jan van Eyck
The Arnolfini Portrait
1450
oil on panel |
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Term
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Definition
Bronzino
Allegory of Venus
1550
oil on panel |
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Term
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Definition
Parmigianino
The madonna with the Long Neck
1550
oil on panel |
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Term
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Definition
Grunewald
Isenheim Altarpiece
1500
oil on canvas |
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Term
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Definition
Durer
Melancolia
Engraving
1500 |
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Term
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Definition
Aertsen
The Meat Stall
1551
oil on panel |
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Term
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Definition
Bruegel the Elder
Peasant Wedding
1600
oil on canvas |
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Term
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Definition
Caravaggio
The Calling of St Mattews
1600
oil on canvas |
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Term
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Definition
| is a picture representing a religious subject which is suspended in a frame upon or behind the altar in a church. The altarpiece is often made up of two or more separate panels. |
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Term
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Definition
| The study of human works; emphasizes rhetoric, literature, history and moral philosophy. Aimed at creating knowledge for practical use in the world. Part of Rennaissance, encouraged classic cultures of Rome and Greece. |
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Term
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Definition
(in French “deceive the eye”)
An art technique that uses realistic imagery to create the optical illusion that depicted objects exist in three dimensions |
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Term
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Definition
| A pose in which the figure stand with mose of its weight on one leg so that its shoulders and arms twist off-axis from the hips and legs. |
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Term
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Definition
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Term
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Definition
| a classical pose in which an unclothed female (either standing or reclining) has one hand covering her private parts. |
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Term
|
Definition
- appears in Florence in the 1520s
- style emphasizing technicalvirtuosity
- erudite subject matter and deliberately complex compositions
- beautiful figures
- grace and variety instead of clarity and unity
- experimenting with proportions and ideal figure types
- turn away from ancient forms and classical mode |
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Term
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Definition
dough or mixture
a technique where paint is laid on an area of the surface very thickly (provides rough texture, the paint appears to be coming out of the canvas) |
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Term
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Definition
Caravaggio
Judith Beheading Holofernes
1600
Oil on Canvas |
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Term
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Definition
Gentileschi
Judith Slaying Holofernes
1600
oil on canvas |
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Term
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Definition
Bernini
David
1600
Marble |
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Term
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Definition
Bernini
The ecstasy of St. Theresa
1650
Marble |
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Term
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Definition
Velazquez
The Maids of Honor
1650
oil on canvas |
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Term
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Definition
- 17th century
- literally: contorted, grotesque
- expressive and theatrical style emphasizing sensuality and emotion
- heightened drama - tension and movement, lighting and gestures
- new subjects (still-life, genre, landscape)
- influence of science (optics) |
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Term
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Definition
strong contrasts of light and dark;
heightens dramatic effect |
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Term
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Definition
Rubens
Raising the Cross
1600
oil on canvas |
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Term
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Definition
Rembrandt
Barhsheba with King Davids Letter
1650
oil on canvas |
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Term
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Definition
Vermeer
Woman Holding a Balance
1650
oil on canvas |
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Term
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Definition
Italian for light-dark)
the use of strong contrasts between light and
dark which allow the artist to achieve a sense
of volume when modeling three-dimensiona |
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