Term
| Moriyama, Computer Age, 1966, photograph |
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Definition
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Term
| Provoke No. 2: Nude Woman, Moriyama, 1969, photograph |
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Definition
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Term
| Provoke No. 2: Girl in a Ruined Bus, Takanashi, 1969, photograph |
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Definition
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Term
| Provoke 2: Night, Nakahira, 1969, photograph |
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Definition
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Term
| Morikawa-cho, Hongo (Tokyo), Kimura, 1953, photograph |
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Definition
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Term
| Ise Shrine, Watanabe, 1953, photograph |
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Definition
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Term
| Kita-Senju, Moriyama, 1966, photograph |
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Definition
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Term
| Housing Development, Tokyo, Moriyama, 1967, photograph |
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Definition
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Term
| Man and Woman, Hosoe, 1960, photograph |
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Definition
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Term
| Kamaitachi (Weasel Demon), Hosoe, 1968, photograph after situational theater |
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Definition
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Term
| Brushing Teeth, Yokoo, 1966, acrylic on canvas |
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Definition
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Term
| Model Room for an Exhibition of Japanese Folkcrafts for New Lifestyles, Hankyu Department Store, 1938, photograph |
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Definition
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Term
| Yanagi and Asakawa Noritaka at a 1922 Exhibition of Korean Ceramics in Seoul, 1922, unknown, photograph |
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Definition
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Term
| Stoneware Jar with Sugar Cane Decoration, mid-20c, Hamada, stoneware covered with slip and iron rust glaze |
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Definition
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Term
| Exhibition of Household Products for the Nation at Takashimaya Department Store, 1941, photograph |
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Definition
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Term
| Octagonal bottle with underglaze cobalt blue design, date/artist unknown |
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Definition
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Term
| Stoneware vase with slip and iron rust glaze of lotus flower, Leach, 1920s, ceramic |
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Definition
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Term
| Ovoid vase with sugar cane decoration, Hamada, 1927, stoneware with iron rust glaze |
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Definition
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Term
| White porcelain vase with Lotus Flower, unknown, Joseon dynasty (18c-19c) |
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Definition
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Term
| Korean Folk Art Museum, 1924 |
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Definition
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Term
| Exhibition display of a Mingei Interior "Model Room," photograph, Ueno National Exhibition, 1927 |
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Definition
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Term
| Square Flask with Splashed Decoration, Kawai, mid 20c., glazed stoneware |
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Definition
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Term
| Stoneware vase with white glaze, joseon dynasty, Korea |
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Definition
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Term
| Stem Cups, Leach, 1940s-50s, stoneware with slip and glaze |
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Definition
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Term
| Shienso, Horiguchi, 1926, brick, wood, thatch |
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Definition
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Term
| Katsura Detached Palace, 17th c., unknown arch., wood |
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Definition
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Term
| Hufeisensiedlung, Taut, 1925-36 |
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Definition
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Term
| Yasuda Lecture Hall, Uchida, 1925, reinforced concrete |
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Definition
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Term
| Peace Tower, Horiguchi, 1922, concrete |
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Definition
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Term
| Tokyo Central Telegraph Office, Yamada, 1925, ferro-concrete |
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Definition
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Term
| Hamao House, Raymond, 1927, steel reinforced concrete |
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Definition
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Term
| Okura Shukokan Museum, Ito, 1926, ferro-concrete with metal roof |
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Definition
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Term
| Kikkakawa House, Horiguchi, 1930, reinforced concrete |
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Definition
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Term
| Fight to the Death on Attu Island, Foujita, 1943, oil on canvas |
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Definition
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Term
| The Sacred Mt. Fuji, Yokoyama, 1940, ink and colors on board |
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Definition
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Term
| Reclining Nude (Kiki), Foujita, 1922, oil on panel |
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Definition
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Term
| Self-Portrait, Foujita, 1929, oil on canvas |
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Definition
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Term
| Self-Portrait, Foujita, 1936, oil on canvas |
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Definition
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Term
| Lt-General Percival and the Meeting of the Two Commanders, Miyamoto, 1942, oil on canvas |
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Definition
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Term
| The Pacific Ocean on a Certain Day, Yokoyama, 1952, ink/color on paper |
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Definition
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Term
| Spring Dawn over the Holy Mountain of Chichibu, Yokoyama, 1928, ink on panel with gold |
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Definition
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Term
| Scenery (Impression of a Battlefield), Yamazaki, 1940, ink and color on paper folding screen |
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Definition
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Term
| Model 1000-Yen Note (Green), Akasegawa, 1963, double-sided print |
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Definition
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Term
| Ambiguous Sea no. 11, Akasegawa, 1963, ink and paper collage |
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Definition
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Term
| Exhibit in the Courtroom, Akasegawa, 1966, photograph of cyanotype prints |
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Definition
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Term
| 1000 Yen Note Impounded Objects, Akasegawa, 1963, found objects and double-sided prints |
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Definition
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Term
| Japan Zero Yen Note, Akasegawa, 1967, printed paper |
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Definition
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Term
| 1000 Yen Note Trial Catalogue of Seized Works, Akasegawa, 1967, poster |
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Definition
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Term
| Yamanote Line Incident feat. Compact Object, Hi Red Center/Nakanishi, 1962, performance feat. resin and found objects |
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Definition
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Term
| Be Clean!, Hi Red Center, 1964, performance |
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Definition
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Term
| Clothespins Assert Agitating Action, Nakanishi, 1963, performance |
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Definition
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Term
| Gunned Down, Nakamura, 1957, oil on canvas |
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Definition
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Term
| Banner of Vanishing, Matsuzawa, 1966, installation |
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Definition
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Term
| Accumulation #2, Kusama, 1962 (nude 1966), soft sculpture/photograph |
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Definition
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Term
| Infinity Net, Kusama, 1959, oil on canvas |
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Definition
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Term
| Challenging Mud, Shiraga K, 1955, performance |
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Definition
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Term
| Painting with feet at 2nd Gutai Art Exhibition, Shiraga, 1956, performance, ink, paper |
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Definition
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Term
| Untitled, Shiraga, 1959, oil paint and paper |
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Definition
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Term
| Please Come In, Shiraga, 1955, outdoor sculptural exhibition |
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Definition
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Term
| Footprints, Kanayama, 1956, outdoor exhibition |
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Definition
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Term
| Passage, Murakami S, 1956, performance/installation |
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Definition
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Term
| Electric Dress, Tanaka, 1956, performance/electrical equipment |
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Definition
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Term
| International Sky Festival, Gutai artists, 1960, artwork/balloons |
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Definition
| {i[image]mage:e29l241426431|center} |
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Term
| Gutai Card Box, Gutai group, 1962, aluminum, plastic, performance |
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Definition
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Term
| Japanese Spirit #13, Tenmyouya, 2000, acrylic, gold leaf, wood |
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Definition
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Term
| Kamikaze, Tenmyouya, 2003, acrylic, gold leaf, wood |
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Definition
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Term
| High-Heeled Sandals and French Fries, Teraoka, 1974, screen print |
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Definition
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Term
| Boys' Paradise-East, Kimura, ink, pigment, and gold on paper screen |
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Definition
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Term
| And Then, And Then And Then And Then (Red), Murakami, 1996, Acrylic |
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Definition
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Term
| Double Helix Reversal, Murakami, 2001, acrylic on board |
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Definition
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Term
| Little Boy: The Arts of Japan's Exploding Subculture, Murakami, 2005, installation of figures |
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Definition
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Term
| Eye Love Superflat, Murakami, 2006, branded bags and commercial items |
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Definition
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Term
| Competitive Society, Ishii, 2014, Yuzen resist dyeing |
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Definition
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Term
| Mr. Owanjuzaburo, Someya, 2011, lacquer, gold, silver, soup, hair |
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Definition
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Term
| Church of the Light, Ando, 1989, concrete |
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Definition
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Term
| Being Given, Naito, 2001, installation in abandoned house |
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Definition
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Term
| Transcircle, Mori, 2004, sculpture |
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Definition
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Term
| Nakagin Capsule Tower, Kurokawa, 1970-72, reinforced concrete with prefab capsules |
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Definition
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Term
| Marine City, Kikutake, 1960-63, model |
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Definition
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Term
| Sofitel, Kikutake, 1996, concrete |
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Definition
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Term
| Sky House, Kikutake, 1958, wood and concrete |
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Definition
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Term
| Yoyogi Gymnasium, Tange, 1964, reinforced concrete w suspension roof |
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Definition
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Term
| Spiral, Maki, 1985, reinf concrete, white aluminum, glass |
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Definition
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Term
| Re-Ruined Hiroshima, Isozaki, 1968, photomontage |
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Definition
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Term
| Nomadic Museum, Ban, 2005, shipping containers, metal roof, wood trusses |
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Definition
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Term
| Kurume City Hall, Kikutake, 1994, reinf concrete |
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Definition
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Term
| Design for the Imperial Household Museum, 1930, reinf concrete |
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Definition
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Term
| Hiroshima Peace Memorial, Tange, 1955, reinf concrete |
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Definition
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Term
| Tokyo Bay Project, Tange, 1960, plan never realized |
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Definition
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Term
| Benesse House Museum, Ando, 1992, concrete |
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Definition
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Term
| "Dance that Cannot Be Named," Murayama / Okada, 1924, photograph of performance art/dance |
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Definition
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Term
| Dedicated to All the Beautiful Girls, Murayama, 1922, oil on canvas |
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Definition
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Term
| Work Employing Flower and Shoe, Murayama, 1923, mixed media |
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Definition
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Term
| Dance of Death, Mavo members, 1924, photograph in Mavo 3 |
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Definition
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Term
| Stage Design for From Morning 'til Midnight, Murayama, 1924, performance set |
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Definition
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Term
| Morie Bookshop Signboard, Murayama, 1924, photograph of signboard |
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Definition
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