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Cimabue, Florence c.1280
hierarchic scale |
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Martini, Annunciation
Sienna Cathedral, 1333 |
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Jan Van Eyck, Double Portrait of Giovanni Arnolfini and his Wife
Northern Renaissance, 1434 |
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Brunelleschi, Florence Cathedral Dome
1420-1436 |
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Ghiberti, Jacob and Esau
Florence, 1435 |
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Botticelli, Birth of Venus
Florence 1484-86 |
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Divinci, The Last Supper
Milan, 1495-1498 |
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Raphael, The School of Athens
Rome, 1525-1528 |
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Michelangelo, The Creation of Adam
Rome, 1536-41 |
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Titan, Pastoral Concert
1510 |
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Pontormo, Deposition
1525-28, Florence |
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Palladio, Villa Rotunda
Vicenza, 1560 |
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Durer, Four Apostles
Nuremberg, 1526 |
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El Greco, Burial of Court Orgaz
1586, Toledo |
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Velazquez, Les Meninas
Madrid, 1656 |
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| A city that with surrounding territory forms a state |
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| The technique of painting on dry plaster with pigments mixed in water |
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| Buon Fresco or true Fresco |
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Definition
| where pigments are mixed with water and painted on wet plaster |
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| how much can be done in a days work |
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| a method of painting in monotone to imitate sculpture |
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| The Gothic style that lasted from the 1400s-1500s transitioning into the renaissance |
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| A composition that consists of Mary holding the deceased Jesus |
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| A gallery or room with one or more open sides |
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| a book of prayers to be said at specific hours of the day |
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| Incision of a design into a metal surface |
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| objects are placed on a plane but the linear elements don't converge at one point |
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| the illusion of creating depth to a work by modulating color |
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| diptych/triptych/polyptych/predella |
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| a painting or altarpieceon two or more wood panels |
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| the imaginary plane corresponding to the viewers line of sight in a picture |
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| A portrait often times displaying the person who commissioned the artist and their family |
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| visual images and symbols used in a work of art |
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| a permanent and fast drying paint that is pigments mixed with material such as yolk |
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| the emphasis on humans and day to day life emerging in renaissance work |
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a style of masonry developed in Greece but further perfected during the renaissance
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| an organization of people sharing one main similar interest |
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| a term used to express a very realistic representation in art |
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| representations of cherub children in paintings |
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| stories or poems that have hidden meanings often moral ones. |
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| a style of architecture that references the palaces built by the palazzi family |
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| treatment of light and shade when drawing |
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| How Da Vinci depicted the ideal proportions of a man |
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| letting forms, colors, and shades fade into each other |
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| a historian, painter, writer, and architect, his writings shape the ideologies behind art history today |
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| headed the counter-reformation of the church, created new rules for religious art, including that its primary function is to be used to educate people on the church. |
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| thin transparent or semi-transparent layers that can be put over paint to change it's appearance |
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| a style that emerged in the late renaissance |
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| harsh criticism of the Catholic church lead to many breakaway protestant groups |
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| a very broad term for paintings that depict every day life |
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| the rejection or destruction of religious imagery |
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| imagery included in paintings to remind viewers of the death that looms over them |
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| dramatic illumination that is used to emphasize certain parts of paintings |
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| a ceremonial canopy of stone, metal or fabric |
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