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| the purely visual aspects of art and architecture |
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| contour or outline, actual or implied |
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| Color (Hue) Primary and Secondary: |
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Primary: red, yellow, blue
Secondary (orange, green, violet) |
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| The relative degree of lightness or darkness of a color. Graduation of dark -- light or light--dark |
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| Intensity--brightness or dullness |
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| Two colors directly opposite of one another on the oclor wheel |
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The tactile--or touchable quality of a surface, there are two types:
actual/Implied |
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| Form, Content, Style, Medium |
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| that which contains objects, that can be actual or three-dimensional as with sculpture or architecture |
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| Organization/arrangement of form in a work of art |
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| refers to a subject in works of art including characters, animals, plants, themes, stories, places, etc. |
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| A method of interpreting the meaning of a work of art by synthesizing iconography with the full historical context |
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| apart from concrete realities, specific objects, or actual instances. |
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