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| A war between France and England, conventionally dated 1337–1453 |
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| Philip the Bold (Dutch: Filips de Stoute French: Philippe le Hardi), also Philip II, Duke of Burgundy (January 15, 1342, Pontoise – April 27, 1404, Halle), was the fourth and youngest son of King John II of France and his wife, Bonne of Luxembourg. By his marriage to Margaret III, Countess of Flanders, he also became Count Philip II of Flanders, Count Philip IV of Artois and Count-Palatine Philip IV of Burgundy. He was the founder of the Burgundian branch of the House of Valois. |
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| A painting done rapidly in watercolor on wet plaster on a wall or ceiling, so that the colors penetrate the plaster and become fixed as it dries |
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| Unglazed, typically brownish-red earthenware, used chiefly as an ornamental building material and in modeling; A strong brownish-red or brownish-orange color |
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| oil paint containing pigment that is used by an artist |
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| Visual illusion in art, esp. as used to trick the eye into perceiving a painted detail as a three-dimensional object |
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| A philosophy based on Plato's ideas that was developed during the Roman period in an attempt to reconcile the dichotomy between Plato's concept of an eternal World of Ideas and the ever-changing physical world |
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| A ceiling that is like a continuous circular arch or tunnel, contrasted with vaults that are supported on ribs or a series of arches. |
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| Great in importance, extent, or size |
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| Adjust or regulate (something) so that it has a particular or suitable relationship to something else |
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| A leader or a member of a troop of mercenaries, esp. in Italy |
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| A person who gives financial or other support to a person, organization, cause, or activity |
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| one who voluntarily suffers death as the penalty for refusing to renounce their religion |
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| A person who designs buildings and in many cases also supervises their construction |
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| A type of perspective used by artists in which the relative size, shape, and position of objects are determined by drawn or imagined lines converging at a point on the horizon |
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| a technique used by painters for representing three-dimensional space on a flat two-dimensional surface by creating the illusion of depth, or recession within a painting or drawing. |
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| Grisaille (; gris 'grey') is a term for painting executed entirely in monochrome or near-monochrome, usually in shades of grey. |
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| method of painting with pigments dispersed in an emulsion miscible with water, typically egg yolk. The method was used in Europe for fine painting, mainly on wood panels, from the 12th or early 13th century until the 15th, when it began to give way to oils |
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| A philosophy based on Plato's ideas that was developed during the Roman period in an attempt to reconcile the dichotomy between Plato's concept of an eternal World of Ideas and the ever-changing physical world; |
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| di sotto in su perspective |
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| Italian religious and political reformer; a Dominican friar in Florence who preached against sin and corruption and gained a large following; he expelled the Medici from Florence but was later excommunicated and executed for criticizing the Pope (1452-1498) |
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| A city in northeastern Italy, on a lagoon of the Adriatic Sea, capital of Venetia region; pop. 318,000. It is built on numerous islands that are separated by canals and linked by bridges |
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| A city in northeastern Italy |
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| A city in western central Italy, the capital of Tuscany, on the Arno River; pop. 408,000. Florence was a leading center of the Italian Renaissance, esp. under the rule of the Medici family during the 15th century |
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| A strongbox or small chest for holding valuables |
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| the construction of masonry or brickwork in a rustic manner |
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| A rectangular column, esp. one projecting from a wall |
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| A community of people, esp. monks or nuns, living under religious vows |
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| architecture influenced by the ancient Greeks or Romans |
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| A work of art, esp. a painting on wood, set above and behind an altar |
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| French for "living picture." The term describes a striking group of suitably costumed actors or artist's models, carefully posed and often theatrically lit. |
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| A print made from an engraved plate, block, or other surface |
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| A piece of thick textile fabric with pictures or designs formed by weaving colored weft threads or by embroidering on canvas, used as a wall hanging or furniture covering |
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| An ornamental molding around the wall of a room just below the ceiling |
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| A painting, drawing, photograph, or engraving of a person, esp. one depicting only the face or head and shoulders |
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| All the visible features of an area of countryside or land, often considered in terms of their aesthetic appeal |
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| A person holding religious beliefs other than those of the main world religions |
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Deposition Rogier van der Weyden
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| The Ghent Altarpiece (wings closed) 1432 - Jan Van Eyck |
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Portrait of Giovanni Arnolfini and his Wife
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| Hugo van der Goes. Portinari Altarpiece. c. 1474-76 |
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Les très riches heures du Duc de Berry |
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| Annunciation Triptych (Merode Altarpiece), ca. 1427–1432 |
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The Gates of Paradise: Lorenzo Ghiberti's |
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| Birth of Venus - Botticelli, 1484-86 |
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| Donatello David 1430 bronze |
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| Gattamelata, Donatello, Padova. |
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| The Tribute Money Masaccio |
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| Pergugino Christ Delivering Keys of theKingdom to St. Peter |
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| Dome · Florence Cathedral · Florence, Italy |
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| foundling hospital florence |
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| Antonio del Pollaiuolo | Battle of the Nudes |
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| annunciation fra angelico |
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| camera picta andrea mantegna |
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| Virgin and Child Enthroned, London, National Gallery, c. 1470 |
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| Michelozzo, The Medici Palace, Florence, exterior views, ground plan |
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| Uccello the battle of san romano London |
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