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San Giovanni Baptistery.
Unknown Architect.
Between 1060 and 1130.
Romanesque.
Doors deemed gates to paradise, Sometimes called the start of the Renaissance. |
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| South Baptistery Doors. Pisano. 1330. Originally on the east side. TOp 20 depict like of St. John. Bottom eight are eight virtues. |
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| Santa Maria del Fiore, Florence Cathedral. Cambio. 1296. Gothic Facade. Polychrome marble panels. |
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| Our campanile is higher than yours. |
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| Association of craftsmen in a particular trade. |
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| Process by which a brass or bronze is cast from an existing sculpture. |
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| "Four Leaves". Four-lobed shapes in various contexts. |
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| To follow the classic style. |
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| Guelfs supported the Pope. Ghibellines supported Holy Roman Empire. Battled for seat of power in Florence. 12th and 13th centuries. |
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| FIrst Grand Duke of Tuscany from 1540-1570. |
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| 1520-1580. Intellectual sophistication and artificial qualities. |
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| Roman Catholic organization created to promote special works of Christian charity and piety. |
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| COlor creates recession into space. Light gets caught up on layers. |
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| Trying to relate Pagan ideals with Christian. |
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| Medieval parish churches. Ornate wood, stone, or iron screen separating the congregation from the altar. |
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| Calculated illusion to create depth. |
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| Cosimo "Il Vecchio" de'Medici |
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| The elder. First of Medici political dynasty. De Facto ruler of the Renaissance. |
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| All rituals that go into ceremony of religions. |
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| Big blocks as building materials for buildings. |
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| Provides shade. Roof overhang. |
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| Principal floor. For rich family. |
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| Government Office. Military leader in charge of city security and army. Never a Florentine. |
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| After antiquity. Busts became popular. |
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| Where priest gets ready for mass |
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| Rare Egyptian purple marble. |
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| Duomo. Brunelleschi. 1436. Movable scaffolding. Herringbone pattern. Inner and outer shell. |
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| Sir John Hawkwood. Uccello. 1436. Fresco. Florence Cathedral. |
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| Madonna Enthroned with Saints Zenobius and Reparata |
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| East Baptistery Doors. Ghiberti. 1425-1452. 15 feet high. 10 panels. Bronze mold, gilded with gold. Portrays the most climactic moments. |
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| Cantoria. Donatello. 1440. Incorporated mosaic. Roman tradition. |
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| Cantoria. Robbia. 1440. Most famous FLorentine sculptor alongside Donatello. |
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| Mary Magdalene. Donatello. 1455. Wood. Once guilded. |
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| Pietà . Michelangelo. 1550. Jesus in Mary's lap, off the cross. Not finished, he tried to destroy it. |
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| Piazza della Signoria. Late 1200s. Political hub. |
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| Palazzo della Signoria. Cambio. 1310. Town Hall. Romanesque fortress. |
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| Loggia dei Lanzi. 1380. Open air museum for Renaissance art. |
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| Perseus and Medusa. Cellini. 1550. Bronze. Perseus holding the head is subdued. |
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| Room of the 1500s. Vasari. 1560. Ceiling tells story of Cosimo the Grand Duke. |
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| Chapel of Eleonora of Toledo. Bronzino. 1550. Fresco. Layer of tempera. |
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| Judith and Holofernes. Donatello. 1450. Bronze. One of first bronze statues completed in the round. Judith is liberty. |
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| Orsanmichele. 1340. Originally a grain market. Later a church. |
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| Madonna Enthroned. Daddi. 1350. Tempera on panel. |
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| Tabernacle in Orsanmichele. Orcagna. 1360. |
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| St. John the Baptist. Ghiberti. 1415. Bronze. Largest single piece bronze statue when created. |
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| St. George. Donatello. 1415. Flattened Relief. |
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| Christ and Doubting Thomas. Verrocchio. 1485. Bronze. Niche not made for piece. |
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| Ognissanti Madonna. Giotto. 1310. Tempera on panel. Adopted after being seen drawing on rock. START of Renaissance. Famous for naturalizing art, use of space. |
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| ADoration of the Magi. Fabriano. 1420. Tempera on panel. Culminating work of Gothic painting. Commissioned by Strozzi. Altarpiece for burial chapel. Exoticism. |
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| Doni Tondo. Michelangelo. 1505. Oil on panel, rare for Mike. Women are men with breasts. Heads of saints. |
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| Battista Sforza and Federico da Montefeltro. Francesca. 1472. Oil/Tempera on panel. Nose symbollic of leadership as general. |
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| Primavera. Botticelli. 1480. Oil on canvas. Commissioned by Medici for a wedding. Read Right to left. |
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| Venus of Urbino. Titian. 1540. Oil on Canvas. |
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| Madonna of the Long Neck. Parmagianino. 1540. Mannerist. Altarpiece. Jesus a big baby. Looks like foreshadowing of death. Small man is Saint Gerome. |
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| Santa Maria Novella. Facade by Alberti. 1455. Dominican order. Preached to public. Renaissance facade. Church was gothic. |
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| Strozzi Chapel. Orcagna and Cione. 1355. Three Dimensional last judgement. |
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| Trinity. Masaccio. 1425. Fresco. Linear Perspective for first time across the whole work. |
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| Tornabuoni Chapel. Ghirlandaio. 1485. Really nice room for poor Mary. |
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| San Marco Cloisters. Bartolomeo. 1445. Rib-Vaulting. Round arches. |
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| San Marco Altarpiece. Fra Angelico. 1440. Fresco? |
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| Portrait of Savonarola. Bartolomeo. 1500. Oil on panel. Critical of Florentine life. |
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| Annunciation. Angelico. 1442. Tempera on Panel. Gabriel tells MAry she's pregnant. Setting reflects cloisters. Gabriel flew in from monastery's window. |
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| St. Dominic Worshipping the Crucifixion. Angelico. 1440. Fresco. |
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| Medici Chapel. Michelangelo. 1520. Maybe not all Michelangelo. Dedicated to the resurrection. Lorezno and Giovanni face altar. Very plain, whitewashed. Every statue unfinished. Private Medicean use. |
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| NIght. Michelangelo. 1530. Stressful dreams. |
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| Palazzo Medici. Bartolomeo. 1444. EVeryone was getting new palaces and Csimo wanted one. Rustification. |
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| Chapel of the Magi. Gozzoli. 1460. Fresco. Flemish. |
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| BArgello. 1255. Oldest, well survived building in Florence. Gallows. Courtyard has staircase to shut off outside. Once a prison. |
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| Bacchus. Michelangelo. 1495. LAcks definition. Finished. God of wine and a little drunk. |
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| Sacrifice of ISaac. Brunelleschi. 1400. Nine competitors for doors of Baptistery. Was too expensive, solid bronze. |
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| David. Donatello. 1450. Bronze. Used to be guilded. Litle muscles. Little David. Nudity emphasized because of few clothes. |
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| Bust of Piero de'Medici. Fiesole. 1450. |
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| Martyrdom of St. LAwrence. Bronzino. 1570. MAnnerist, ambiguous subkect matter, nude. Fresco. Acid tones. |
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| San Lorenzo. Brunelleschi. 1420. Romanesque. |
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| Old Sacristy. Brunelleschi. 1430. Giovanni's burial chapel. White washed. Geometric. |
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