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| A mark that can vary in length, width, type and expression. |
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| The lightness and darkness of a color |
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| The roughness and smoothness of something which refers to the way something looks or feels. |
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| An object with two dimensions: length and width. |
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| An object with three dimernsions: length, width, and depth. |
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| The place where everything converges and meets at one spot. |
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| The place where the land and the sky meet. |
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| An entire piece of artwork made with different values of one color. |
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| Inanimate objects arranged in a specific way for the purpose of making a piece of artwork. |
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| A piece of artwork where you can recognize the subject, but it is not portrayed or created in a realistic way. |
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| Artwork that is only about color, shape, and design and usually does not have a recognizable subject. |
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| A piece of artwork where the human head is the subject. |
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| The distance the eyes are apart in a portrait. |
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| Halfway between the top and bottom of the head on a portrait. |
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| The mixture of two primary colors: Green, Violet, and Orange. |
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| The mixture of one primary color and one secondary color: Yellow-Orange, Yellow-Green, Blue-Green, Blue-Violet, Red-Violet, Red-Orange. |
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| Line, Value, Texture, Shape, Form, and Color. |
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| Movement, Balance, Emphasis, Rhythm, Proportion, Variety, Unity, Harmony. |
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| The art of fine handwriting. |
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| A small pencil-shaped paper tool that aids in the shading process. |
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| The means with which the artist uses to create their artwork. |
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| Usually three pieces of artwork in which the middle panel is usually the largest and most important, flanked by two smaller and lesser but related pieces. |
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| A continuous line drawing of a subject without looking. |
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| The art of folding paper. |
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| Creating the illusion of depth in a piece of artwork using tools like lines converging on a vanishing point. |
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| At rranged from cut or torn materials attached to a surface. |
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| The way an artist chooses to arrange their artwork. |
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