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| Hues that cannot be produced with other colors: Red, Yellow, Blue |
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| Created by mixing two primary colors: Orange, Violet, Green |
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| Depicts the appearance of things; represents again objects from everyday |
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| Has no reference to natural objects; depicts objects in simplified, distorted, or exaggerated ways |
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| Has no specific reference to anything outside themselves |
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| Symbolic meaning of signs, subjects, and images |
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| Line, Shape, Mass, Space, Light, Color, Texture |
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| Unity & Variety, Balance, Directional Forces, Contrast, Repetition, Rhythm, Proportion, Scale |
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| Making judgments, both positive and negative, about artwork |
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| Coloring agent made from natural and synthetic substances |
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| Causes pigment particles to adhere to one another |
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| Oil Paint Binder & Vehicle |
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| Binder- Linseed Oil Vehicle- Turpentine |
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| Egg Tempera Binder & Vehicle |
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| Binder- Egg Yolk Vehicle- Water |
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| Encaustic Binder & Vehicle |
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| Binder- Wax Vehicle- Heat |
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| Watercolor Binder & Vehicle |
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| Binder- Gum Arabic Vehicle- Water |
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| Finely ground pigments suspended in water are applied to a damp lime-plaster surface |
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| Done on finished, dried lime-plaster walls |
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| Thick paint applied heavily to surface |
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| Printmaker cuts away all parts of the printing surface not meant to carry ink, the surface is then inked and is transferred to paper with pressure |
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| Block is cut along grain, usually only black and white but color can be printed with single blocks of wood |
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| Linoleum is gouged out for the surfaces not intended to be inked |
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| Areas below the surface hold the ink |
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| Lines cut into polished surface by pushing a burin through metal |
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| Metal plate with acid-resistant coating is drawn into, exposing the metal. Then the plate is immersed into acid where the bare parts are "etched." |
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| based on mutual antipathy of oil and water |
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| used to obtain shaded areas in black-and-white or color prints |
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| Metal plate is scratched with a diamond-tipped tool to leave shallow groove for ink |
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| Adhere stencil to screen of silk fabric, push ink through screen with a squeegee so that ink falls into the stencil |
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| Total number of prints made |
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| Art made with a combination of different materials |
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| Gradations of light and dark values in two-dimensional imagery |
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| literally means "rebirth" and is characterized by Greek & Roman literature |
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| Filippo Brunelleschi, Donatello, Leonardo da Vinci, Michelangelo Buonarroti, Raphael Sanzio |
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| Characterized by energy, feeling, and dramatic use of light, scale, and balance |
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| Gianlorenzo Bernini, Diego Velazquez, Rembrandt van Rijn, Jan Vermeer |
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| Characterized by classic Greek and Roman themes |
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| Jacques-Louis David, Angelica Kauffman |
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| Characterized by emotional expression, human liberty, celebrated nature |
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| Francisco de Goya, Thomas Cole, Eugene Delacroix |
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| Depicts ordinary existence without idealism or nostalgia |
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| Gustave Courbet, Rosa Bonheur, Thomas Eakins, Edouard Manet |
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| Paint "impressions" of what eye actually sees and not what mind knows |
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| Claude Monet, Edgar Degas, Mary Cassett |
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| Concerned with symbols, expressiveness, and psychological intensity |
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| Post-Impressionist Artists |
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| Georges Seurat, Paul Cezanne, Vincent van Gogh, Paul Gauguin |
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| Characterized by areas of bright, contrasting color and simplified shapes |
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| Henri Matisse, Andre Derain, Ernst Ludwig Kirchner |
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| Simultaneous presentation of multiple views, geometric reconstruction of subjects in flattened, ambiguous space |
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| Pablo Picasso, Georges Braque |
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| Inspired by motion and movement |
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| Group of artists protesting again WWI |
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| Visible imagery of the unconscious |
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| Max Ernst, Salvador Dali, Joan Miro |
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| Revolutionary sculpture movement inspired by abstraction |
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| "The style" incorporated geometric elements using both 2D & 3D art forms |
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| Fernand Leger, Vladimir Tatlin |
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| Piet Mondrian, Gerrit Rietveld |
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| Diego Rivera, Frida Kahlo |
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| Jacob Lawrence, Archibald Motley |
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| Desire to express attitudes and emotions |
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| Included poets, musicians, novelists, and visual artists |
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| Based on the originating idea and process take precedence over the tangible product |
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| Emphasized spontaneous personal expression in large painting that are abstract/nonrepresentational |
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