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| starting out, learning a skill or trade, does prepatory type work(percent for the art programs) |
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| Large scale organizations of craftspersons in medevil europe |
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| libraries and skilled artists in persan in 13th-17th C |
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| particular well known master artist is assited by lesser known skilled artists and unknown apprentices who do bulk of the work |
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| large number of people usually no master, people not artistic typically |
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| among professionals of equal standing known of each skill is important to subject |
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| in renaissance name for european artists |
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| holy person, priest, shamen |
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| created work that was intended to help heal the human spirit after the hoorors of world war 2 |
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| private patronage(patrons) |
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| are powerful wealthy people who commission art for their homes or monuments to memorialize them after their death |
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| today, many artists may create art on spernulation art they try to seel through thier own efforts agents or galleries |
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| texas can support art either as direct payments to artists or as funding for major projects |
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| destruction of sacred images |
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| old stone age, began in 25,000 BCE (related to food and shelter) stone weapons, hunters and gatherors, first art ever |
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| middle stone age (10,000-7,000 BCE) fist experiemtns rasing crops and animals |
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| new stone age (8,000 BCE) expanded agricultural prudcution and city production,organized formatting, animal, husbantry, permanent settlements |
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| process of returning damaged or worn art to original conition, very tricky. temples can be sprayed with detergants and herbacide, main concern is we do not know the effects |
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| storing and serving food, pottery figures evolved into more fluidly realized bodies(showing humans are evolving) |
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| art can be made to destroy |
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| ART USED TO STORE AND SERVE ENJOY FOOD |
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| means no records, no way to write stuff down, document where everything is found |
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| style associated with archaid period |
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| clay used to paint pictures on |
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| vessel to use carry water |
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| transition with popular culture selling stuff for fallaries and museams borrwing from popular culture |
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| later 16th 17th europe period, extravigance learning known for exaggeration and theatics. food in almost fetish quality |
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| symbolic ritual function, feast form practiced among natives pacific slaves oriented toward estabishing social order |
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| product of 20th centery modernism, with emphasis on simple geometric shapes |
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| known for rebirth of leaning in europe from 14th- 16th centery |
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| mid 20th centery archectual bulding designs that empashized spare rectangular shafts of steel and glass deviod of ornamentation that rose from street level plazas. |
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| late 20th centery movement in which art forms were deconstructed to be analyzed nad potentially reinterpereated and reconstructed |
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| rejects established conventions and seeks to shake the viewers expectatiosn, irregular buildings |
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| figures stricking poses, large sculpture near the food serioes of froozen figues |
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| forces of nature are inhabited by spirits |
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| beleif many gods with distint and sometimes |
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| sign of death and attainment of nirvana |
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| the gates four heraldic gates with rich carvings |
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| top of dome mast of unbrellas |
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| belief in one god and that there is no other |
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| monothestic foundation of christianity and islam |
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| father son holy spirit, many different images of god |
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| forests and enormous stones are sacred dwellings of the gods of nature |
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| most famous in catholic chruch |
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| islamic prater services "prosteration" |
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| talud and tabblero constuction |
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| alternacting slopes and inset platforms |
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