Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
Seurat
POST-IMPRESSIONISM |
|
|
Term
|
Definition
|
|
Term
|
Definition
Van Gogh
POST-IMPRESSIONISM |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
Douglas
HARLEM RENAISSANCE |
|
|
Term
|
Definition
Lang
STRAIGHT PHOTOGRAPHY |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
The sublime
The exotic
The extreme
Orientalism
Emotional
Spontaneity > control
Originality > virtuosity |
|
|
Term
|
Definition
Painted reality - laborers, the poor, the working class
Not idealized
Reaction to the French Academy
Courbet, Manet |
|
|
Term
|
Definition
Positivism: empirically observing the world
Painted landscapes and cityscapes
En plein aire: painted outdoors |
|
|
Term
|
Definition
Rejected empiricism
Painted what they felt, not what they saw
Interest in non-western world |
|
|
Term
|
Definition
"Wild Beasts"
Painted with color
Zero interest in creating a "window into the world"
Matisse |
|
|
Term
|
Definition
Obsessed with fourth dimension
Other realities
Muted palatte |
|
|
Term
|
Definition
Synethesia: see and hear color
Theosophy: all religions have some truth
Created non-objective (abstract) art
Kandinsky |
|
|
Term
|
Definition
Interest in speed, movement, industrialization
Manifestos -> facists
War as a cleansing of the world |
|
|
