Gianlorenzo Bernini

Baldacchino of Saint Peter's

17th century

Italian Baroque

Francesco Borromini

San Carlo alle Quatro Fontane

17th Century 

Italian Baroque

Gianlorezo Bernini

Cornaro Chapel 

17th Century 

Italian Baroque

Caravaggio

Entombment

17th century

Italian Baroque 

Artemisia Gentileschi

Judith and Her Maidservant with the Head of Holofernes

17th century

Italian Baroque 

Diego Velazquez

Surrender of Breda

17th century

Spanish Baroque 

Peter Paul Rubens

Henri IV Receiving the Portrait of Marie de' Medici 

17th century

Southern Netherlands Baroque 

Rembrandt van Rijn

Anatomy Lesson of Dr. Tulp 

17th century

Dutch Baroque

Frans Hals

Wedding Portrait of Isaac and Beatrix

17th century

Dutch Baroque

Jan Vermeer

Woman Holding a Balance

17th century

Dutch Baroque

Jan Steen

The Feast of St. Nicholas

17th century

Dutch Baroque

Pieter Claesz

Still Life with Turkey Pie

17th century

Dutch Baroque

Charles le Brun

Versailles

17th century

French Baroque 

Nicolas Poussin

Landscape with Saint John 

17th century

French Baroque 

Dominikus Zimmermann

Wieskirche 

18th century 

Rococo

Antoine Watteau

Departure from the Isle of Cythera

18th century 

Rococo

Jean-Honore Fragonard

The Swing

18th century 

Rococo

Francois Boucher 

Marquise du Pompadour 

18th century 

Rococo

Elisabeth-Louise Vigee-Lebrun

Portrait of Marie Antionette with Her Children

18th century 

William Hogarth

The Marriage Contract from Marriage a la Mode 

18th century

Jaques-Louis David

The Lictors Returning to Brutus the Bodies of His Sons

18th century

Neoclassicism

Angelica Kauffmann

Cornelia Pointing to her Children as her Treasures

18th century

Neoclassicism

Benjamin West

The Death of General Wolfe

18th century

Neoclassicism

Francisco Goya

Third of May, 1808 

19th century

Romanticism

Theodore Gericault

Raft of the "Medusa"

19th century

Romanticism

Eugene Delacroix

Women of Algiers

19th century

Romanticism

JMW Turner

The Fighting "Temeraire" Tugged to Her Last Berth to be Broken Up

19th century

Romanticism

Baroque

General Characteristics 

Psychology

Drama

Mid-action

Diagonal

Verisimilitude

Allegory

Classicism

Emotion

Light=presence of god 

Rococo

General Characteristics 

Pastel

Dainty and Curving Figures (Arabesque)

Light Hearted

Humor

Decoration (Restless Surface)

Shallow Space

Escapist 

Fete Galante 

Neoclassicism

General Characteristics 

Pro-enlightenment

classical style, pose, and subject

moralizing element 

Romanticism

General Characteristics 

Anti-enlightenment

Interest in exotic, irrational, emotional, imagination, intuition, originality

Victims & Anti-heroes

Man is small, animal, not in control 

Nature=god

Subset of Romanticisim

 Interest in exotic

Orient=Middle East & North Africa

Colonization

Imagined situations/customs passed off as genre scenes

Harems & Bathhouses  

Expression of the power of nature

Nature=eternal, in control, amazing, and scary

Anti-enlightenment by showing a small figure against an intense landscape

Tenebrism

Caravaggian in style

Catholic

Counter-Reformation art

I=Pope, all religious art

S=Monarch, religious, political, and history art

Protestant

Calvinist=no church art

Duke=lack of traditional patrons

Rich trading country

DEITC

Premade, specialized art 

Catholic

Lack of c/r art though

Absolute Monarch, Louis XIV

Classical landscapes=calm, nostalgic, calculated composition, not emotional, grandeur of France 

French Academy