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| Artists' materials, such as oil paint or clay |
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| Drawing with pure, precise lines made by a thin metal wire in a holder; the wire is usually silver, but other metals including lead have been used |
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| A spray of shellac or plastic polymer used in charcoal and pastel drawings to ensure a permaent bond to the paper |
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| Colored chalk in sticks that are a combination of loose dry pigment and binder a paste of methylcellulose |
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| A colored drawing medium with a waxy or oily binder that adheres to paper; does not require fixative |
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| A versatile drawing crayon developed in the late 1700s. It comes in a variety of degrees of hardness and can be used to create both suble tones and dense blacks |
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| Have been used since acient time. |
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| A drawing technqiue used to make froms appear three-dimenisonal. A series of parallel lines cross in a net-like fashion, describing the contours of a surface |
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| 1. The visual plane where art elements (or figures) are organized. |
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| Is a painting medium that is at least seven thousand years old |
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| A painting medium in which pigments are mixed with eggs yolks |
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| Pigment and water is brushed directly into fresh, wet plaster. |
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| Pigments that are mixed with egg yolks |
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| Paint diluted and made tranparent |
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| Painting done as a foundation for subsequent transparent glazes. Usually establishies basic composition and tonal realationships |
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| Thick paint that reveals the action of brushstrokes |
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| Transparent paint that is a quick drying combination of pigment and guum arabic. Diluted with water, it is usually appiled to paper |
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| An opaue watercolor made by adding chalk to pigment. |
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| A water souble paint that dries quickly and can be applied to most surfaces |
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| A spraying device that uses an air compressor to propel paint mist through a nozzle |
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| The combination of cut-and-pasted paper, photographs, and other materials on a two dimensional surface |
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| Mixed materials, using them in unusual ways and respecting borders between two and three dimensional froms |
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| "Dark Room". By preventing all light from enetering a room and then cuting a small whole in a shade over a window. |
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| The first permanent photographic image, invented by Louis-Jacques-Mande Daguerre. |
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| In cameras, the clear, rounded glass or plastic that focuses the light onto the film. |
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| The part of the camera that is triggered by the photographer and controls the time of the exposure. |
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| An adjustable opening that controls the amount of light entering a camera. |
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| The imaginative combination of more than one photographic image |
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