Damien Hirst, The PhysicDamien Hirst, The Physical Impossibility of Death in the Mind of the Living, 1991.  Post Modern.al Impossibility of Death in the Mind of the Living, 1991.  Post Modern.

Chuck Close, Self Portrait, 1968. Photo-realism.

Banksy, Rage, The Flower Thrower, 2003, Contemporary.

Andres Serrano, Piss Christ, 1987, Post Modernism.

an artistic and poetic movement or style using symbolic images and indirect suggestion to express mystical ideas, emotions, and states of mind.

Ex. Klimt, The Kiss, 1907. Symbolism. 

an artistic movement begun in Italy in 1909 that violently rejected traditional forms so as to celebrate and incorporate into art the energy and dynamism of modern technology. 

Ex. Boccini, Unique forms of continuity in space, 1913. Futurism. 

a 20th-century avant-garde movement in art and literature that sought to release the creative potential of the unconscious mind, for example by the irrational juxtaposition of images.

Ex. Dali, persistence of memory, 1931. Surrealism. 

conventional aesthetic and cultural values by producing works marked bynonsense, travesty, and incongruity.

Ex. Duchamp. The fountain, 1917. Dadism. 

perspective with a single viewpoint was abandoned and use was made of simple geometric shapes, interlocking planes, and, later, collage.

Ex. Picasso, Guernica, 1937. Cubism. 

detailed visual representation, like that obtained in a photograph, in a nonphotographic medium such as animation or computer graphics.

Ex. Close, Self Portrait, 1968. Photorealism.

 painting using tiny dots of various pure colors, which become blended in the viewer's eye.

Ex. Seurat, sunday afternoon on the island of la grande jatte, 1884. Post-impressionism. 

writing or drawings scribbled, scratched, or sprayed illicitly on a wall or other surface in a public place.

Ex. Banksy, rage, the flower thrower, 2003. Contemporary. 

is a body of practical guidance to colormixing and the visual effects of a specific color combination.

Ex. Rothko, brown, blue, blue on brown. 1953. Abstract Art. 

to describe a viewpoint that includes another person seen from behind.

Ex. Friedrich, the wanderer above the sea of fog, 1818. 

describing art created from undisguised, but often modified, objects or products that are not normally considered art, often because they already have a non-art function.

Ex. Duchamp, the fountain, 1917. Dadaism.

art that does not attempt to represent external reality, but seeks to achieve its effect using shapes, forms, colors, and textures.

Ex. Picasso, Guernica, 1909. Cubism. 

 intellectual movement of the late 17th and 18th centuries emphasizing reason and individualism rather than tradition.

Ex. Derby, experiment with an air pump and bird, 1768. Enlightenment

an art form that combines visual art with dramatic performance.

Ex. Abromavic, the artist is present, 2010. Contemporary. 

an art form that combines visual art with dramatic performance.

Ex. Abromavic, the artist is present, 2010. Contemporary.