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Corbusier
1948
Marseilles, France |
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Giorgio Vasari
1550
Florence, Italy |
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2750-1500 B.C.
Amesbury, England |
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Kathryn Gustafson
2004
London, UK |
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1250 B.C.
Abu Simbel - (location) |
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| Mortuary Temple of Queen Hatshepsut |
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Senmut
1480 B.C.
Deir-el-Bahari (location) |
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Horizontal cut parallel to ground plane
3-6 ft above ground
L and W |
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Vertical slice perpendicular to ground plane
L, W, and Height |
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| View of side, front, etc. with no cut |
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3D on 2D
Vertical remain vert. and Parallel remain para.
all lines drawn to scale |
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3D on 2D
Convergence of Parallel lines |
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| 3D forms extruded from primary shapes (i.e. circle-sphere-cylinder) |
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| Graphic synthesis of how to organize space by means of formal analysis |
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line or segment about which a form is organized
can connect/organize loosely grouped elements |
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| Mirror image about an axis |
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6' people
Scale created by Corbusier |
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office
water
river in Florence |
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Figural void public space framed by multiple buildings
(Courtyards are framed by ONE building) |
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| Residential building with courtyard in center |
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| Something which comes before and influences later designs |
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A point of departure for design
(basically the overall idea) |
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| North, South axes in Roman military town |
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| East, West axes in Roman military town |
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| Public figural void in classic Roman time period |
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1500-1600
Rebirth of Classical Greek and Roman empires
(art, design, beliefs, etc.) |
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Z-axis
connects "heaven to earth" |
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| Rectangle who's proportions are related to Golden Section |
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Proportion based on rational
(Parts to Whole)
Mathematical |
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| mounding of earth by chalk, surrounding Stonhenge |
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| Point of light on summer solstice at Stonehenge |
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aka Trabeated
2 vertical columns/walls/support with horizontal across top |
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| wall surrounding Classic Rome |
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| Spirit of a a place/space/city etc. |
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Tall thin TAPERED stone
comes from egyptians |
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| Smaller iteration of larger whole |
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| recesses carried into a wall |
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| Substance between two walls that can be carved into |
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| Window above, opens to sky |
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Dematerialization in arch.
reduction of structure eliminates weight and makes more stable |
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| Stones inlaid in marble wall |
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"4 garden"
a garden division by 4 |
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Very tall thin columns
(see Taj Mahal for example) |
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| Inspired by feeling of awe |
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| Entry way to Egytpian temple. One large stone split in center. |
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| Most important part of Egyptian temple |
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Spaces that gradually decrease in size
Shows Heirarchy
(see Temples of Khnos or Ramses II for ex) |
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Splaying (opening) of columns at top
Allows less columns to be used |
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Space defined by Columns
Play on space, between interior and exterior |
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| An object that can be understood in the round |
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| Scared prescient of a Greek holy site |
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| Most public space in a Classic Greek city |
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Path one would take going uo to Acropolis
Ritual path |
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| Most important part of a Greek or Roman temple |
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Column engaged with a wall
(faux column) |
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In classic Rome, a judicial building
eventually became basis of Christian church |
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Spacing between columns
This space gets larger throughout the progression of time, and the advancement of engineering |
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types of Baths of Caracalla
Caldarium
Tepidarium
Frigidarium |
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