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| (in ancient Greece) A public open space used for assemblies and markets |
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| a curved shape in the vertical plane that spans an opening |
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| Lowest part of an entablature, resting directly on the capitals (tops) of the columns. |
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| A support built against a wall to support or reinforce it. |
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| A continuous base supporting a row of columns in classical Greek architecture |
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| A public square or marketplace, esp. in an Italian town |
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| 1.A large semicircular or polygonal recess in a church, arched or with a domed roof, typically at the eastern end, and usually containing the altar |
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| The central part of a church building, intended to accommodate most of the congregation |
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| Crossing of the nave with a side bar |
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| (element signifying the Trinity) middle band, characterics by tripartite division of the side aisle bays |
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| Lower most bang in the interior facade, corresponds to the side aisles in plan |
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| Thin grill of stone that holds the glass in place |
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| Top most band, distinctive lighting filtering from above |
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| 1.The triangular upper part of the front of a building in classical style, typically surmounting a portico of columns |
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| A Latin term for the center of the earth |
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| A large oblong hall or building with double colonnades and a semicircular apse |
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| a Roman room with a hot plunge bath |
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| north-south oriented street in Roman cities |
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| A stone carving of a draped female figure, used as a pillar to support the entablature of a Greek or Greek-style building |
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| A raised road or track across low or wet ground |
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| The inner area of an ancient temple, esp. one housing the hidden cult image in a Greek or Roman temple |
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| An ornamental molding around the wall of a room just below the ceiling |
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| has a fluted shaft and acanthus leaves on its upper end (or capital). |
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| an east-west-oriented road in a Roman city |
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| The paranormal fading or disappearance of a physical object. |
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| A rounded vault forming the roof of a building or structure, typically with a circular base |
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| a plain, sturdy column and a thick square abacus resting on a rounded molding |
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| A slight convex curve in the shaft of a column |
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| A broad horizontal band of sculpted or painted decoration, esp. on a wall near the ceiling |
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| coldest room with pool of cold water, probably with vaulted ceilings |
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| The presiding god or spirit of a place |
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| a flat ceiling which is supported by columns |
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| The regular spaces (or system of spacing) between the columns of a colonnade |
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| Temples constructed adjacent to, or in the vicinity of, royal tombs in the Ancient Egypt |
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| A stone pillar, typically having a square or rectangular cross section and a pyramidal top, set up as a monument or landmark |
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| An opening at the apex of a dome |
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| A rectangular column, especially one projecting from a wall |
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| Filled-in, usually black regions of an architectural section that indicate the cross-sections of walls, columns, and other solids with the section plane |
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| An upright structure that is used for support or for navigational guidance in particular |
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| A column, especially the main part between the base and capital |
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| In Ancient Greece, a walkway with a roof supported by colonnades, often with a wall on one side |
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| Elaborate and extensive ornamentation in decorative art and architecture that flourished in Europe in the 17th century. In architecture the period is exemplified by the palace of Versailles and by the work of Bernini in Italy. |
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| rebirth: the revival of learning and culture |
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| Sculptural area over doorway |
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| Aisles on the side of the nave allowing for procession of the ceremony |
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| Reduces ;ateral thrust which reduces structure, allows for wider and taller spaces |
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