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| appealing to emotion rather than reason |
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| repitition of consonant sounds at the beginning of words. |
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| reference to familiar person or thing |
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| directly addressing an absent or imaginary person. |
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| repetition of vowel sounds |
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| narrative poem originally sung |
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| pause in line dictated by rhythm (...) |
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| close repitition of consonant sounds (flip flop, hid bed) |
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| 2 lines of verse, usually rhymed |
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| events following the climax and resolution |
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| go from machine "saves the day" |
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| choice of words and placement |
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| juxtaposition of jarring sounds |
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| comical crudelt written verse |
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| end of phrase coincides with end of line |
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| poem exalted in heroic theme |
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| final section of speech or writeen work |
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| term used to characterize a person (Jack the ripper) |
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| narrative illustrating a moral truth |
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| makes use of figures of speech |
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| group of syllabels froming metrical unit |
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| fixed metrical arrangement |
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| pair oh rhymed iambic pentameter lines |
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| expression of a meaning contradictory of whats stated. Verbal : opposite whats said. Dramatic: understood in a double sense by audience. Situational: reverse of anticipations. |
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| feelings expressed in words with lyrical quality. |
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| comparing 2 unlike objects |
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| object substituted for another. (my light [vision] is spent) |
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| pattern of stressed and unstressed syllables. |
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| recurring image, verbal pattern |
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| serious dignified lyrical poem |
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| words whose sound express theie meaning. |
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| 2 contradictory terms. cold fire |
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| human characteristics given to inanimate objects |
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| quality envoking feeling. |
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| a mask the author assumes |
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| inanimate objects with human qualitites. |
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| 14 lines divided into 2 parts, an octave abbaabba and sestet cdecde |
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| duplication of an element of language |
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| 14 lines abab cdcd efef gg, or abba cddc effe gg |
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| comparison using like or as |
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| same with rhyme of abab bcbc cdcd ee |
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| group of lines forming division of a poem |
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| qualities making up a way of writing |
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| deductive logical argument |
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| something standing for something else. |
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| part represents the whole (all hands on deck) |
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| choice of words and placement in sentences |
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| authors attitude toward subject |
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| a french fixed form (5 tercets and a quatrain all w/ 2 rhymes) |
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