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Ghent alter piece
•Jan van Eyck
•1432
•Saint bravo catheral
•Ghent belguim
•Oil on wood
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Ghent alter piece closed
•Jan van Eyck
•1432
•Saint bravo catheral
•Ghent belguim
•Oil on wood
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The depostition
•Roger van der Weyden
•Flanders
•1435
•Oil on wood
•Museo del Prado
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The annunciation
•Robert Campin
•Flanders
•1425-1428
•Oil on wood
•Center panel of merode alter piece
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giovanni arnolfini and his bride
•Jan van Eyck
•Flanders
•1434
•Oil on wood
•Eyck played role on establishing portraiture as an important art form.
•Italian financer and his wife
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garden of earthly delights
•Hieronymus Bosch
•Flanders
•1505-1510
•Oil on wood
•Left wing, creatoin of Eve.
•Center panel: garden of earthly delights
•Right wing: hell
•Surreal images, creates a fantasy world with nude men and women and bizarre creature
•Defies interpretation
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Les tres riches heures du Duc de Berry (Book of hours)
•Limbourg Brothers (Hennequin, Herman, Pol)
•France
•1413-1416
•Tempra and Ink on vellum
•12 calendar pictures
•Reflects increasing integration of religious and secular concerns.
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Virgin and child (right wing)
•Jean Fouquet
•French
•1451
•Oil on wood
•Virgin model = Mistress of patron
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Etienne Chevalier and Saint Stephen
•Jean Fouquet
•France
•1450
•Oil on wood
•Meticulous representation of a pious kneeling donor with standing patron sain recalls Flemish painting
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The assumption of the virgin
•Tilman Riemenschneider
•German
•1495-1499
•Carved lindenwood
•Specialized in carving large wooden retables featured gothic tracery and religious figures
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saint anthony tormented by demons
•Martin Schongauer
•German
•1480-1490
•Engraving
•The most skilled of early master of metal engraving
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Sacrifice of Isaac
•Lorenzo Ghiberti
•Italy
•1401-1402
•Guilded bronze relief
•Features pose figures that recall classical stauary.
•Isaac altar is decorated with roman acanthus frieze.
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The gates of paradise (east door)
•Lorenzo Ghiberti
•1425-1452
•Guilded bronze relief
•10 reliefs panels
•Old testament themes
•Employs new science of perspective to create the ilusion of distance
EARLY RENAISSANCE
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sacrifice of isaac
•Filippo brunelleschi
•Florence, Italy
•1401-1402
•Guilded bronce relief
•For competition to make new bronze door.
•Frantic agnel about to halt an emotion lunging Abraham
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Saint mark
•Donatello
•Italy
•1411-1413
•Marble
•Modern copy in nich original eslse were
•Carved from the guild if linen drappers
•Contaposto into sculputure
•Drapery falls natuerly moves with body
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Tribute money
•Massacconio
•Italy
•1427
•Fresco
•Figures recal gittos in there simple grandure but convay greater and psycological and physical credibility
•Iluminated by 1 light source out of the picture.
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Holy trinity
•Masacconio
•Italy
•1428
•Fresco
•2 principal interest of italian rencaissace: realism based on observation and the aplication of mathematics to pictorial organisation
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