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| A renewal and flourishing of black literary and musical culture during the years after World War I in the Harlem section of New York City. |
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The Legend of Sleepy Hollow |
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A gothic story by American author Washington Irving. |
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The central figure in a literary work. |
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A New England preacher, essayist, lecturer, poet, and philosopher—was one of the most influential writers and thinkers of the 19th century |
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| a long, uninterrupted speech by one character that reveals the character’s feelings |
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| The integrated pattern of human knowledge, belief, and behavior that depends upon the capacity for learning and transmitting knowledge to succeeding generations |
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| a principle, standard, or quality considered worthwhile or desirable |
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| The state of being transported by a lofty emotion; ecstasy |
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| I wrote The Road not Taken. |
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Realism is an artistic movement in which artists and writers
represent objects, events, or social conditions as they really are. |
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| She wrote a short story entitled, Roman Fever, along with many other works |
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They were Americans, they believed their values were
in conflict with the post-war decadence of their fellow countrymen.
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I am a 20th-century writer, one of my top book was
A Farewell to Arms (1929) |
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| Highest point of the story. |
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| an attitude of a writer toward a subject or an audience |
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| persuasive, powerful speech |
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| how gender affects a literary work, writer, or reader |
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| a figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable. |
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| I work dark and macabre stories in the 19th century. The Raven is one of my well-know stories. |
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