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Main meter for cinematography is incident meter. Back up system is spot meter plus 18% grey card.
Where do we stand to spot meter and what are we doing with it? |
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| Stand at camera, spot reading important objects in the frame. |
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| What must we know about the medium before spot reading? |
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| Zone 5, Iris setting is dividing line in latitude |
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| Reflectance level is a guideline for measuring the latitude and iris |
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| Ansel Adam's zone systems first appearance of detail? |
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| Ansel Adam's zone systems last zone to show detail? |
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Which zone is standard reflectance level in a scene?
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| if you spot read at f16 and then photograph at f16 then you are shooting what zone? |
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| If you are wondering what zone something is on what do you do? |
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| Use spot meter and 18% grey card |
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| How do you create a silhouette look? |
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| spot meter subject, adjust iris to zone 1 or 2 |
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| How do we create a believable interior window daylight look? |
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| Spot meter subject and adjust iris to zone 7 |
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| How do we create a believable bare bulb look? |
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| Hand dimmer practicals and adjust to zone 8 or 9 |
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| Films advantage over HDV? |
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| overexpose and still look good |
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| HDVs advantage over film? |
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| How do you deal with HDVs overexposure issue? |
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| Use soft lights and close down iris |
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| When does HDVs advantage become a disadvantage? |
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| How do you prevent the close-up issues in HDV? |
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Internal camera adjustments
Move diffusion closer to talent
SOFT FX 2, 3, 4 |
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| What are polarizing filters for? |
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| What filter do you use outdoors when the brightness range exceeds the films latitude or digital cameras latitude? |
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| What do we need to do to our iris when we place a filter factor of 2 on our camera |
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| What kind of weather would you use a fog filter most effectively? |
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| fog filter at night gives beautiful halos around what in our scene? |
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| softening filter we use in advanced lighting to soften the face but not the eyes is? |
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| Why do we color correct, color compensation, and color conversation filters in film but not HDV? |
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