Term 
        
        | African American Drum Orchestra |  
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        Definition 
        
        | Title= Rhythmic pattern; Instruments:drums;shakers;gangoui(cowbell); played with hands and beaters;voice: natural and expressive;Dancing:Athletic,expressive;music related;played the song ?agbekor? |  
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        Term 
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        | Music was ensemble based with soloists and accompaniment; polyrhythmic;repetitive and ostinato pattern based; Rhythms were related to the language; the master drummer did solo improvisation; vocal: singing;whoops;shouts and speech like;Dance was interpretations of the music and usually told a story used in war etc. |  
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        | A fusion of blues and swing |  
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        | 1920s;used in a positive way to describe the African americans after the civil war;Described records made for the black community; Changed to Rhythm and Blues in late 1940?s. |  
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        | 1940s; In WWII 1500000 african americans moved to northern and western cities; high paying jobs; created new kinds of Black Music that reflected the life of the Urban Black Community |  
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        Term 
        
        | Louis Jordan and his Timpani Five |  
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        Definition 
        
        | saxophonist/singer/composer/bandleader; He transformed big band swing into the combo sound; had the ?jump blues sound?; Played caldonia; |  
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        Term 
        
        | Instrumentation of Louis Jordan and his timpani five |  
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        Definition 
        
        | 2 saxophones; electric guitar; piano;trumpet;bass;drums |  
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        Term 
        
        | Louis Jordan and his timpani five song titles |  
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        Definition 
        
        | His song titles reflected black folk life: such as ?aint nobody here but us chickens; beans and corn bread; Saturday night fish fry; choo choo ch boogie |  
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        Term 
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        Definition 
        
        | West coast; central avenue los angeles; they included piano;guitar;bass;drums and latin rhythms as well as a honking tenor saxophone style |  
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        Definition 
        
        | Had the boogie woogie feel; blues form; instrumental accompaniment-riffs;saxophone;piano;drums;bass;electric guitar; unusual timbres; and eventually had a heavy back beat it developed throughout the years portrayed in songs that he had in slides |  
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        Term 
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        Definition 
        
        | Piano/Band Leader/singer; played jazz;club blues;cocktail music; Appealed to Black and white audiences;mellow background music;Guitar;piano;bass instrumentation; played :straighten up and fly right and ; Unforgettable |  
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        Term 
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        Definition 
        
        Background:   Barbershop style of early 20th century   Male quartets singing stylized four-part harmony of popular songs.   Themes were mostly comic tunes, snappy pop tunes, or melancholy love songs.   A cappella - without instrumental accompaniment played "let me call you sweetheart" |  
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        Term 
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        Definition 
        
        Black barbershop harmonies   Instrumental vocal sounds   Vocal bass lines   Crossed racial boundaries |  
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        Term 
        
        | The Mills Brothers song "Hold That Tiger" |  
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        Definition 
        
          1930s movie short   Four singers with guitar accompaniment   Guitarist sings bass lines   Vocal trumpet sounds   Scat vocal Early microphones frightened some singers so the engineer camouflaged them. |  
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        Term 
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        Definition 
        
        Contemporaries of the Mills Brothers   Also appealed to both Black and White audiences   Signature feature: Spoken lyrics by the bass voice   “If I Didn’t Care” - #1 hit. |  
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        Term 
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        Definition 
        
          Beganin1930ssinging Barbershop arrangements with jazz and blues inflection   Sang at FranklinD. Roosevelt’s inauguration.   1930s national radio show   Vocal Group Hall of Fame 1998 |  
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        Term 
        
        | Golden gate jubilee quartet continued |  
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        Definition 
        
        Arrangementsincluded vocal instrumental sounds   A Cappella singing   Tightharmony   Rhythmicdelivery   GoldenGate“GospelTrain”   No accompaniment   Vocal train imitations   “Chugging train rhythm”   Syncopation |  
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        Term 
        
        | Second generation Vocal R&B |  
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        Definition 
        
          1950s teenagers seeking a way out of poverty   Performed on street corners, at school gatherings, in city parks, and on sidewalk stoops.   Songs dealt with teenage experiences and fantasies |  
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        Term 
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        Definition 
        
        1950s    1945 - NYC   Bridged the gap between pre-war and post-war vocal groups   Repertoire included pop standards and ballads in a jazz-blues treatment |  
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        Term 
        
        | The Ravens - 1950s “Old Man River” |  
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        Definition 
        
          Piano, Guitar accompaniment   Bass vocal lead   Vocal background   Non-sense syllables   Swing rhythm   Syncopation |  
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        Term 
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        Definition 
        
        1946   InspiredbyBlacksacred music   Church harmonies   Tenor obbligato   Religiousballads   Inspiredlater‘bird”groups; Swallows, Penguins, The Robins, and the Cardinals. played "crying in the chapel" |  
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        Term 
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        Definition 
        
          Used non-sense syllables “doo-doo- doo—doo-do” adding rhythmic interest to ballads.   Bass sang “jazz style walking bass lines” played goodnite sweetheart |  
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        Term 
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        Definition 
        
        •  Louisville,KY •  Started as the “Crazy Sounds.” Alan Freed changed their name to the “Moonglows.” •  Recorded “Sincerely” for Chess in 1954 •  Developed the “blow harmony” technique •  This technique became standard for Black vocal groups and ushered in the “Doo Wop” sound of the fifties. |  
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        Term 
        
        | Moonglows "sincerely-1954 |  
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        Definition 
        
          Doo Wop vocal quartet   Ballad style   Lead singer with vocal background    Used “blow harmony”   Instruments? piano,guitar,saophone    What is the meter?4/4 |  
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        Term 
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        Definition 
        
          Teenagers became the major group for popular music consumption   Also, many performers of R&B were teen- age Black singers from urban areas.   Record companies signed R&B vocal groups aimed at the African American market. |  
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        Term 
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          Black talent scouts developed new dance forms by introducing Cuban rhythms into the doo wop vocal styles.   Regional R&B styles developed including New Orleans   “Professor Longhair (Roy Byrd),” “Fats” Domino exemplified this style |  
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        Term 
        
        | "Hey Little Girl"-Professor Longhair |  
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        Definition 
        
         Instruments? Piano, bass, drums   Rhythm? Rhumba – “Latin Tinge”   Musical Form? The Blues   Lyric form? aab form  Vocal Timbre? timbre |  
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        Term 
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          New Orleans   Influenced by “Professor Longhair”   Piano   Most famous of the New Orleans R&B performers "blueberry Hill" |  
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        Term 
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        Definition 
        
        | Songs like shboom by the black band chords were done as covers by bands like the crew cuts in order to appeal to white audiences. |  
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        | played "smoke gets in your eyes" |  
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        bands like the clovers whoo played"fool,fool,fool"  ruth Brown who played "5-10-15 house ". And big Joe Turner played shake rattle and roll paved the path for bands to come in to rock and roll |  
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        Term 
        
        | Billy Ward and the dominoes |  
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        Definition 
        
          East Coast Doo wop    Ballad style   1951   “HarborLights”   “Stardust”   “DeepPurple”   “60MinuteMan” |  
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          Richard Penniman (b. 1932)   Religious Background   Rhythm and Blues   Piano - Energetic - Hard   Singer - Influence |  
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        | Played by little Richard it had Falsetto "whoops",nonsense syllables and a fast rock beat. |  
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        Considered father of Rock and Roll •  Chicago •  Electric Guitar •  Hit records: •  “Maybellene” - “Ida Red” •  “Roll Over Beethoven and Johny b. goode |  
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        Term 
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        Definition 
        
          Elias McDaniel   “Diddley Bo”   Rhythm Patent tried to  played "Bo'Diddley" |  
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        Term 
        
        | Reactions to Rock and Roll |  
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        Definition 
        
          1956 - White Citizens Council of Birmingham, Alabama: [rock and roll] appeals to the base in man, brings out animalism and vulgarity, and most important, represented a “plot to mongrelize America.”   Rock and roll brought “the animal instinct in modern teenagers.”   We are talking about“hugs”and“squeeze”andother “euphemisms which are attempting a total breakdown of all reticence's about sex” |  
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        Term 
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          The Platters (1953)   Hit Recordings:   “Only You”   “The Great Pretender”   “My Prayer”   “Twilight Time” |  
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        Term 
        
        | Jerry Leiber and Mike Stoller |  
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        Definition 
        
          Atlantic Records   Incorporated “Pop” production techniques:   Chorus/refrainsongs   Blues/Gospelharmonies   Comboarrangements with orchestral accompaniment   TheCoastersandElvis Presley |  
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        Term 
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          Humorous tunes composed by Leiber and Stoller   “Searchin”   “YacketyYak”   CharlieBrown   “PoisonIvy” |  
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        Term 
        
        | Latin Rhythms(habanara and Baion) |  
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        Definition 
        
        | ben e king- up on the roof |  
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          Ray Charles   R&B Hits   Country   “Georgia”   “I Can’t Stop Loving You”    1st Crossover song        “What’d I Say” |  
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          The Soul Stirrers   Teen idol   Recorded R&B in 1957 - forced to leave   “The greatest sex symbol in gospel history” |  
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