| Term 
 
        | In Mantis... what is opposite the gall? |  | Definition 
 | 
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        | Term 
 
        | Viewing Okonkwo's fate as uniquely his own, his relationship with the tortoise is the same as: A) boy and fox
 B) LC and CC
 C) King's 12 sons and the King
 D) Anpu and Bhata
 |  | Definition 
 
        | fox and the boy because the fox mirrors/reflects what the boy is going through |  | 
        |  | 
        
        | Term 
 
        | The sexual images in Houseboy suggest: A) a possible solution to colonialism
 B) genuine love
 C) impossibility of communication under colonialism
 D) the Commandant is not the manly person he wants everyone to think he is
 |  | Definition 
 
        | C) impossibility of communication |  | 
        |  | 
        
        | Term 
 
        | Some examples of dualism in: Thankane, Sik, P's Shining Stone, Mantis, Ma'aruf |  | Definition 
 
        | - Thankane vs. her father, ogres, father's calcified heart - Sik vs his brother; Mang and Mang's daughter
 - P's shining stone: sheep vs antelope
 - Mantis pos creates the moon; neg: creates gall/darkness
 - Ma'aruf: Fatima and Duna
 |  | 
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        | Term 
 
        | Which tales have to do with generosity pattern? (2) |  | Definition 
 
        | P's shining stone and Ma'aruf |  | 
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        | Term 
 | Definition 
 | 
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        | Term 
 
        | Thankane and her Father: 3 parts, mirroring, main pattern |  | Definition 
 
        | Part 1: father seeks to kill his daughter for cutting into his milk tree Part 2: orges kill all girl children
 3: father's calcified heart swallows everything
 - Parts 2 and 3 mirror and comment on part 1: punishment does not fit the crime
 |  | 
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        | Term 
 
        | Mythic elements in LC and CC, Two Brothers, P's Shining Stone, Mantis create an eland |  | Definition 
 
        | LC and CC: depose god 2 brothers: Bhata becomes pharaoh, Bhata's wife
 P' shining stone: god makes the moon from the stone
 Mantis: all myth
 |  | 
        |  | 
        
        | Term 
 
        | Rom of the Fox: two sides of the boy; fox mirrors the boy; role of woman, bird, horse, and role of the 3 kings |  | Definition 
 
        | - woman, bird, horse: adult side, reveal identity of the true hero - 3 kings: give impossible tasks
 |  | 
        |  | 
        
        | Term 
 
        | Role played by animals: which stories have animals as neg/childhood past (4) |  | Definition 
 
        | Rom of Fox, LC and CC, 2 Brothers (ox), doves in King's 12 sons |  | 
        |  | 
        
        | Term 
 
        | Role played by animals: harmony with nature (2) |  | Definition 
 | 
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        | Term 
 
        | Role played by animals: developing wisdom/adult (2) |  | Definition 
 
        | bird and horse in Rom of the Fox, mouse in Sik |  | 
        |  | 
        
        | Term 
 
        | LC and CC: main pattern (experience it 3 times) |  | Definition 
 
        | setting things right: Lion, 8 Old Men, god |  | 
        |  | 
        
        | Term 
 
        | Si: what mirrors neg side, pos side, developing wisdom |  | Definition 
 
        | neg: brother, Mang pos: Sik, Mang's daughter
 developing wisdom: mouse, sister
 |  | 
        |  | 
        
        | Term 
 
        | King's 12 sons and 1 daughter: transformation, mirroring, what does the fairy represent? |  | Definition 
 
        | - girl -> woman is mirrored by boys -> doves -> men - national change as well: woman being ruler
 - fairy: tradition
 |  | 
        |  | 
        
        | Term 
 
        | Super-patterns in U-W (2) |  | Definition 
 
        | 1. Grotesqueness: morally in part 1 and physically in parts 2 and 3 2. Nature: mountain beast in part 1, rain and thunder in part 2, and U-W herself in part 3
 |  | 
        |  | 
        
        | Term 
 
        | Ma'aruf...role of jinni and the rings |  | Definition 
 
        | jinni: makes the lie a reality; provides the wealth rings: represents the change taking place inside him, and passing from person to person represents that he is not ready yet
 |  | 
        |  | 
        
        | Term 
 
        | What 2 characters swallow all their possessions? |  | Definition 
 | 
        |  | 
        
        | Term 
 
        | Major pattern and Role played by women in The Two Brothers |  | Definition 
 
        | - Bhata's transformation: ox to trees to wood chips - Role played by women: helping/forcing him along in his puberty rite of passage
 |  | 
        |  | 
        
        | Term 
 
        | Main patterns in P's shining stone |  | Definition 
 
        | generosity and selfishness |  | 
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        | Term 
 
        | 2 unpatterned images in LC and CC |  | Definition 
 
        | 1. when CC dies when the dogs eat his mother's entrails 2. when LC brings CC back to life
 |  | 
        |  | 
        
        | Term 
 
        | embedded image in LC and CC |  | Definition 
 | 
        |  | 
        
        | Term 
 
        | Purpose of introduction in LC and CC |  | Definition 
 
        | sets up animals as negative, childhood past |  | 
        |  | 
        
        | Term 
 
        | Taking of the livestock in M's Magic Finger reveals |  | Definition 
 
        | the uncle's moving into manhood |  | 
        |  | 
        
        | Term 
 
        | Purpose of Thankane's daughter's rite of passage |  | Definition 
 
        | - reinforces thankane's rite of passage - rite of passage is all we have, but it isn't always perfect
 |  | 
        |  | 
        
        | Term 
 
        | Main motif of P's Shining Stone |  | Definition 
 | 
        |  | 
        
        | Term 
 
        | 2 embedded images in Yarima, Atafa, and the King |  | Definition 
 | 
        |  | 
        
        | Term 
 
        | In which of the following stories is the creation of the moon meant to be an admonition to humans: A) Mantis creates an eland
 B) Python's Shining Stone
 C) both
 D) neither
 |  | Definition 
 | 
        |  | 
        
        | Term 
 
        | Which are dualistic gods: A) Mantis
 B) Bhata's wife
 C) both
 D) neither
 |  | Definition 
 | 
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        | Term 
 
        | Who are God' bits of wood, and what is the sig. of the title? |  | Definition 
 
        | - all the unnamed people who work on the railroad - superstition, don't name or count people b/c then some evil might get them
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | 1 Ad-ji-bi-ji 2. Ramatoulaye
 3.Penda
 4. N'Deye Touti
 5. Maimouna
 |  | 
        |  | 
        
        | Term 
 
        | Ad'ji'bi'ji: what she represents, major events (3) |  | Definition 
 
        | - interested in men's activities (strike) - learning French
 - the future: the new Africa
 - major events: struggle with Niakoro, the visits to strike with Fa Kieta, wanted to cry out that she is free and independent
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | - blind woman - sings: (griot) about the great women of the past who have successfully measured themselves against men
 - major events: death of one of her twins, turns her back on Samba, her songs, her friendship with Penda, she nurses the child Strke
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | - 1st stage of Negritude: wants to be a black Frenchwoman - changes: moves to the 2nd stage: acceptance of her African past
 - overhears the whites, conversation with Bakayoko (there are many ways to prostitute oneself, Penda's a better person than you), slapped by Rama
 - major events: her love for Beaugosse and Bakayoko, initially disdaining the strike, overhearing the whites, her change of mind
 - goes through stages of puberty rite of passage rituals
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | - alleged prostitute, on the boundaries of society - new woman, taking a Bakayoko role
 - major events: the spitting and slapping, her death, Bakayoko's admiration of her, leading the march to Dakar
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | - a housewife who becomes a revolutionary when she finds her cupboard bare and she is unable to provide for her children - major events: killing Mabigue's ram, slapping N'deye Touti, becoming a leader of the women
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | - model for change - wants synthesis of African tradition (humanism) and European technology
 - the change that he represents is seen in the 5 women
 |  | 
        |  | 
        
        | Term 
 
        | Sig. of the death of Sounkare the old watchman, eaten by rats |  | Definition 
 
        | - despair - the inhumanity of the whites
 |  | 
        |  | 
        
        | Term 
 
        | Sig of the trial of Diara the scab |  | Definition 
 
        | emphasize humanistic past |  | 
        |  | 
        
        | Term 
 | Definition 
 | 
        |  | 
        
        | Term 
 
        | 3 attempts by the whites to stop the strike |  | Definition 
 
        | 1. allow no credit at the stores: with-hold food 2. bribe the strike leaders (tried to bribe Doudou, but failed)
 3. take over the unions (Gaye: an African, but identifies with the French)
 |  | 
        |  | 
        
        | Term 
 
        | symbolism of the child Strike |  | Definition 
 | 
        |  | 
        
        | Term 
 
        | Beaugosse, Gaye, and Mabigue |  | Definition 
 
        | lackeys, identify with the French |  | 
        |  | 
        
        | Term 
 
        | What does the locomotive represent? |  | Definition 
 
        | - change - end of colonialism and end of Africa as it was (Africa is no longer a garden)
 |  | 
        |  | 
        
        | Term 
 
        | Sig. of Maimouna saying "don't touch the children" to  Samba |  | Definition 
 
        | first sign that she knows Samba is the father of her twins |  | 
        |  | 
        
        | Term 
 
        | Role of Assitan for Bakayoko |  | Definition 
 
        | reveals that Bakayoko still has something to learn: at the end he takes her and Adjibiji to the strike meeting |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | 1. Niakoro: towards the beginning of the novel 2. Beatrice Isnard: towards the end of the novel
 |  | 
        |  | 
        
        | Term 
 
        | Where was the new courage/strength of Rama born? |  | Definition 
 
        | - beside a cold fireplace, in an empty kitchen |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | "Only the engines tell the truth--and they don't know the difference between white men and black" |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | "God has assigned a rank to every man" |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | "Real misfortune is not just a matter of being hungry and thirsty; it is a matter of knowing there are people who want you to be hungry and thirsty" |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | "If  you imitate the hirelings of your masters, you will become like them, hirelings and barbarians" |  | 
        |  | 
        
        | Term 
 | Definition 
 | 
        |  | 
        
        | Term 
 
        | The two sides of Okonkwo are revealed in his children: what events? |  | Definition 
 
        | 1. killing Ikemefuna 2. following Chielo into the hills
 3. disowning Nyowe
 - Ok. loses Nyowe when he kills Ikemefuna ("something snapped")
 |  | 
        |  | 
        
        | Term 
 
        | Major events in Part 1, 2, and 3 of Things Fall Apart |  | Definition 
 
        | 1: Ok kills Ikemefuna 2: Disowns Nyowe
 3. Ok kills the african messengers, unmasking of the elders, ok's suicide
 |  | 
        |  | 
        
        | Term 
 
        | Priests in Things Fall Apart |  | Definition 
 
        | Brown: flexible Smith: Inflexible, same as Ok.
 |  | 
        |  | 
        
        | Term 
 
        | Fox's head being cut off is a motif in what tale? |  | Definition 
 | 
        |  | 
        
        | Term 
 
        | U-W becoming the daughter of the ogre chief is a ____ in U-W |  | Definition 
 | 
        |  | 
        
        | Term 
 
        | Theme of a Walk in the Night |  | Definition 
 
        | a system of Apartheid dehumanizes everyone: oppressors and the oppressed |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | knot of rage and hate: Adonis and Raalt knot of life: in Grace Lorenzo
 |  | 
        |  | 
        
        | Term 
 
        | Main pattern of a walk in the night |  | Definition 
 
        | 21 murders across the color bar |  | 
        |  | 
        
        | Term 
 
        | What reveals that Willieboy is not the gangster he wants to be (3) |  | Definition 
 
        | - scene in the Sheben, fight with the American sailor-- but Gipsy has to come save him - kicks Greene, a drunken white man
 - sense of morality instilled in childhood
 |  | 
        |  | 
        
        | Term 
 
        | 3 pillars of western civ in Houseboy |  | Definition 
 
        | Christianity, Justice Sys, Nuclear family |  | 
        |  | 
        
        | Term 
 
        | Ideal and reality: Nuclear family |  | Definition 
 
        | ideal: Commandant and Susan DeCazy reality: affair with Moreau
 |  | 
        |  | 
        
        | Term 
 
        | Ideal and reality: Justice Sys |  | Definition 
 
        | ideal: Commandant reality: the beating of the Africans, Moraeu overseeing this
 |  | 
        |  | 
        
        | Term 
 
        | Ideal and reality: Christianity |  | Definition 
 
        | ideal: Father Gilbert reality: the beating of the Africans, overseen by Moreau
 |  | 
        |  | 
        
        | Term 
 
        | foreshadowing in Houseboy |  | Definition 
 
        | the beating of the Africans |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | when Susan Decazy eyes meets Toundis, she sees and knows that he knows she is having an affair |  | 
        |  | 
        
        | Term 
 
        | final veil of Woman at pt 0 |  | Definition 
 
        | men control money as well |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | respectability, love, money |  | 
        |  | 
        
        | Term 
 
        | What other character (in any of the novels) is Firdaus most like with respect to society? |  | Definition 
 | 
        |  | 
        
        | Term 
 | Definition 
 
        | spitting on the men's faces in the newspaper |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | 1. men 2. eyes
 3. identity
 4. feeling like someone flung out into the water, no control
 |  | 
        |  |