| Term 
 | Definition 
 
        | 1. Birth 2. Puberty
 3. Marriage
 4. Death
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        | Term 
 
        | Central characters and what changes do they deal with of myths, tales, epics |  | Definition 
 
        | Myths: gods; changes on cosmological, universal scale Tales: Everyman/Everywoman; change on individual level
 Epics: Heroes as central characters, change on nation/cultural level
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        | Term 
 
        | Oral Tradition (definition) |  | Definition 
 
        | The handing down of information, beliefs, and customs by word of mouth or by example from one generation to another w/o written instruction |  | 
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        | Term 
 | Definition 
 
        | fantasy images become metaphorical replications of something happening in the real world: fantasy comments on reality |  | 
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        | Term 
 
        | Significant examples of mirroring |  | Definition 
 
        | - "Salamone": between the ogre and the chief - "Salamone": between Salamone and the ogre
 - "Sikholuma": between Sikholuma and Sitshalotshalwana
 - "Sikholuma": Mangangedolo and his daughter
 - "Mohammed.. .": between Mohammed and his uncle
 - In "The Unborn Child": between the unborn child and its father
 - In "Chakijana"· betweel Chaki·ana and the cannibals
 - In "Chakjiana": between Chakjiana and the mother
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        | Term 
 
        | 3 Ages of the Universe and what happens in each age |  | Definition 
 
        | 1. Golden Age: a perfect time when god, human, and nature existed in harmony 2. Creation: period of differentiation, death came into the world, dualism, god moved further away from the earth 3. Contemporary Age: the world of today, the gods and humans are distant from one another, humans use rituals to seek to regain the long lost perfect age; free-will |  | 
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        | Term 
 
        | Which of the gods in the myths we read are dualistic gods? |  | Definition 
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        | Term 
 
        | What is the significance of the dualism of the gods? |  | Definition 
 
        | the dualistic mixture exists in humans, we have both capacity for life and death inside of us, rite of passage of a cosmological level |  | 
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        | Term 
 
        | What is the role of the divine trickster? |  | Definition 
 
        | a symbol of the betwixt and between period of transformation that characterizes the age of creation; embodies the change from golden age to contemporary age; prototypes of our own movement to maturity and adulthood |  | 
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        | Term 
 
        | What are the two patterns in "The Creation"? Motifs at the center? |  | Definition 
 
        | 1. Tasks set by Mugulu (motifs: bride quest, impossible tasks, reluctant father-in-law) 2. ?  (motifs: ?)
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        | Term 
 
        | Why are there 2 creations in the "Mantis and the All-Devourer"? |  | Definition 
 
        | the second creation demonstrates that humans have learned to deal with God's creations |  | 
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        | Term 
 
        | Analyze the relationship between Iris and Osiris. |  | Definition 
 
        | Isis represents Osiris' life-giving side, Osiris is nourished |  | 
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        | Term 
 
        | What are the patterns involved in the myths having to do with primal choices |  | Definition 
 
        | - women held responsible - stories of choice
 - death came into the world because of vanity
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        | Term 
 
        | Similarities and Differences between divine and profane tricksters? |  | Definition 
 
        | - Similar: represent chaos and order - Different: profane trickster lacks the sublime connection with the gods
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        | Term 
 
        | Show how Sikuluma, Sudika-mbambi, and Ibonia are heroic. |  | Definition 
 
        | They are stories of transformation, from childhood to adulthood, wresting life from death. |  | 
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        | Term 
 
        | Show how the puberty rite of passage is dramatized in "Sikhuluma" and "Sudika-mbambi." |  | Definition 
 
        | Separation, Ordeal, and Reincorporation; impossible tasks, preparation stages, wresting life from death, |  | 
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        | Term 
 
        | In "Sudika-mbambi," why is it significant that a god is going through the puberty ritual? |  | Definition 
 
        | establishing a model for mankind; we echo the experience of the divine character |  | 
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        | Term 
 
        | What is the role played by Sudika-mbambi's brother? |  | Definition 
 
        | He represents humanity; he goes through the same experiences as the god-figure. Humanity continues to echo the experience of the ideal character, if we're to go through the right of passage properly, we must follow in god's footprints; struggles with his brother: we have to come to terms with our relationship with the gods |  | 
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        | Term 
 
        | How do Sudika-mbambi's various ordeals contribute to the rite of passage theme? |  | Definition 
 
        | Ordeal stage of puberty rite of passage |  | 
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        | Term 
 
        | What is the significance of Part two, the water monster part, of"Sikhuluma"? |  | Definition 
 
        | - women have imp roles to play in the right of passage: his sister - cape represents special abilities
 - represents Sikhuluma is on the cusps of manhood
 - connects part 1 to part 3
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        | Term 
 
        | What is the significance of the struggle between Sikhuluma and Sitshalotshalwana? |  | Definition 
 
        | mirrors the struggle going on inside Sikuluma; also mirrored in the struggle between Mangangedolo and his daughter |  | 
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        | Term 
 
        | Analyze "Ibonia" as a rite of passage story. |  | Definition 
 
        | transformation: childhood to manhood |  | 
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        | Term 
 
        | Show how Ibonia's rite of passage becomes a rite of passage for his Malagasy community. |  | Definition 
 
        | - etiological element: origin of marriage - he charts the way for all humanity
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        | Term 
 
        | 3 steps of Puberty Rite of Passage |  | Definition 
 
        | 1. Separation 2. Ordeal
 3. Reincorporation: Return
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        | Term 
 
        | Stories are built around 3 elements |  | Definition 
 
        | 1. Motifs 2. Patterns
 3. Meaning grows of the previous two
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        | Term 
 
        | 5 components of the Oral Tradition |  | Definition 
 
        | 1. Performer (storyteller) 2. Audience
 3. Realistic imagery
 4.Fantasy image (motifs)
 5. Pattern (repetition)
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        | Term 
 
        | In what way is setting important in "Ramaitsoanala"? |  | Definition 
 
        | the setting symbolize the stages: childhood, new life (adulthood), and the in-between is the struggle/movement inbetween |  | 
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        | Term 
 
        | What role does Konyek play in the woman's puberty ritual? |  | Definition 
 
        | represents being in-between, b/c he is half human and half demon, represents the childhood past that needs to be destroyed |  | 
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        | Term 
 
        | What does the the gamboler of the plain symbolize? |  | Definition 
 
        | traditions; vitality, youth, a promise among ruins |  | 
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        | Term 
 
        | What is the significance ofthe old fairy in "the King's twelve sons and one daughter"? |  | Definition 
 
        | she represents the past/old generation, orchestrating the girl's ordeal, attaches the fate of the boys to that of the girl |  | 
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        | Term 
 
        | "The Unborn Child": pattern and motif, what does the child represent? |  | Definition 
 
        | - pattern: the unborn child represents the father's tormented conscious - motif: persistent pursuer  - the child is both an extension of the mother and a representation of the father's guilty conscious |  | 
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        | Term 
 
        | "Python's Shining Stone": patterns (2), etiological element |  | Definition 
 
        | - Pattern 1: generosity - Pattern 2: want, selfishness - etiological element: explains the moon's phases, waxing and waning reminds us of Sheep's generosity |  | 
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        | Term 
 
        | "Salamone the Orphan": patterns, motifs, mirroring |  | Definition 
 
        | - Pattern 1: efforts to kill; motif: death dealers - Pattern 2: Assistance from nature; motif: helpful animals
 - Pattern 3: destruction of the ten-headed ogre; motif: swallowing monster
 - efforts to destroy Salamone-> mirror efforts that are destructive to society
 - boy is cutting himself off from his tainted past
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        | Term 
 
        | "The Gamboler of the Plain": patterns, motif |  | Definition 
 
        | - Gamboler does the work of the bride, Gamboler begins to die, The Gamboler does antisocial things to survive, Wife tries to bring the Gamboler back to life, All Die - motif: bride quest
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        | Term 
 
        | "Isis and Osiris": 3 significant patterns, motifs |  | Definition 
 
        | - Patterns: 1) the attempts of Set to kill Osiris, 2) Isis seeking her husband's body, gathering the pieces, giving them life, 3) the regular death and resurrection of Osiris - motifs: death and resurrection, transformation
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        | Term 
 
        | "Mantis and the All-devourer": Patterns (2) |  | Definition 
 
        | Pattern 1: Ticks fall down from the thatch and beat Mantis; move him into action - Pattern 2: Creation and Recreation; creation is a result of Mantis dreaming
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        | Term 
 
        | "Mantis Creates an Eland" |  | Definition 
 
        | - Pattern 1: God creates an eland - Pattern 2: God plays a trick, returning to the eland's gall to puncture it
 - Dualistic god: death dealing by creating darkness and life-giving by creating the moon
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        | Term 
 
        | "Beiho Tricks His Uncles": pattern and motifs |  | Definition 
 
        | -Pattern: trickster does it, then uncles do it - motifs: transformation, illusion, identity
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        | Term 
 
        | "Mohammed with the Magic finger": who is Mohamed a mirror of? Who is going through the puberty rite of passage? |  | Definition 
 
        | - Mohammed's uncle is going through the puberty rite of passage: Mohammed mirrors the uncle |  | 
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        | Term 
 
        | "The Magic Drum": patterns, etiological ending |  | Definition 
 
        | - Pattern 1: drum providing food - Pattern 2: drum provides whips - etiological ending: suggests that profane tricksters dance gingerly on the border between the age of creation and the contemporary age |  | 
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        | Term 
 
        | "The Story of Chakijana": patterns, motif |  | Definition 
 
        | - Pattern 1: Trickster takes over the mother's child-rearing functions; motif: illusion - Pattern 2: purging the mother of evil
 - pattern: transformation
 - Trickster mirrors the mother: dualistic mother
 * lack of harmony with nature
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        | Term 
 
        | "Sikhuluma: the Boy who did not speak" |  | Definition 
 
        | - Patterns in Part 1: bird quest (motif: birds that strangely lure humans to their death); Sikhuluma's life-giving speech; deaths of the boys (motif: swallowing monster) - Patterns in part 2: monster quest and chase pattern; swallowing monster motif
 - Patterns in part 3: mouse's advice (helpful animal motif); murder attempts (reluctant father-in-law motif); slow death of Sikhuluma (motif: dying and resurrected hero)
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        | Term 
 | Definition 
 
        | someone involved in change on a national/cultural scale |  | 
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        | Term 
 
        | How is the dualism of Mantis revealed in "Mantis Creates an Eland"? |  | Definition 
 
        | -negative/ death-dealing side: creating the darkness (punishment for humans destroying his creation) - Positive/Benevolent side: creating the moon so humans can see at night to hunt
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        | Term 
 
        | What represents the developing wisdom of Ibonia? |  | Definition 
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        | Term 
 
        | "Syani": pattern and motif |  | Definition 
 
        | Pattern: bride quest, reluctant in-laws (motif: swallowing monster) |  | 
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        | Term 
 
        | "Ngoma's basket": puberty rite of passage steps; what represents her childhood and adulthood, resp; struggle in between? motif |  | Definition 
 
        | - Separation: chased away by sisters - Ordeal: pattern of escape, allaying the developing suspicions of the ogre; making the basket
 - Return: basket floating through the air and the final destruction of the ogre
 - childhood/struggle in-between: building basket
 - adulthood: completed basket
 - motif: magical transformation
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        | Term 
 
        | "King's Twelve Sons and One Daughter": major pattern; what does the old woman rep? mirroring; what represents the struggle from childhood to adulthood |  | Definition 
 
        | - major pattern: transformation (boys to doves, doves->men) - old woman: past generation, orchestrating girl's ordeal, attaches the fate of the boys to that of the girl
 - Childhood past: boys as doves
 - Adulthood: boys as men
 - struggle: the girl having the responsibility for the fate of the brothers
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        | Term 
 
        | Armless-bride stories: major movement |  | Definition 
 
        | - physical incompleteness - incomplete (still a girl) -> completeness (a woman)
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        | Term 
 
        | What is the significance of having two separations in one of the armless bride stories? |  | Definition 
 
        | - a girl does not move to completion when she gets married and has a child, but only when she becomes a complete, adult human being |  | 
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        | Term 
 
        | "Konyek": motifs (4), major pattern, what do the twins represent? |  | Definition 
 
        | - motifs: demon lover, forgotten object (beads), swallowing monster, magical growth - major pattern: deception
 - twin boys represent her developing wisdom
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        | Term 
 
        | embedded images in "Ibonia" |  | Definition 
 
        | - Far-seer, Strong-Swimmer, Joiner-Together, Life-Giver - Life tree at home to symbolize his life
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        | Term 
 
        | "Ramaitsoanala": sig of her as bird and human?---contradictions---what reveals her developing wisdom?---patterns |  | Definition 
 
        | - half bird/half human: reveals that she is betwixt and between - contradictory feelings in the mother mirror Rama's feelings: wanting to grow up and be an adult but also wanting to stay at home as a child
 - the mother reveals her developing wisdom
 - pattern: impossible tasks by the co-wives
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        | Term 
 
        | Which myth is closest to the Golden Age? |  | Definition 
 
        | Mantis and the All-Devourer |  | 
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        | Term 
 
        | Which myth is closest to the Contemporary age? |  | Definition 
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