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| In essence, this means that every shot, scene or sequence is influenced by what comes before and after them. |
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| In other words the decisive critical moment is the single instance that most completely defines a specific scene. |
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| allows you to create a digital version of the lined script and sync footage to the dialog text |
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1. Emotion
2. Story
3. Rhythm
4. Eye-trace
5. 2-D plane of screen
6. 3-D plane of action |
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| If you don't know this you fail!! |
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Records a clean and continuous signal across the entire tape of...
Timecode - Created by timecode generator on VTR or camera
Reference Black - from black burst generator. Control track - automatically recorded by VTR. |
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| The goal of offline is to create an EDL. |
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| Offline is CHEAP COMPRESSED and Limited effects |
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| ONLINE IS = Expensive Uncompressed, and advanced effects |
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| Material given or “delivered” to customers – Broadcasters, ad agencies, film distributors. |
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Definition
A copy of the edited master program recorded onto the customers’ required storage format: D1, D5 DVCPRO HD, DVCAM
This could also be a tape, file or DVD. |
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| Universal Production Format |
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| 1080/24p is considered a universal production format as it has the largest frame size and best frame rate for converting to a variety of formats. |
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| Determines the color resolution. More bits more colors! |
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Definition
| Determines the color resolution. More bits more colors! |
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Definition
| In 4:2:2, Luma is sampled at 13.5Mhz, the color difference signals are sampled at 6.75Mhz each. |
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| MXF – Material eXchange Format - .mxf |
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Definition
Digital Nonlinear Extensible High Definition.
Stores footage in full raster width
“DNxHD 36” stores footage at 36Mbps, a bit rate close to DVCAM which uses 25Mbps. |
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Definition
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| Thin Raster, DVCPRO HD used in P2 |
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Definition
Allows multiple camera angles to be combined into one clip or grouped.
In the timeline, the editor can switch between any angle instantly during playback for a “live switch” like experience during edit. |
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