Term
|
Definition
| words that provoke a reaction; "to beg" "to seduce" |
|
|
Term
|
Definition
| words that don't motivate a reaction; "to read" "to run"; no progression |
|
|
Term
|
Definition
| lines the actor adds to fill in an awkward pause |
|
|
Term
|
Definition
| the ability to adjust to unforeseen circumstances |
|
|
Term
|
Definition
| physical alteration to accomodate new position of fellow actor |
|
|
Term
|
Definition
| sense + emotion memory; experience/feeling |
|
|
Term
|
Definition
| onstage line spoken to audience that other characters "can't hear" |
|
|
Term
|
Definition
| short silence in dialogue; unit of action |
|
|
Term
|
Definition
| 1. forcing someone to turn us 2. show off (steal focus) |
|
|
Term
|
Definition
| to increase the intensity of a line or action to reach a climax |
|
|
Term
|
Definition
| proper alignment + good posture |
|
|
Term
|
Definition
| focus energy on one sequence of actions |
|
|
Term
|
Definition
|
|
Term
|
Definition
| concentrated state of relaxation in which actors can attain utmost capacity |
|
|
Term
|
Definition
| personal emotion actor uses to find "stage emotion" |
|
|
Term
|
Definition
| unchangeable facts: who, what, when and where of scene |
|
|
Term
|
Definition
| when the conflict is first introduced; catalyst for the action of the play |
|
|
Term
|
Definition
| concentrate only on what's happening in your direct vicinity |
|
|
Term
|
Definition
| actions presented without objectives |
|
|
Term
|
Definition
| what your character wants overall (superobjective) |
|
|
Term
|
Definition
| remember smells, sounds, etc. |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| build, do something bigger |
|
|
Term
|
Definition
| natural ability to create art of superior quality (innate) |
|
|
Term
|
Definition
| plan for how you try to get what you want |
|
|
Term
|
Definition
| 1. hide someone 2. fix/hide mistake |
|
|
Term
|
Definition
|
|
Term
|
Definition
| list of character's motivated movements forming a logical sequence |
|
|
Term
|
Definition
| emotion "repeated" onstage |
|
|
Term
|
Definition
| character's inner thoughts that are demonstrated through physical action |
|
|
Term
|
Definition
| as an audience you accept what's going on onstage as reality for the duration of the play |
|
|
Term
|
Definition
| individuality and manner of expression |
|
|
Term
|
Definition
| play's central theme or intent that runs throughout the play; the author's message |
|
|
Term
|
Definition
| chain of logical, purposeful objectives that eventually disclose the super-objective |
|
|
Term
|
Definition
| unspoken flashes of thoughts and images that occurs underneath all actions |
|
|
Term
|
Definition
| when actors are fully focused on their immediate action without worrying what the audience thinks |
|
|
Term
| Method of Physical Actions |
|
Definition
| actor's logical sequence of actions that leads to emotions, thoughts, imagination, etc. |
|
|
Term
|
Definition
| character's quest that fuels a sequence of simple actions |
|
|
Term
|
Definition
| physical or psychological impediment that hinders the character from completing an action |
|
|
Term
|
Definition
|
|
Term
|
Definition
| physical act without content or meaning |
|
|
Term
|
Definition
| inseparable connection between internal experience and external expression |
|
|
Term
|
Definition
| the emotions that you actually feel in real life |
|
|
Term
|
Definition
| rhythmic flow and speed of a physical action or speech |
|
|
Term
|
Definition
| when an actor plays in a more open position than reality would allow |
|
|
Term
|
Definition
| the consideration of where "you" have been prior to an entrance |
|
|
Term
|
Definition
| two actors are both open to the same degree |
|
|
Term
|
Definition
| Russian co-founder and director of the Moscow Art Theatre; creator of the world's first and best known study of the acting art |
|
|
Term
|
Definition
| puts the actor in the character's shoes |
|
|
Term
|
Definition
|
|
Term
|
Definition
| words to emphasize to influence the meaning of the line |
|
|
Term
|
Definition
| suspension of action in which nothing happens |
|
|
Term
|
Definition
| moment in which thought processes continue when other actions do not |
|
|
Term
|
Definition
| emphasized line because of importance |
|
|
Term
|
Definition
| sometimes the character isn't saying exactly what he thinks |
|
|
Term
|
Definition
| actor's flashes of thoughts that give meaning to the dialogue and stage directions |
|
|