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| Ensembles actors for auditions (agents + Internet) |
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| one to two day contract Actors |
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| They paid for the project (hires producer can be one too) |
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| The one in charge of hiring the crew |
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| the person who writes the script |
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| Oversees the entire project; creates "final look" |
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| (mainly commercials) McDonald's worker |
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| DP (Director of photography) |
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Responsible for visuals (composition of picture)
*does not have to run camera* |
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| Manages schedule and efficiency on set |
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| PA (production Assistant) |
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| (entry level position) does everything else that needs to be done. |
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| the electrician (in charge of lighting in shot) |
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| People who do the grunt work *DO NOT HELP* |
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| Is on book for you.*continuity keeper* |
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| Sometimes in trailers will help you look correct |
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| has its own trailer. does your hair + makeup |
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| the snack bar people. (For you)!!! |
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| extra shots given to editor |
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| the opposite angle of the OG shot (apart of coverage) |
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| where the camera travels on tracks |
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| where your eyes are looking |
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| extra scenes that can be used (scene setting shots) |
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| making sure everything is exactly as it was (actors do what they can acting wise to help) |
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| ADR (automated Dialog Replacement) |
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| audio recording in studio for film |
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| MOS("motor only sync,""motor only shot," or "mit out sound") |
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| the places you stand moment to moment |
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| (Typically in commercials) to explain the direction of the scene |
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| a script that shows lines and camera moves/angles |
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| the "action" thing for start and steps of scenes |
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| An actor introducing themselves (the details change slate-slate) |
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| a rehearsal to rehearsal camera moves |
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| computer generated imagery |
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| green background with moving objects |
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| shooting is done for the day |
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| Actor wrap or (picture wrap) |
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| multiple day shot and you end for the shooting |
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| "Pictures up" (usually from the AD) |
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| we are ready to begin (be quiet) |
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| "Sound speeds" (from the Sound Tech) |
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| "rolling" or "camera speeds" (from camera operator) |
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| "action" or "whenever you're ready" (typically from the Director) |
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| return to your first mark (start over) |
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| "check the gate" "director says" |
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| I've gotten what I need. (Checking the lease is clear and the footage is usable) |
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| over the shoulder to see another actor |
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| point of view shot of what the actor is seeing (as if actor becomes lens) |
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| camera frame left and camera frame right |
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frame is from camera operator direction
*opposite to instinct* |
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| shows subject with background behind it |
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