Term
|
Definition
| Haacke, Shapolsky et al. Manhattan Real Estate Holdings, 1971 |
|
|
Term
|
Definition
| Haacke, Solomon R. Guggenheim Museum Board of Trustees, 1974 |
|
|
Term
|
Definition
| Haacke, Manet-Projekt, 1974 |
|
|
Term
|
Definition
| Daniel Buren, Untitled, 1966, acrylic on canvas |
|
|
Term
|
Definition
| Buren, Mosset, Parmentier, Toron, Manifestation no.3, 1967 |
|
|
Term
|
Definition
| Buren, Facsismiles of Manet-Projekt'74 pasted over Buren's work, 1974 |
|
|
Term
|
Definition
| Buren, Peinture-Sculpture (Painting sculpture), 1971 |
|
|
Term
|
Definition
| Asher, Claire Copley Gallery, Axonometric drawing, 1974 |
|
|
Term
|
Definition
| Asher, Claire Copley Gallery, view through the gallery toward office & storage, 1974 |
|
|
Term
|
Definition
| Asher, Claire Copley Gallery, view through the gallery toward entry/exit & street, 1974 |
|
|
Term
|
Definition
| Asher, Trailers in various locations in Munster, West Germany, 1977 |
|
|
Term
|
Definition
| Asher, Installation view of George Washington by Houdon at the Art Institute of Chicago, 1979 |
|
|
Term
|
Definition
| Asher, From January 26 to April 12, 2008, Installation of conceptual history of Santa Monica museum of Art exhibitions, 2008 |
|
|
Term
|
Definition
| Carlos Miereles, Insertions into Ideological Circuits: Coca-Cola Project, 1970 |
|
|
Term
|
Definition
| Carlos Miereles, Insertions into Ideological Circuits: Bank Note Project, 1970, rubber stamps on bank notes |
|
|
Term
|
Definition
| Carlos Miereles, Insertions into Ideological Circuits: Bank Note Project, 1970, rubber stamps on bank notes |
|
|
Term
|
Definition
| Miereles, Volatile, 1980-1994 |
|
|
Term
|
Definition
| Miereles, Mission/Mission (How to Build Cathedrals), 1987 |
|
|
Term
|
Definition
| Fred Wlson, Metalwork, 1793-1880 |
|
|
Term
|
Definition
| Wlison, The Spiral of Art History, 1993 |
|
|
Term
|
Definition
| Wilson, Viewing the invisible, 1998 |
|
|
Term
|
Definition
| Wilson, Black Murano Glass Chandalier, Venice Biennale, 1993 |
|
|
Term
|
Definition
| Lorna Simpson, The Waterbearer, 1986, silver gelatin print with vinyl lettering |
|
|
Term
|
Definition
| Robert Gober, Newspaper (The serious Bride), 1992 |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Glenn Ligon, Untitled (I Feel Most Colored…), 1990, oil on wood |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Carrie Mae Weems, Untitled (Man Reading Newspaper), 1990, three silver gelatin prints from the Kitchen Table series |
|
|
Term
|
Definition
| Kara Walker, Jockey, 1995, cut paper on adhesive wall |
|
|
Term
|
Definition
| Kara Walker, Danse de la Nubienne Nouveaux, 1998, cut paper on adhesive wall |
|
|