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| ________ was the architect invited by Gropius to give the keynote speech at the Bauhaus Week of 1923 |
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| Name two abstract painters who played a major role in the aesthetic change in the Bauhaus curriculum |
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| What typeface/font was used in Bauhaus publications after the arrival of Moholy-Nagy? |
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| Waht two avant-garde artists were credited by Larson as being somewhat responsible for the change in its teaching ideology/pedogogy from Expressionism to Abstract formalism? |
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| Van Doesburg's term for the new way he composed space as a continuous, but non-linear flow of space was ________ |
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| Towards a Plastic Architecture was written by ________ |
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| What was teh difference in how Wright approached the design of his interiors and how van Doesburg designed his interiors? |
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| Neo-Plasticism is a term associated with what movement? |
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| The De Stijl movement received much of its initial impetus from the non-objective paintings by ________ |
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| Describe the spatial sequence implied in the paintings by van Doesburg |
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| The Red-Blue Chair was designed by ________ |
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| The Schroder House was designed by ________ |
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| Describe the changes made in the first-year design at the Bauhaus made when Maholy-Nagy replaced Itten as the teacher |
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| What does Larson credit for the eventual appearance of columns in the Barcelona pavilion? |
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| What was the major design difference between Mies' Concrete and Brick Country House projects? |
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| The German term used by German designers after WWI who relied solely on realism and functionalism to describe their work was ________ |
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| The objective of the Vorkurs (foundation course) at the Bauhaus was _______ |
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| The German term that describes the spirit of Mies' Concrete Office Building of 1923 was ________ |
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| What architectural theoretician was responsible for the shift in design theory away from Expressionism at the Weimar Bauhaus? |
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| Sketch the entry sequence for the German State Pavilion at the 1929 Barcelona Fair |
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| Sketch the elevation of the Barcelona chair |
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| The event most responsible for the philosophical switch at the Bauhaus from Expressionism to "The New Architecture" was ________ |
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| Describe Mies' spatial order in his designs of 1923-1929 |
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| The Karl Liebknecht and Rosa Luxemburg Monument was designed by ________ |
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| Marcel Breuer is best known for the design of the ________ chair while working at the Bauhaus |
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| The "Wassily" chair was designed by _______ |
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| List three important design ideas Mies employed in the Barcelona Pavilion |
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| The Dutch architect known for his sachlich housing projects was _________ |
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| ________ was the leading theoretician of the De Stijl movement |
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| The architect in overall charge of planning the 1927 Weissenhof Siedlung was ________ |
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| ________ Was the major building type that brought the international Style to the forefront of German design in the 1920s |
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| The "Barcelona Chair" was designed by ________ |
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| When Walter Gropius assembled his faculty for the Bauhaus School, he drew many of them from which field of expertise? |
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| ________ was the director of the trade/design school in Weimar when its name was changed to the Staatliches Bauhaus |
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