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| Meiningen Players Innovation |
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Historical accuracy in design
rejecte traditional scenic devices
complete authority over actors
no supers, trained every actor
long reharsal |
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scientific
depict case studies
slice of life |
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Naturalism Play
Emile Zola |
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Naturalism Play
Henri Becque |
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Naturalism Play
Henri Becque |
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| Founder and date of Theatre Libre |
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Independent theatre, avoiding censors
support from zola
realistic and naturalistic plays |
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| First President of Freie Buhne |
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Arthur Schnitzler
adapted into The Blue Room FILM |
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| Michael and His Lost Angel |
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| Founder of Royal Court Theatre |
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Harley Granville Barker
John Vedrenne |
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| Realistic play by Chekhov |
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| Stanislavski's Actor Traning "Method" |
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1.Actors’ bodies and voices should be thoroughly trained.2 keen observers of reality as a basis for building
a role.3/Actors should seek inner justification for all actions on stage, “the magic if,” or “emotion memory.”5.Actors must focus attention upon the action and create the “illusion of the first time.” |
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| Date: Theatrical syndicate |
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| Opponents of the Syndiacate |
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| James O'Neil; Minnie Fiske; Harrisn Fiske; David Belasco; Shubert Bros |
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| Captain Jinks of the Horse Marine |
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| American Playwright Clyde Fitch |
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| The Girl with The Green eyes |
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| American Playwright Clyde Fitch |
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| American Playwright Clyde Fitch |
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| term by Richard Wagner means "Master art work" |
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| Founder of Festival Theatre, Bayreuth |
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| Founder of Theatre d'Art and features |
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Paul Fort
amaterus actors
poetry reading and new plays |
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| Founder of Theatre de l'Oeuvre |
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| Maurice Maeterlinck at Theatre de l'Oeuvre |
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| Alfred Jarry at Theatre de l'Oeuvre |
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1909
directed BY sERGEI dIAGHILEV |
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Jacques Rouche
Described work of Fuchs, Reinhadt, stanislavski |
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| Founder of Theatre du Vieux Colombier (10 actors) |
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The Staging of Wagner's Musical Drama
Music and stage setting
The Work of Living Art |
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| On the Art of the Theatre |
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| Edward Gordon Craig's theories |
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independent art
see rather than hear
denounced dramatist and elevated designers
ubermarionette |
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| Early plays of August Strindberg |
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| Early plays of August Strindberg |
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| Realistic plays of August Strindberg |
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| NonRealistic plays of August Strindberg |
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| NonRealistic plays of August Strindberg |
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| The Interpretation of Dreams date |
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| Contribution to the Theory of Sex |
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| Founders of Munich Art Theatre |
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| The Theatre of the Future |
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| Revolution in the Theatre |
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| Championed a detailed regiebuch |
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| Founder of Abbey Theatre (Ireland's National Theatre) |
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| Irish Playwright who used Celtic myths and legends in a peotic world to create effective symbolism |
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| Irish Playwright WHO WROTE ESSENTIALLY REALISM, PRIMARILY IN PEASANTS commedies and some Irish folk-history plays |
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| Irish Playwright WHO FUSED THE style of Years and Gregory, creating a distictive, lilting, peotic Irish prose. |
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| The Playboy of the Western World |
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| MAT Studio and coined term biomechanics |
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