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        Symphony No.9 (1824) 
  
Last movement
  Exerpt #1(orch)=It's like a little "drama" with contrabasses repeatedly interrupt with a "recitative."
  Exerpt #2(voice)=First human voice heard in a symphony for the first time in history.  |  
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        "Symphonie Fantastique" (1830) 
  
Timbre: Romantic orchestra 
  
Eb clarinet depicts witches' dance. Hints of Dies Irae 
  
Story of young man watching a witches' dance in hell.  |  
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        Prelude to Tristan and Isolde (1859)
  Movement: Prelude Epitome of Romanticism and has extreme chromaticism, almost atonal. Made up of leit motifs. |  
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        "St. Anthony of Padua's Sermon to the Fishes" 
(1892) 
-Folk like poetry -Humorous with satire -Female voice singing lightly like a joke 
-Orchestra paints picture of water  |  
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        Symphony #2 (1895) 
Movement: #3 -No singer, which is why it hints it is Symphony #2 
-Similar to "St.Anthony" but without the voice part and "morphs" into something grotesque halfway through.  |  
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        "Three Places in New England" (1903) Movement: The Housatonic at Stockbridge 
-Music is layered 
-impressionistic blur 
-dissonaces 
-bell sounds  |  
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        "Gymnopedie No.1" (1887) 
-A piano "character piece." -Opposite of Germanic music.  |  
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        Jeux (Games) (1912) -Orchestral Ballet score 
____(needs more info here)  |  
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        "Introduction and Allegro" (1905) -Chamber music -In this piece, Ravel combines the timbres of instruments and his experimentation with new and exotic scales. -Harp and strings bring in a stationary blur. |  
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        "The White Peacock" (1884-1920) -Orchestral tone poem Lush string orchestration helps create an atmospheric sound with some sounds of dissonance. |  
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        "Flute Song" (1963) -"Cool" Jazz -Influenced by Impressionists.  -Exotic scale patterns 
-Overlapping and irregular rhythm structures. 
-Interesting instruments featured in this piece are alto flute and saxaphones with slight electric sound.  |  
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        "The Voice of the Wood Dove" (1901) 
-Serialism 
-Uses extreme chromatic harmonic language of the late 19th century. Female opera voice.  |  
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