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| Leaf Study IV, Josef Albers, 1940, two leaves mounted on layered colored paper |
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| Tierre Verde, Josef Albers, 1940, oil on masonite |
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| Study for Homage to the Square: Light Rising (left); Homage to the Square: Dissolving/Vanishing (right), Josef Albers, 1950-51, oil on masonite |
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| The is the First Half of a Print Designed to Exist in Passing Time, Rauschenberg, 1949, pencil on tracing paper and fourteen woodcuts on paper bound with twine and stapled |
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| Untitled (feet and foilage), Rauschenberg & Susan Weil, 1950, monoprint: exposed bluprint paper |
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| White Painting (three panels), Rauschenberg, 1951, oil on canvas |
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| Untitled (matte black painting with Asheville Citizen), Rauschenberg, 1952, newspaper on two canvases |
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| Dirt Painting (for John Cage), Rauschenberg, 1953, dirt and mold in wood frame |
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| 4'3", John Cage, 1953, musical score |
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