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| If you double the ISO you need ______ light. |
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| If you halve the ISO you need ______ light. |
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| When doubling or halving, how many stops are affected? |
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| 2.8 1/3 hotter is known as |
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| 2.8/4.0 is 2.8.5 also known as a |
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| a geometric size of the iris in reference to the lens in fractions. |
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| ASA speeds we have on the final |
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| 64, 125, 250, 500, and 1000 |
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| 180, 172.8, 144, 135, 90, and 45 |
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| Frames per second, what are they? |
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| The faster the frame rate the _____ light |
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| 24 fps to a 12 fps is how many stops lost? |
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| 24 fps to 6fps is how many stops lost? |
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| Provides clearest image- shutter angle |
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| Adds a stop, has less blur- shutter angle |
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| F-stops with crisp area of focus |
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| Film flicker shutter angle |
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| If you go from a 180 to a 45 shutter angle you must add how many stops of light? |
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| Three ways you break up the script? |
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| 1/8ths, colors and number scenes |
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| What are the some parameter factors? (there are 14) |
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| location, cast members, day/night shoot, int/ext, shooting sequence, child actors 6hrs work, change in time period, time of year, weather conditions, sfx and stunts, second camera or unit, special equipment, geography of location, and miscellaneous factors |
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| What does a successful shooting schedule do? (4) |
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schedule around locations,
schedule around actors,
flexible schedule,
and schedule climax at the middle. |
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| 4 factors that affect depth of field? |
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| focal distance, focal length, format, and f-stop |
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| The ______ the film format the more depth of field |
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| How do you use hyper focal (two ways) |
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| set to hyper focal distance or infinity |
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-production minutes
-run errands, run phones, make copies, distiribute call sheets and task specific. |
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| In charge of the contact sheet and call sheets |
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| Arranges meals and travel |
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| Check over daily production reports |
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| Is hired by the producer, hires key members |
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| Are in charge of deal memos and cast contracts |
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| They create or execute a budget |
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| They calculate the shooting schedule |
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| In charge of production insurance |
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| upm, producers, and directors and assistant director |
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| Develops production schedule |
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| What does the UPM do during production and post? |
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writing and maintaining budget and schedule
-contingency |
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What needs....
-old crew contact list
-telephone book
-city/area/film reference book
-map of the city
-office supplies
-computer w/ printer
-software for scheduling, script, budget |
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| What does a tech scout do? |
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| Goes over with departments what is going on in each scenes at each location. |
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| Generates the daily break down report |
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| Is in charge of set security |
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| Directs the background talent |
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| dictates the pace of the shot |
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| Is the communication bridge on shoot |
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| what kind of leveling head is on the dolly? |
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| stinger only used for the dolly |
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| Two ways to charge the dolly |
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| remove pressure from the dolly with ___ or _____ booms |
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| There are witness marks on the ____ of the dolly |
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| Goes on the front of the dolly to give the camera operator more leg room and better balance |
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| The Mitchell mount for the camera (hint: 3 risers name of a gun) |
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| 3 camera rising gatling gun |
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| The 3 camera rising gatling gun is this type of mount |
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| Front part of the train, the diving board can be flipped on the front of the dolly to form. |
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| Why is the the 3 Camera rising not the best solution? |
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| gets rid of your low and lack of stability |
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| Where does the high step go? |
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| make sure flat end faces the boom, two set risers |
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| Use of the 90 degree plate for low shots is called |
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| Used to make actors look like they are floating with cowcatchers or for windows |
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| camera offset arm, 90 degree plate, side boards, gatler gun, and front step. |
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| Areas of acceptable focus, near and far |
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| I'm at a 500ASA, I decide to double to a 1000. my f-stop was at 5.6, what is my f-stop? |
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| light in front of the lens |
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| light after going through the lens |
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250 ASA go to a 64. f-stop is 11
ASAs are 64 125 250 500 1000
1.4 2 2.8 4 5.6 8 11 16 22 32 |
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| 180-90 shutter angle, how many stops lost |
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