Term
| Doubling the ISO # causes _________ light. |
|
Definition
|
|
Term
| Halving the ISO # causes ______ light. |
|
Definition
|
|
Term
| When doubling or halving the ISO one ____ is affected |
|
Definition
|
|
Term
| a 2.8.3 or any other f-stop with a 1/3 fractional attachment is an example of a |
|
Definition
|
|
Term
| 2.8/4.0 is 2.8.5 or 4.0/5.6 is 4.0.5 are examples of a |
|
Definition
|
|
Term
| 2.8.7= 4.0 or 5.6.7= 8 f-stops is referred to as the term ______. |
|
Definition
|
|
Term
|
Definition
| is the size of the iris in reference to the lens in fractions. F= fraction diameter. |
|
|
Term
|
Definition
| The true stop of the light coming through, transmission stop |
|
|
Term
| at 24 frames the mirror rotates at |
|
Definition
|
|
Term
| How many stops are affected by a ND .3 |
|
Definition
|
|
Term
| How many stops are affected by the ND .6 |
|
Definition
|
|
Term
| How many stops are affected by the ND .9? |
|
Definition
|
|
Term
| How many stops are affected by the ND 1.2? |
|
Definition
|
|
Term
| How many stops are affected by the 85 Filter? |
|
Definition
|
|
Term
| How many stops are affected by the 80A? |
|
Definition
|
|
Term
| How many stops does the Polar filter eliminate? |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| What are the shutter angles? There are six |
|
Definition
| 180, 172.8 144, 135, 90, and 45 |
|
|
Term
| The clearest shutter angle is ______? |
|
Definition
|
|
Term
| The Shutter angle for HMIs is |
|
Definition
|
|
Term
| This shutter angle has flicker |
|
Definition
|
|
Term
| This shutter angle allows very little time for exposure, causing crisp images. Has very little time to be exposed to light. 2nd best picture |
|
Definition
|
|
Term
| The faster the film runs through the camera the slower the film will appear running at ___________fps |
|
Definition
|
|
Term
| The lower the frame rate the _____ light needed |
|
Definition
|
|
Term
| The faster the frame rate the _____ light needed |
|
Definition
|
|
Term
| Daylight D and Tungsten T are marked after the _____ # |
|
Definition
|
|
Term
| Sharpest images are shot at _____ film speeds |
|
Definition
|
|
Term
| Slow film speeds are best used when the light is _____ |
|
Definition
|
|
Term
| Fast films have more ____ |
|
Definition
|
|
Term
| A lower ASA rating has many silver halide crystals, is tightly packed together, and is ____ _____ to light |
|
Definition
|
|
Term
| Film with a higher ASA rating has fewer halide crystals is loosely packed, and is ____ _____ to light |
|
Definition
|
|
Term
| What does the aperture/iris control |
|
Definition
| amount of light entering the lens |
|
|
Term
| What do you use to set the proper exposure? |
|
Definition
|
|
Term
| What would you use a polarizer filter for? |
|
Definition
| eliminating reflection, to accent blue in the sky or green in the grass |
|
|
Term
| What is out of focus in a 45 lens |
|
Definition
|
|
Term
|
Definition
| 3, 6, 12, 24, 48, 96, 192 |
|
|
Term
| ____ _____ and ______ ______ are used to create awkward movements in horror films |
|
Definition
| shutter angle and frame rate |
|
|
Term
| Three parts to script break down. |
|
Definition
1. Numbering your scenes
2. Break Script into 1/8ths
3. Color Coding Script |
|
|
Term
|
Definition
|
|
Term
| Color for extras not speaking, but are in contact with the actor. |
|
Definition
|
|
Term
| Color for extras atmosphere |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| Color for vehicles and animals |
|
Definition
|
|
Term
|
Definition
|
|
Term
| Wardrobe is ______ in the script |
|
Definition
|
|
Term
| an _____ is placed next to makeup in the script |
|
Definition
|
|
Term
| A _____ is placed around special equipment. |
|
Definition
|
|
Term
| Production notes are in _____ |
|
Definition
|
|
Term
|
Definition
| The main car the actor uses |
|
|
Term
| _______ is the first step to creating a production board |
|
Definition
|
|
Term
| Each breakdown sheet is a different |
|
Definition
|
|
Term
| What is the production board made up of? |
|
Definition
| Header, strips, 150-200 scenes, an 7-8 panels. |
|
|
Term
| What color is exterior day on the production board? |
|
Definition
|
|
Term
| Interior Day is the color |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| What is the size of the header strips? |
|
Definition
|
|
Term
| What are the parameter factors? |
|
Definition
| location, cast members, day/night shootings, int/ext, shooting in sequence, child actors can only work 6hrs, changes in time period, time of year, weather conditions, sfx and stunts, second camera or unit, special equipment, geography of location, and miscellaneous factors. |
|
|
Term
| Rule of Thirds of Scheduling |
|
Definition
| become familiar, most efficient, and blase and complacent |
|
|
Term
| Successful shooting schedules do four things: |
|
Definition
1. schedule around locations.
2. schedule around actors
3. flexible schedule
4. schedule the climax in the middle. |
|
|
Term
| What are the two forms of production sound? (systems) |
|
Definition
| singled and doubled systems |
|
|
Term
| Singled System is used for: |
|
Definition
| news, ENG, Documentary, and Reality TV |
|
|
Term
| The doubled system is used for? |
|
Definition
| motion picture and commercial |
|
|
Term
|
Definition
| tied to camera, 2 inputs, and same medium as visual |
|
|
Term
|
Definition
| easy to monitor, separate medium, and need to use smart or dumb slate. |
|
|
Term
| When connecting gear two questions you should always ask yourself. |
|
Definition
| does it need power? mic or line? |
|
|
Term
| time code reference for high definiton |
|
Definition
|
|
Term
| time code reference for film |
|
Definition
|
|
Term
| Time code reference for NTSC video |
|
Definition
|
|
Term
| Time code reference for PAL |
|
Definition
|
|
Term
| Two broadcast formats used in the digital world |
|
Definition
|
|
Term
| What does the sample rate do? |
|
Definition
| it snapshots the analog waveform creating a digital reproduction |
|
|
Term
| What are some examples of sample rates? |
|
Definition
|
|
Term
|
Definition
|
|
Term
| What does AES stand for and who are they? |
|
Definition
| Audio Engineering Society- they set the standards for the audio world. |
|
|
Term
|
Definition
|
|
Term
| Two formats in production sound |
|
Definition
|
|
Term
| Camera 2nd Assistant responsiblities: |
|
Definition
-slate
-tape
-camera report
-mag tag
-load mags |
|
|
Term
| Type of magazine the SRs use |
|
Definition
|
|
Term
| Who handles the camera paperwork? |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| What are soft Ts used for? |
|
Definition
|
|
Term
| slating at the beginning is called the |
|
Definition
|
|
Term
| slating after the scene is called |
|
Definition
|
|
Term
| During tail slate _____ and ______ continue to roll after the director says _____ and _____ for tail slate |
|
Definition
| camera and sound cut hold |
|
|
Term
| Four fingers down on slate means |
|
Definition
|
|
Term
| 1 Frame of slate at 24 frames is known as _____ _ _______. |
|
Definition
|
|
Term
|
Definition
|
|
Term
| Four things needed on slate- |
|
Definition
|
|
Term
| Sticks used for small frames |
|
Definition
|
|
Term
| if you accidentally clap sticks say ____ _____ |
|
Definition
|
|
Term
| Tape color for exposed film |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| What is left over, was not shot |
|
|
Term
|
Definition
Did not shoot anything
406 or 407 left then it is also a recan |
|
|
Term
| How do you label a recan?? |
|
Definition
| Date of recan, type of film, ft of film w/ RC after. |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| 8 items on the tag of the mag |
|
Definition
| ID #, Date loaded, camera roll, title, mag#, load of feet, exposed, and Initials |
|
|
Term
|
Definition
|
|
Term
| Always fill out camera reports before the shoot day begins. True or false |
|
Definition
|
|
Term
| If the emulsion # is 7212 the 72 stands for |
|
Definition
|
|
Term
| How long does 400ft of film last? |
|
Definition
|
|
Term
| When do you scratch test the mag? |
|
Definition
| When the film comes back scratched, if its not the mag, then the lab screwed up |
|
|
Term
| Pushing the film exposes _____ |
|
Definition
|
|
Term
|
Definition
|
|
Term
| Never do push or pull on the ______ |
|
Definition
|
|
Term
| IF the DP has artistically colored the set with lights, it is the _______ _____ _____ responsibility to write Do not correct in the _____ on the camera report. |
|
Definition
| 2nd Camera assistant/ remarks |
|
|
Term
| The ______ side is the load side and the _____ side is the take up side |
|
Definition
|
|
Term
|
Definition
|
|
Term
| What are the three power types, sound lecture. |
|
Definition
| 12 volt t, dynamic or phantom +48 |
|
|
Term
| Which is mono and which is stereo? The TS and TRS |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| What does the A/D converter do with each waveform of analog? |
|
Definition
| digitize it into stairs for each second. |
|
|
Term
|
Definition
|
|
Term
| The Deva can accept up to _____ isolated channel inputs |
|
Definition
|
|
Term
| Backup recorder 744T is a _____ channel recorder |
|
Definition
|
|
Term
| The faders of the 744T, you can only adjust channels ____ and ____ with these faders |
|
Definition
|
|
Term
| If you switch to this digital signal channel one becomes 1,2 and channel 2 becomes 3,4. |
|
Definition
|
|
Term
| Who hires the entire sound crew? |
|
Definition
|
|
Term
| Goes on location scouts to listen for sound issues, direct communication with post, works closely with script supervisor, keeps accurate sound reports, and in charge of quality of sound over all, even though this is the boom's responsiblity |
|
Definition
|
|
Term
| In charge of mic placement and should know the script well |
|
Definition
|
|
Term
| comes to set before mixer or boom op, mic talent, pulls cable for the boom op, cleans cables, loads up the truck with gear, and changes batteries on wireless systems |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| steps for equipment setup in sound lab. |
|
Definition
1. turn on
2. signal flow
3. Calibrate
4. Tone
5. Mic Check |
|
|
Term
| What are the calibration standards for these formats in decibels? (analog and digital |
|
Definition
| 0db analog and 20 db for digital |
|
|
Term
| What kind of energy is generated by a person who is speaking |
|
Definition
|
|
Term
| Energy that passes through all components |
|
Definition
|
|
Term
| A setting or device which does not change signal level (amplify or attenuate the signal is said to be _______ |
|
Definition
|
|
Term
| Constitutes 20 percent of all problems in audio, camera, and electrics? |
|
Definition
|
|
Term
|
Definition
|
|
Term
| What two components do all wireless systems have |
|
Definition
| transmitter and recorder (receiver) |
|
|
Term
| What two departments work with sound before wiring talent |
|
Definition
|
|
Term
| Name some of the wireless systems used in film production 16mm by brand name and model number/name. |
|
Definition
| lectrosonics and comtecs. |
|
|
Term
| When wiring female talent, you should exercise.... |
|
Definition
|
|
Term
| Although there are many ways to wire talent, name two examples |
|
Definition
|
|
Term
| Name two advantages and disadvantages when using any kind of wireless system. |
|
Definition
| Two advantages: No boom shadow and wire shots. Disadvantage: batteries |
|
|
Term
| Besides on talent where else is a lavaliere good? |
|
Definition
|
|
Term
| Two ways to power sound equipment |
|
Definition
|
|
Term
| From what department does your sound equipment get power? |
|
Definition
|
|
Term
| What frequency of tone do we generate to calibrate our equipment |
|
Definition
|
|
Term
| All positions on sound team |
|
Definition
| cable utility, boom op and sound mixer |
|
|
Term
| A sound mixer is only as good as his/her _____ _______ . |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| Four pieces of info needed for mic placement |
|
Definition
| frame line, action, frame, and in shot. (sounds repetative, what I copied from the book they handed us) |
|
|
Term
| When deciding mic placement what is the order of the most effective? ex)body mic |
|
Definition
| Boom overhead, under head, body mic, plant, combo boom/body, combo boom/plant. |
|
|
Term
| Who would you ask for frame line? |
|
Definition
|
|
Term
|
Definition
| wide shots- omnidirectional |
|
|
Term
| heart shaped pickup pattern |
|
Definition
|
|
Term
|
Definition
|
|
Term
| Get rid of boom shadow with |
|
Definition
|
|
Term
| Which three people should tell sound mixer about next scene |
|
Definition
| DP, AD, and Script Supervisor |
|
|
Term
|
Definition
| Audio Dialogue replacement |
|
|
Term
| Give two examples why we would not roll sound. |
|
Definition
| MOS, insert shot w/o movement, and frame rate other 24 |
|
|
Term
| What does the limiter do? |
|
Definition
| Eliminate levels that are liable to distort |
|
|
Term
| Two types of audio filters |
|
Definition
| High pass and low pass (look up in sound book what they do) |
|
|
Term
|
Definition
| prefade listening. used to listen to recorded tracks solo |
|
|
Term
| What is room tone and where, why, and when would we use it? |
|
Definition
| Natural sound room, every new location, and sound continuity in post. |
|
|
Term
| What do we do with our sound reports at the end of the day? |
|
Definition
|
|
Term
|
Definition
|
|
Term
| What are the four factors that affect depth of field? |
|
Definition
| f-stop, focal distance, focal length, and format-film size. |
|
|
Term
| Closer the subject = ____ depth of field. Farther the camera the ________ depth of field |
|
Definition
|
|
Term
| ______ ____ = greater depth of field (lens) |
|
Definition
|
|
Term
| TWO examples of depth of field calculators. |
|
Definition
| Depth of field chart and kelly wheel |
|
|
Term
| The mitchell to ball adapter: |
|
Definition
|
|
Term
| The satchler fluid ball head comes in 100mm and 150mm. We use the |
|
Definition
|
|
Term
| Open up the spreaders ________ _______ apart |
|
Definition
|
|
Term
| Tilt lock is rotated ________ _______ to disengage |
|
Definition
|
|
Term
| Tilt tension and pan tension is preferably at |
|
Definition
|
|
Term
| If you can't tilt, check the _______ ______. |
|
Definition
|
|
Term
| locking pin must be ____ before applying the ______ ______. |
|
Definition
|
|
Term
| Where is the mounting pin for the camera? |
|
Definition
|
|
Term
| Bridge tail mounts on the dovetail, the ______ mounts on the bridge plate |
|
Definition
|
|
Term
|
Definition
| distance from film plane to subject |
|
|
Term
| Size rods we use and type |
|
Definition
|
|
Term
| 11-110mm is the range of this lens |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| center, center ring, size of the lens you are working with |
|
|
Term
| On this type of lens the f-stops are up front |
|
Definition
|
|
Term
| You can bring in actors closer with a _____ ______ |
|
Definition
|
|
Term
|
Definition
|
|
Term
| 3 items you do not need with a fish eye lens, nor can use |
|
Definition
| rods, matte box, and follow focus |
|
|
Term
| What kind of lens is the Ang. |
|
Definition
|
|
Term
| What is the Ang. focal length? |
|
Definition
|
|
Term
| Ang speed is ____ it is considered the slowest lens |
|
Definition
|
|
Term
| For movements more than an inch you need which gear on the follow focus? |
|
Definition
|
|
Term
|
Definition
|
|
Term
| focal distance= (unit of measurement) |
|
Definition
|
|
Term
| When inserting the lens you have to match the groove in the flange with the _______. |
|
Definition
|
|
Term
| Which witness marks go to the right? (color) red or white? |
|
Definition
|
|
Term
|
Definition
| Positive Locking Ring- locks the lens in place after connecting the flange with the pin. |
|
|
Term
| The Follow Focus has a dry erase wheel, you can only use this type of marker on it. |
|
Definition
|
|
Term
| When you cannot be near camera use a _____ |
|
Definition
|
|
Term
| For long focus pulls use a _____ _____. |
|
Definition
|
|
Term
| Type of matte box is a ___+____ stage ____x_____ swing away ______ ______ |
|
Definition
| 2+1 stage 4x6 swing away matte box |
|
|
Term
|
Definition
| 2 filter frames and one polarizing filter |
|
|
Term
| What size must the filters be? |
|
Definition
|
|
Term
| If the bellows do not fit you should use ______ and _____ ____. |
|
Definition
|
|
Term
| Always apply _____ to the side of the mattebox so you know what filters are inside |
|
Definition
|
|
Term
|
Definition
|
|
Term
| The smaller matte box is called a _____ _____ matte box. It fits ____x____ filters. It is called a ___x____ _____stage _____ _____ matte |
|
Definition
| clip on/ 4x4/ 4x4/ two/ clip on |
|
|
Term
| If the bellows does not fit the lens, there are also lens fitted _____ you can apply. |
|
Definition
|
|
Term
| You focus your eye to the _____ ______ in the diopter. |
|
Definition
|
|
Term
| two ways you can inch the camera ahead. |
|
Definition
| manual inching knob and advance shutter (I believe it involves phase and run) |
|
|
Term
| What do we use to change the shutter angle? |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| holding this button down for 1 1/2 secs resets the fps |
|
Definition
|
|
Term
| Page two has ______ ______ and ______ ______ ______ |
|
Definition
| program speed and frames per second |
|
|
Term
|
Definition
| 23.976, 24, 25, and 29.97 |
|
|
Term
| Switch from norm to ________ to accomplish non-default frame rates |
|
Definition
|
|
Term
| Page three has _____ ____ ____ and _____. |
|
Definition
| per take count and battery(voltage) |
|
|
Term
| High battery is _ _- _ _ adn low is at _ _ -_ _ |
|
Definition
|
|
Term
| What is on page four? (one item) |
|
Definition
|
|
Term
|
Definition
|
|
Term
| Page six is _____ _____ and sensitivity |
|
Definition
| Loud speaker and sensitivity |
|
|
Term
| Advanced frames per second is |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| Remote Switch Ports powers up external accesories |
|
|
Term
| Where is the on and off switch. .. what side of the camera? dumb or smart? |
|
Definition
|
|
Term
| What type of mount does our Sachtler head have? |
|
Definition
|
|
Term
| What is the counter balance used for? |
|
Definition
|
|
Term
| Our bridge plate accepts these rods. |
|
Definition
|
|
Term
| What is minimal focal distance? |
|
Definition
| how close the subject can be in reference to the film plane where they remain in focus. |
|
|
Term
| What are the two functions of the phase button? |
|
Definition
| electronic inching knob and if you hold it down long enough you can get the shutter angle |
|
|
Term
| What is the Arri Glow used for? |
|
Definition
| if you are shooting somewhere dark allows you to see the frame illuminate the film grain |
|
|
Term
| Difference between coaxial and displacement magazine |
|
Definition
| displacement- loads and unloads on one side. |
|
|
Term
| What is the standard film core adapter? |
|
Definition
| found on dumbside. black spindle that attaches to the retaining spindle of the magazine. The rabit ears are a part of it |
|
|
Term
| collapsible cord is located on this side. |
|
Definition
|
|
Term
| What does the collapsible core do? |
|
Definition
| allows you to lock and unlock the film |
|
|
Term
| What is the pressure plate? |
|
Definition
| it guides the film and holds it against the gate (metal in middle |
|
|
Term
| keeps the film from bouncing in the magazine |
|
Definition
|
|
Term
| Every roll of film sent to the lab will have |
|
Definition
| smart tape and camera report |
|
|
Term
| Name file formats for sound |
|
Definition
| .wav poly, .wav mono, .bwf mono, and .bwf poly |
|
|
Term
|
Definition
| 44.1 KHz, 48 KHz, 96KHz, and 192 KHZ |
|
|
Term
|
Definition
|
|
Term
| This is the best mic in the business |
|
Definition
|
|
Term
| What kind of power do condensor mics need? |
|
Definition
|
|
Term
| The 40 and 50 are good for |
|
Definition
|
|
Term
| Steps to laying tone (four) |
|
Definition
| 1. 15 secs of silence, 2. Head Slate the hard drive, 3. 30 secs of tone, and 3 secs of post roll. |
|
|
Term
|
Definition
| day # and slate, production title, hard drive name or #, calibration settings, say fps, and tone frequency at 30 secs |
|
|
Term
| two types of mics powering |
|
Definition
|
|
Term
|
Definition
|
|
Term
| How do you get the dolly into crab mode? |
|
Definition
| roll the bars away from you |
|
|
Term
| Conventional dolly occurs when you roll the bars _____ you |
|
Definition
|
|
Term
|
Definition
|
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Term
| On the curve tracks you must make sure_____ wheels are unlocked and reset (dolly) |
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Definition
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Term
| Make sure the ____ are always on when away from the dolly. |
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Definition
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Term
| What kind of leveling head is on the dolly? |
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Definition
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Term
| This stinger is only for the dolly |
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Definition
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Term
| Two ways to charge the dolly |
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Definition
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Term
| You should remove pressure from the dolly with ___ or ___ booms |
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Definition
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Term
| Whenever it is your first time using a dolly you should figure out how many full _____ you can achieve before having to grab the bump chord or foot pump |
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Definition
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Term
| There are witness marks on the ____ of the dolly |
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Definition
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Term
| place the thick side board where the _____ will stand and the thin where assistant camera stands or allow assistant to walk with camera. |
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Definition
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Term
| How many pumps does the Peewee need? |
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Definition
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Term
| Goes on the front of the dolly to give the camera operator more leg room and better balance |
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Definition
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Term
| The Mitchell mount for the camera (hint: 3 risers name of a gun) |
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Definition
| 3 camera rising gatling gun |
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Term
| The 3 camera rising gatling gun is this type of mount |
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Definition
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Term
| Front part of the train, the diving board can be flipped on the front of the dolly to form. |
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Definition
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Term
| Why is the the 3 Camera rising not the best solution? |
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Definition
| it gets rid of your low and lack of stability |
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Term
| Where does the high step go? |
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Definition
| two set risers, make sure flat end faces boom. |
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Term
| W/ the dolly chapman peewee you can get the ground in the shot, using a ____mm lens or the ____ degree plate |
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Definition
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Term
| using the 90 degree plate for low shots is called: |
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Definition
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Term
| What kind of shots do you use the camera offset plate for? |
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Definition
| to make actors look like they are floating or for window shots |
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Term
| For the floating effect in Punch drunk love use the __ __ ___ ______ and _____ _____ |
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Definition
| camera off set plate and cow catchers |
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Term
| I'll post later: The difference between the two cameras and Kelly wheel examples, and which way you lose and gain f-stops with film speeds for : 3, 6, 12, 24, 48, 96, 192 |
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Definition
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