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| An instrument group that provides the bassline and chord progression. |
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| A man who was castrated before puberty to retain their boy sized vocal cords. |
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| The vocal register occurring in the frequency range above the speaking voice. |
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| German light-opera with spoken dialogue popular in the late 18th and 19th century. |
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| An Italian vocal style during the late 18th and early 19th century. |
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| An Italian operatic movement that sought to portray stories more realistically. |
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| The text of an opera or other long vocal work. |
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| A period of musical theater between the 1940s and 1960s. |
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| A changing of pitch that happens naturally in trained singing voices. |
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| Light opera first popularized in 19th century France with dancing and spoken dialogue |
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from L'Orfeo, Monteverdi, 1607,
https://www.youtube.com/watch?v=wni1GVRlMtc |
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| "O zittre nicht, mein lieber Sohn" |
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Definition
from Die Zauberflöte, Mozart, 1791,
https://www.youtube.com/watch?v=IkA65PLEdac |
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from Pagliacci, Leoncavallo, 1892,
https://www.youtube.com/watch?v=1hxonfpfuTY |
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| "Somehow I never could believe" |
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Definition
from Street Scene, Weill, 1946,
https://www.youtube.com/watch?v=KVRgy8DkeTU |
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| "No Place Like London/ The Barber and His Wife/ The Worst Pies in London" |
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Definition
from Sweeny Todd, Sondheim, 1979,
https://www.youtube.com/watch?v=_YtBKa9nNfg&list=PLYfAbaAAM7dOv_PjPQqMatagZqn
jLuv3-&index=2 |
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Definition
from In the Heights, Miranda, 2005,
https://www.youtube.com/watch?v=c9S9OXaiBqc&list=PLn0Zn1caShZWlW5JwG0ULhWjEa2
hFN6m6&index=4 |
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