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Definition
| Jeremy Bentham, Panopticon, c. 1791 |
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| Antoine-Jean Gros, Bonaparte Visits the Plague House at Jaffa (11 March 1799), 1804 |
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| Antonio Canova, Paolina Borghese Bonapare as Venus Victrix, 1804-8 |
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| Francisco Goya, The Duchess of Alba, 1797 |
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| Francisco Goya, Family of Carlos IV of Spain, 1800-1 |
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| Francisco Goya, The Second of May 1808, 1814 |
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Definition
| Francisco Goya, The Third of May 1808, 1814 |
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| Francisco Goya, The Dream of Reason Produces Monsters, 1797-98 |
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Definition
| Eugene Delacroix, Lion Hunt, 1858 |
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Definition
| Jean-August-Dominique Ingres, Portrait of Louis-Francois Bertin, 1832 |
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| Theodore Gericault, The Raft of the Medusa, 1819 |
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Definition
| Theodore Gericault, Study of Severed Arm and Two Feet, 1818-19 |
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Definition
| Eugene Delacroix, The Death of Sardanapalus, 1827-28 |
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| Eugene Delacroix, Liberty Guiding the People (the 28th of July), 1830 |
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| William Turner, Slavers Throwing Overboard the Dead and Dying, 1840 |
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| Theodore Rousseau, Group of Oaks at Apremont, 1850-52 |
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Definition
| Gustave Courbet, Burial at Ornans, 1849-50 |
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Definition
| Gustave Courbet, The Stonebreakers, 1849-50 |
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Definition
| Charles Marville, Rue Glatigny, 1855 |
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| Paris, Opera Charles Garnier, 1863-75 |
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Definition
| Edouard Manet, Dejeuner sur l'herbe, 1863 |
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| Edouard Manet, Olympia, 1863 |
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| Edouard Manet, The Execution of Emperor Maximillian in 1867 |
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| Edouard Manet, A Bar at the Folies Bergere, 1881-2 |
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Honore Daumier, Rue Transnonain (April 15, 1834), 1834
L'Association Mensuelle, July 1834 |
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| Daguerre, The Artists Studio, 1837 |
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| Stereoscopic World's Fair views, 1855-67 |
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| Pierson/Countess de Castiglione, 1860s |
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| Claude Monet, On the Banks of the Seine at Bennecourt, 1868 |
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| Claude Monet, Women in the Garden, 1866-67 |
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| Claude Monet, Impression, Sunrise, 1872-3 |
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| Camille Pissarro, Hoarfrost, 1873 |
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| Edgar Degas, The Place de la Concordo/Portrait of Viscount Lepic and His Daughters, 1875 |
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| GUstave Caillebotte, Rainy Day: Paris Street, 1877 |
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Claude Monet, Grandes Decorations, Orangerie (1914-26), Opened on May 16, 1927
Les Nympheas/The Waterlilies Series |
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Definition
Claude Monet, Grandes Decorations, Orangerie (1914-26), Opened on May 16, 1927
Les Nympheas/The Waterlilies Series
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Definition
| George Seurat, Sunday Afternoon on the Island of la Grande Jette, 1884-86 |
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Definition
| Paul Cezanne, Mont Sainte-Victoire with Pine, 1885-87 |
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| Paul Gauguin, Vision after the Sermon (Jacob Wrestling with Angel), 1888 |
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| Paul Gauguin, Where do we come from? Where are we? Where are we going?, 1897 |
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| VIncent Van Gogh, Starry Night, 1889 |
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Michael Heizer, Double Negative, 1969, Nevada
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| Spiral Jetty, Robert Smithson, 1970, Utah |
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| Rosa Bonheur, The Horse Fair, 1853 |
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| Gustave Courbet, The Painter's Studio: A Real Allegory Summarizing Seven Years of My Life as an Artist, 1855 |
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| Henri Matisse, Woman with Hat, 1905 |
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| Henri Matisse, Joy of LIfe (Bonheur de Vivre), 1905-6 |
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| George Braque, Houses at L'Estaque, 1908 |
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| Pablo Picasso, Houses on a Hill, Horta de Ebro, Summer 1909 |
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| Pablo Picasso, Standing Nude, 1910 |
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| Pablo Picasso, Still Life with Chair Caning, 1912 |
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| Pablo Picasso, Musical Score and Guitar, 1912 |
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| Pablo Picasso, Construction with Guitar, 1913 |
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| Marcel Duchamp, Nude Descending a Staircase, No. 2, 1912 |
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| Marcel Duchamp, Bottlerack/Hedgehog, 1914 |
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| Marcel Duchamp, Fountain, 1917 |
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| Kazimir Malevich, the Woodcutter, 1912 |
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| Kazimir Malevich, The Knife Grinder, 1912 |
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| Kazimir Malevich, Composition with the Mona LIsa, 1914 |
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| Kazimir Malevich, Victory Over the Sun, 1913, Design for Backcloth, Act I, Scene 4 |
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| Kazimir Malevich, Quadrilateral (The Black Square), 1915 |
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| Malevich's Suprematist section at the Last Futurist Exhibition of Paintings "0.10" - 1915 |
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| Kazimir Malevich, Suprematism, Eight Red Rectangles, 1915 |
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| Kazimir Malevich, Suprematist Painting, White on White, 1918 |
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| Piet Mondrian, Composition No II, Composition in Line and color, 1913 |
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| Piet MOndrian, Composition with Blue, Yellow, Red, Black and Gray, 1922 |
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| Hannah Hoech, Cut with the Kitchen Knife through the Beer Belly of the Weimar Republic, 1919 |
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| Raoul Hausmann and Hannah Hoech at the International Dada Fair, Berlin 1920 |
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| John Heartfield, The Meaning of the Hitler Salute: Little Man Asks for Big Gifts, Motto: Millions Stand Behind Me!, 1932 |
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| El Lissitzky, Beat the Whites with the Red Wedge (Poster for the Soviet Administration of the Western Front), 1919 |
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| El Lissitzky, Self-Portrait as a Constructor, Photographic Montage, 1924 |
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| Valentaina Kulagina, International Working Women's Day, 1931 |
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| Brancusi's Studio with The Newborn II, 1922 |
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| Jackson Pollock in his East Hampton Studio, photograph by Hans Namuth, 1950 |
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| Jackson Pollock, Autumn Rhythm, 1950 |
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| Robert Rauschenberg, Erased de Kooning Drawing, 1953 |
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| Jasper Johns, Flag, 1954-55 |
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| Jasper Johns, Painting with two Balls, 1957 |
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| Andy Warhol, Campbell's Soup Cans, 1962 |
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| Andy Warhol, Marilyn Diptych, 1962 |
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| Warhol and Campbell's Boxes, The Factory, 1964 |
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| Daniel Spoerri, Snare Picture, 1963-64 |
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| Yoko Ono, Cut Piece, performed on July 20, 1964 at Yamaichi Concert Hall, Kyoto Japan, August 1964 in Tokyo, Carnegie Recital Hall in New York City in March 1965. |
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| Joseph Beuys, How to Explain Pictures to a Dead Hare, 1965 |
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| Vito Acconci, Following Piece, 1969 |
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| Mierles Laderman Ukeles, Hartford Wash: Outside, Wadsworth Atheneum steps, 1974 |
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| Janine Antoni, Loving Care, 1992 |
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| Marina Abramovic and Ulay, Imponderabilia, 1977 |
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| Marina Abramovic Performing Beuys' How to Explan Pictures to a Dead Hare, Guggenheim Museum, 2005; Seven Easy Pieces, including Acconci's Seedbed |
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| Sol LeWitt, Drawing Series, Composit, Part I-IV, #1-24, A+B, 1969 |
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| Sol LeWitt, Wall Drawing #260, 1975, installed at MoMA, 2008 |
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| Sherrie Levine, Fountains, 1991 |
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| Ellsworth Kelly, Lake II, 2002 |
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