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| >, A symbol used to indicate emphasis on one or more notes. |
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| # sharp, flat, natural- A symbol used to alter the pitch of a note by one half step (higher or lower) |
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| A direction signifying that the performer may employ the tempo or expression that suits him/her. |
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| Gradually slower and broader |
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| Light and moderately quick, but not as fast as allegro |
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| Moderately slow, but moving (walking) |
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| A tempo faster than andante |
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| In time: generally implies a return to original rate of speed |
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| Indication at the end of a movement that the next movement should follow without a pause |
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| Final added measures of a musical composition usually mark with, or a concluding musical section that is formally distinct from the main structure |
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| C- Another name for 4/4 time signature |
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| Alla Breve 2/2, notes and rests are half the value of those found in common time |
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| A dot set after a note prolongs its time value by half: a second or third dot prolongs the time value of the dot immediately proceeding it by half |
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| The 2 vertical lines drawn through the staff at the end of a section, movement, or piece |
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| The downward stroke of the hand in beating time, which marks, the primary or first accent in each measure |
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| The mouthpiece of a wind instrument, also the movement of the lips and tongue in playing a wind instrument |
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| In counting more than one measure's rest, substitute the number of the measure for the first beat. Be sure to check the time signature for the number of beats in each measure |
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| The symbol, b, which lowers the pitch of a note before which it stands a half-step |
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| Just, proper; used in connection with tempo marks ("just right" and strict) |
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| A rapid scale executed by a sliding movement |
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| The sharps or flats at the head of the staff |
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| Light (soft) form of legato |
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| The sign that cancels a flat or sharp |
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| Heavy, with firm execution |
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| Not in strict time (stolen time) |
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| Similarly, a direction to perform the following measures or passages in the same style as the proceeding measures or passages |
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| An arching line over a group of notes indicating that they should be played legato |
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| A composition or passage for 1 performer |
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| Mute (Con sordino- with mute: sena sordino- without mute) |
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| Separated, detached style |
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| A short note followed by a long note where according to time signature the accent falls on a weak instead of a strong beat |
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| A tone so marked is to be sustained for its full time value |
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| Return to original tempo (first tempo) |
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| A tone so marked is to be sustained for its full time value |
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| A curved line joining two notes of like pitch, which are to be sounded as one note equal to their combined value |
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| To be played by the section or the whole ensemble; as opposed to only the soloist |
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| Different instruments or voices jointly performing the same melody |
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| Very slow, more so than largo |
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| Largely broadly, in a manner characterized by a vigorous and sustained tone and geraral breath of style, without change of tempo |
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| Slightly faster than largo, nearlly andantino |
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| Low in pitch, heavy, slow, ponderous in movement and serious |
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| Slightly faster than adagio |
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| A little faster than andante |
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| Moderately slow, easily flowing movement |
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| Moderate tempo of rate of speed |
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| Quite lively, moderately fast |
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| Lively, brisk, faster than allegro |
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| Fast, rapid, faster than allegro |
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| Dynamic marks from softest to loudest |
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| Tempo marks from slowest to fastest |
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| Larghissimo, Largo, Largamente, Larghetto, Grave, Lento, Adagissimo, Adagio, Adagietto, Andantino, Andante, Moderato, Allegretto, Allegro, Vivace, Presto, Prestissimo |
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