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mystic Chinese religion. guqin is referred to "the sound of emptiness" referring to the Daoist goal of freeing one's mind through the contemplation of nothingness
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guqin is closely associated with this religion, and its social class of literati who cultivate the ideals of balance, harmony, and moderation in China
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art music of the court and rituals in China
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common entertainment and folk music in China
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five possible anhemitonic pentatonic modes in China
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curved board zither associated with the household and romantic songs in the literati class of Confucianism. has a different string for each pitch, but pitch can change by pressing down behind the bridge after plucking.
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pear-shaped lute in China; does not have the same place in the Chinese tradition as the guqin, but still highly regarded.
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name for traditional bowed lutes in china, originally meant "foreign" because it came from Central Asia.
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most important type of huqin;; primarily a solo instrument although it is featured in the sizhu ensemble; used in opera performance
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a fiddle pitched an octave higher than the erhu; used as lead instrument in Beijing opera; china
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lute with a very long fretless fingerboard and a shalloe box resonator covered in snake skin; three strings can be used to suit any range of singer; china
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"the moon lute"; distinctive circular shaped resonator. comes in many different sizes; china
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four-string fretted lute with a large circular resonator; china
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a trapezodial hammered box-zither; adapted from the middle-eastern santur; each string is stretched over an intermediate bridge, but the strings alternate from the left to right side; china
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transverse end-blown flute with six fingerholes; has a hole covered with a thin rice paper membrane that buzzes when the flute is played, giving it a rich, reedy timbre. common solo and small instrument, principle carrier of the melody in kunqu; china
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transverse end-blown flute with six fingerholes; has a hole covered with a thin rice paper membrane that buzzes when the flute is played, giving it a rich, reedy timbre. common solo and small instrument, principle carrier of the melody in kunqu; china
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bamboo flute comes in different sizes; china
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loud double reed with a conicall bore and a trumpet-like flared bell; player places reeds in his mouth, similar to the middle eastern zurna; china
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multiple pipes, each with a single reed connnected to an air chamber; player both blows and sucks air from the mouthpiece; much like the sho in japan; used in china
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chinese gongs; often used in folk bands and chinese opera; pitch swoops up and down when the gong is hit. china
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large, barrel-shaped drum with riveted heads; used in folk music, religious music, and some repertories of court music' set horizontally in front of player, who plays with two sticks. china
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small horizontal drum on a stand that serves as the conductor in many forms of chinese opera
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set of small wooden slats tied together on a string, china
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the chinese zither; most revered instrument in China; ancient instrument from before confucius' time; solo music is almosts always peaceful, serene, and balanced; meter is slow; one of the most difficult instruments to master because of the many differnt ways in which tone can be played
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describes an open string instrument; fan yin in chinese
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chinese gong-and-drum ensembles very comomon in rural areas
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luogu + two suona; ensemble where suona carry the melody; more instruments can be added but the suona will dominate; improvised variations of familiar tunes; china
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silk-and-bamboo ensembles; generally feature dizi, sanxian, erhu, and maybe xiao, sheng, yueqin, or yangqin; play traditional tunes in an elaborate heterophonic tapestry with a soft drum or clappers; china
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the drum song; shorter type of sung narrative; singer accompanies himself or herself with a clapper and dagu; each presentation lasts about 15-20 minutes; china
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one of the oldest genres of chinese regionalized opera; today is considered a classical dramatic form known for its ornate sophostication
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known in the West as Beijing Opera or Peking Opera, the most popular of the regional opera styles; origins relfect the cosmopolitan nature of the captial at the end of the 18th century; divided into dialogue, songs, dances, pantomimes, and musical interludes; 10 standard rhythmic types
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