Term
|
Definition
|
- transition between two scenes
- used to show a passage of time
- most commonly used during the 30's and 40's
|
|
|
Term
|
Definition
|
- transition from one scene to another in which one scene pushes the previous one off the screen
|
|
|
Term
|
Definition
|
- often a shaky, bumpy shot that is taken with an umnounted portable camera held by a cameraman
- can provide a realistic or documentary effect
|
|
|
Term
|
Definition
|
- when a stationary camera starts to move
- done on a mobile platform that support the camera, cameraman, and assistant camera man
- generally pushed by a grip
|
|
|
Term
|
Definition
- done with a large camera trolley with a long projected arm or boom at theend of which is a platform
- the platform holds the camera and has seats for the camera operator, camera assistant, and sometimes the director.
- can pass over obstacles and move aroun props, follow an actor upstairs or move fform ground level to great heights for an earial view of a scene
|
|
|
Term
|
Definition
|
- the camera movement that moves with the actor horizontally
- the term comes from panorama
- can give the audience a wider more panoramic view
|
|
|
Term
|
Definition
|
- used when the director wants wants the audience to experience teh scene through the actors eyes
- also called subjective camera
- often used to build suspense in action, horror or mystery films
|
|
|
Term
|
Definition
|
- any shot taken form a moving vehicle
- it is used when the reqired camea is movement is too fast for a dolly
|
|
|
Term
|
Definition
|
- when the camera appers to move away form the subject showing more area
|
|
|
Term
|
Definition
|
- when the camera moves up or down along a vertical axis from a fixed position or a tripod
|
|
|
Term
|
Definition
|
- when a still or moving picture is projected onto the rear of a transluscent screen in front of which live action is filmed
|
|
|
Term
|
Definition
|
Eadward Muybridge's Galloping Horse
|
|
|
Term
|
Definition
|
George Easteman (Kodak) invents Roll Film
|
|
|
Term
|
Definition
|
Fred Ott's Sneeze (first film on record at the Library of Congress)
|
|
|
Term
|
Definition
|
First projected fim to paying audiences (Lumiere Bros. Cinematographe, Paris, France)
|
|
|
Term
|
Definition
|
George Melies ( A Trip to the Moon)
|
|
|
Term
|
Definition
|
Edwin S. Porter's "The Great Train Robbery"
|
|
|
Term
|
Definition
|
Billy Bitzer becomes camereman for D.W. Griffith
|
|
|
Term
|
Definition
|
Carl Laemmle gave actors first screen credits
|
|
|
Term
|
Definition
|
"Birth of A Nation" (cost $110,000- grossed $10 M)
|
|
|
Term
early film history A Trip To The Moon |
|
Definition
|
this music video was a tribute to what 1902 film?
|
|
|
Term
early film history zoetrope |
|
Definition
|
- invented by Willima Horner in 1834
- a drum like disc
- picture drum/ wheel of life
|
|
|
Term
early film history Fred Ott's Sneeze |
|
Definition
|
|
Term
early film history Black Maria |
|
Definition
|
where Edison's short fims where produced built in orange, new jersey, in 1893
|
|
|
Term
early fim history cinetograph |
|
Definition
|
camera developed by the Lumiere Bro. that could take and project a picture
|
|
|
Term
early fim history stage plays |
|
Definition
|
George Melies films resembled_______and there was no fim editing
|
|
|
Term
early fim history The Great Train Robbery |
|
Definition
|
Edison's cameraman Edwin S. Porter helped evolve actual fim editing with ________ (lasted for 12 min)
|
|
|
Term
early fim history Eadward Muybridge |
|
Definition
|
photographer who set up form 12-30 cameras a foot apart to study the movement of people and animals
|
|
|
Term
early fim history Thomas Edison |
|
Definition
|
He was the first to use 35 mm celluloid fim with 4 perforations on the dge of each frame, the standard format used today
|
|
|
Term
early film history kinetoscope |
|
Definition
|
- a projector that allows one to watch an endless loop of film trough a peep hole
- built by Thomas Edison with his assistant William Dickson in 1891
|
|
|
Term
early film history sinetogragh |
|
Definition
|
- a combination movie camera and projector
- built by the Lumiere Bro. in 1895
|
|
|
Term
early film history December 28, 1895 |
|
Definition
|
in a Paris cafe the 1st public motion picture show took place, 33 curious people paid a franc each
|
|
|
Term
early film history George Mileas |
|
Definition
|
in 1896, he founded the first film production co.
|
|
|
Term
the film industry moves west
Patron's Trust |
|
Definition
|
established producer's banded together to protect their wealth
|
|
|
Term
the film industry moves west cheap labor |
|
Definition
|
L.A. proved a magnet for film makers because of____
|
|
|
Term
the film industry moves west
The Squaw Man
|
|
Definition
|
Hollywood's first feature-lengh production was Cecile B. DeMille's the _____
|
|
|
Term
|
Definition
|
- short films of everyday life with no storylines
- documentations
- term first used by the Lumier Bros. while intro their first films in 1895 in Paris
|
|
|
Term
|
Definition
- Motion Picture Patents Co. created in 1909
- included The Edison Co, twelve of it's US rivals, and the Melies/ Pathe Co
- They though to control the manufacture and rental of all film equipment, as well as the production, distribution, and exhibition of all films.
|
|
|
Term
|
Definition
- most of the studio heads were first generation Jewish immagrants friom Eastern Europe with little education
- named after the Barbarian Conquerors of the Indian Empire.
|
|
|
Term
|
Definition
|
most popular subjects in penny arcades was:
|
|
|
Term
|
Definition
|
In the early 1900's, motion pictures were shown in_____.
|
|
|
Term
|
Definition
|
The film that took motion pictures out of the slot machine era.
|
|
|
Term
|
Definition
|
Director of "The Great Train Robbery"
|
|
|
Term
|
Definition
|
The natural audience for the silent moving pictures were _____. Because they needed no English to enjoy moving pictures.
|
|
|
Term
|
Definition
|
Considered "father of film"
|
|
|
Term
The Ku Klux Klan (K.K.K.) |
|
Definition
|
"The Birth of A Nation" caused a racist problem. Soon after it's release the ________ was reborn.
|
|
|
Term
|
Definition
|
The film that started the fortunes of Louis B. Mayer and all the other (moguls) was ______.
|
|
|
Term
|
Definition
|
What was Buster Keaton's most spectacular film?
|
|
|
Term
|
Definition
|
Which comedian used his leading lady only as a comic foil?
|
|
|
Term
|
Definition
- a film that appeals more to the viewer's emotion's rather than their intellect.
- The term comes form theater plays in which good overcomes evil and usually has a happy ending.
|
|
|
Term
|
Definition
|
a mixture of various live acts: singing, dancing, comedy and acrobats.
|
|
|
Term
|
Definition
|
- A combination of comedy derived from a circuus, vauderville, and burlesque.
- This aggressive and violent comedy was inroduced to films by Mark Sennett.
|
|
|
Term
|
Definition
|
Mack Sennett started Keystone
|
|
|
Term
|
Definition
|
Charlie Chaplin signed with Keystone
|
|
|
Term
|
Definition
|
Charlie Chaplin has the most impact on the film world of any film star
|
|
|
Term
|
Definition
|
Buster Keaton becomes as important as any director working in Hollywood
|
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
Harold Lloyd is the most popular comic film star
|
|
|
Term
|
Definition
|
Mack Sennett: "I stole my ideas (for comedy) from the ______Co.
|
|
|
Term
|
Definition
|
D.W. Griffith assigned Mack Sennett to ___ comedies.
|
|
|
Term
|
Definition
|
Sennett left Griffith to set up his own independent co. named____.
|
|
|
Term
|
Definition
|
The one great comic before Chaplin was the Frenchman________.
|
|
|
Term
|
Definition
|
London 1921, Chaplin had become the most _______ in the world.
|
|
|
Term
|
Definition
|
Chaplin's own LOndon childhood, when he was taken form his mother and put n an orpahnage, was the inspiration for the film____.
|
|
|
Term
|
Definition
|
Harold Lloyd began his career as a _______ imitator.
|
|
|
Term
|
Definition
|
H. Lloyd became teh one comic who seriously rivaled Chaplin at the________.
|
|
|
Term
|
Definition
|
His (H. Lloyd) character of Lonesome Luke resembled _____ too closely for Lloyd to stay with it for long.
|
|
|
Term
|
Definition
|
Lloyd found his mark not only by looking funny but by looking______.
|
|
|
Term
|
Definition
|
Buster Keaton: "I learned from the _____ that I was the type of comedian that if I laugh at what I did, teh audience didn't."
|
|
|
Term
|
Definition
|
(Frank Capra) "He (Keaton) never changed ___ no matter how life treated him.
|
|
|
Term
|
Definition
|
"By the time I (Keaton) got up to around 7 and 8 yrs old, we were called the ___________ in the history of the stage."
|
|
|
Term
|
Definition
|
Keaton was not only a great comic, but a great comedy ______.
|
|
|
Term
|
Definition
|
What kind of sign did Buster Keaton put in the ground after his house was destroyed?
|
|
|
Term
"The Freshman" on the train |
|
Definition
|
Where did Harold Lloyd first meet his girlfriend?
|
|
|
Term
"The Freshman" Clown (Spender?) |
|
Definition
|
Upon arriving at college Speedy instantly became known as the class______.
|
|
|
Term
"The Freshman" dog (pitbull) |
|
Definition
|
At Speedy's first football practice he has an encounter with which animal?
|
|
|
Term
"The Freshman" tackling dummy |
|
Definition
|
While trying out or the football team, Speedy finds them using him as a ______.
|
|
|
Term
|
Definition
|
The coach wants to cut Speedy but one of the players (Chet) suggest teh coasch let him stay on as a________.
|
|
|
Term
"The Freshman" he was the only substitute left |
|
Definition
|
What was the reason that Speedy got into the game?
|
|
|
Term
|
Definition
|
In one scene Speedy crosses the goal line not with a ball but a __.
|
|
|
Term
|
Definition
|
Its clear Speedy has scored a touchdown when his __ is covered with white chalk.
|
|
|
Term
"The Freshman" he gets wet from the shower |
|
Definition
|
What happens to Speedy while he is reading the note from his girlfriend?
|
|
|
Term
|
Definition
|
|