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(page 180) produced a series of Slapstick Comedies while at Keystone. (Keystone cops, used custard pies)
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| Charles "Charlie" Chaplin |
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(page 181) archetypal American hobo character. Is a rebel against society, NOT and outcast. Against the Industrial Revolution. Characters usually hate the regular routines of steady employment.
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(page 182) the opposite of Chaplin, where Chaplin rejects the modern world, Keaton embraces it. Usually stars opposite of machinery and mechanical items. Roles can easily adapt to the changes in the world. Is for the Industrial Revolution.
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(page 183) plays the middle-class white-collar worker who is consumed with middle-class values, their status in the community, and their own success. By overcoming his fears and limitations Lloyd's characters could always prove worthy of success.
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Latin for signifying that it belongs to the crowd; vulgar.
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refers to the style of comedy that has a series of gags strung together, (silent comedy).
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refers to the style of comedy that combines high, low, and romantic comedy.
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Set in an upper-class world and makes fun of those rules. Dies off in the 1970's and reappears as a combination of Animal and Romantic Comedy as Ironic Romantic Comedy.
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Immigrants, Reforming the Workplace, Rites of Passage, and Release of the Repressed.
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Sexual, Racial, Ethnic, and Class Differences.
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Raunchy, comedic celebration of vulgarity (teen sex comedy).
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| Catholic Legion of Decency |
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Production Code Issues, tightened restrictions in 1934 to preserve the sanctity of marriage.
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