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the system of joining shots together to create the illusion of a continuous and clear narrative action
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in this type of shot a movement or gesture of a character begun in one shot appears to be seamlessly continued in the next
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in this type of shot the direction in which a person or object is moving is consistent across the splice
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the glances of characters in separate shots seem to meet
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shots alternate between two characters often in conversation; over the shoulder framings are often used
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the angle from which the camera shoots the action remains the same from shot to shot
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the position of an object or person remains in the same area of the frame from shot to shot
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any juxtaposition of graphically similar images
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any juxtaposition of images with actions moving at similar rates or speeds
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a continuity mismatch in which the rules of continuity are violated often resulting in the disorientation of the spectator
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a shot found most often in silent films that opens from darkness in an expanding circle of light
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a shot that begins in darkness and gradually brightens
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the superimposition of the end of one shot onto the beginning of the next
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a dissolve in which the superimposition of the two images lingers often to make a point about the relation of the two shots
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in its simplest form, a vertical line moves across the screen removing the contents of the last shot and replacing it with the next
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Term
| point of view shot (eyeline shot) |
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the shot that immediately follows a shot in which we see a character looking at something offscreen or beyond the borders of the frame
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a shot following the POV shot revealing the reaction of the character from whose point of view we were looking
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a cut to another scene or line of action that is usually spatially remote from the original line or action but which seems to be happening simultaneously in time
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cutting back and forth btwn two contrasting actions so that one action strengthens the audience response to the other
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a cut made for symbolic purposes to an object which is not present in the world of the films story
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a cut which takes the action to a prior or future time in the plot
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a shot taken very close to a subject so that it fills most of the frame
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a shot so close it shows detail only or only a very close view of the object itself
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a shot framing the human subject from the level of the midchest up
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a shot framing the human figure from the waist up
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frames the body from the knees up
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the body appears in its entirety, approximately equal to the height of the screen
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the human character appears shorter than the height of the screen and a fair amount of setting is encompassed
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the human subject is tiny in relation to the size of the screen
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usually a long shot used near the beginning of a sequence used to establish the setting or the position of people or objects so that the viewer remains oriented when the sequence is later broken down
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the camera rotates from a fixed position along a horizontal plane
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a very fast pan that makes action appear blurred
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the camera rotates from a fixed position through a vertical plane
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the camera and whatever it is mounted on moves as it photographs the action
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a shot taken from a crane specially constructed for the camera
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the camera is located at eye level in relation to the subject
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the camera is positioned above the subject and shoots down at it
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the camera is positioned below the subject
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the camera is tilted so that the frame is not parallel to the horizon
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produces an image with perspective that seems comparable to that seen by the human eye
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gives a wider angle of vision than a normal lens
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an extreme wide angle lens that distorts the image so straight lines appear bent or bowed near the edge of the frame
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enlarges or magnifies distant planes making them seem close to the foreground
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a lens that can be changed gradually during a shot going from wide angle to telephoto or vice versa
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all objects from close foreground to distant background are seen in sharp definition
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the foreground is in sharp focus while the background appears diffuse and hazy
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a shot during which the focus changes bringing certain objects in and out of focus
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associated with the classic hollywood style, uses a key, fill, and back light
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brightest and primary light source of an image which casts the dominant shadows
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light which fills in to eliminate shadows created by the key light
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illumination coming from behind the objects photographed outlining or highlighting contours of the figure
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bright, even illumination with low contrast and few conspicuous shadows
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general low level of illumination with high contrast atmospheric pools of light
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the significant graphic characteristics of a shot (as in lines, positioning and framing)
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any element of a shot that seems to stand for more than its literal definition
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sound whose source comes from within the imaginary world of the film
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sound coming from the space outside the narrative
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sound coming from the mind of the character that we can see or hear but other characters cannot
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the source of the sound is diegetic but it is distorted to heighten the dramatic effect for the spectator
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the source of the sound is present within the shot
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diegetic sound that comes from beyond he frame
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sound which complements the image
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sound which goes counter to the image
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significant variations or effects achieved through the loudness of the soundtrack or characterization achieved through voice pitch, timber, or dialect
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means putting into the scene; the act of staging all the events for the camera
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literally, writing in movement
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the regulation of how much light passes through the camera lens
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slices of glass or gelatin put in front of the lens to reduce certain frequencies of light reaching the film
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ratio of the frame width to height
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sound from one scene lingers briefly while the image is already present in the next scene
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Definition
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Federico Fellini
Italy
1963
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| Edison and Lumiere Shorts |
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| Odessa Steps Sequence from The Battleship Potemkin |
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Definition
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Sergei Eisenstein
USSR
1925
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Vincente Minnelli
USA
1946
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Alfred Hitchcock
USA
1943
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Vittorio de Sica
Italy
1948
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| Les Quatre Cent Coups (The 400 Blows) |
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Definition
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Francois Truffaut
France
1959
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Robert Bresson
France
1967
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folk, fairy tale and backstage musicals
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