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Invented Kinetoscope, a peepshow device. First public demonstration of kinetoscope was May 9, 1893, the blacksmith scene.
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"Father of American Story Film"
Experimented w/ filming at night, storytelling, film editing. Often mixed documentary footage w/ stage footage.
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"Birth of a Nation"(1915). "Intolerance"(1916). Was known for his high quality epic films
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1902, Directed by George Melies. Known for its inovational use of special effects, double exposure, and split screen
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1903, Edwin S Porter. Was the first film to use pans, tilts, parrallel editing, and jump cuts. Most popular film of the pre nickelodeon era.
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Those images that are recorded continuously from the time the camera starts to the time it stops.
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A panoramic view of an exterior location, photographed from a great distance, often as far as a quarter mile away.
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A shot that includes an area within the image that roughly corresponds to the audience's view of an area within the image in the live theatre.
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A type of long shot that includes the human body in full, with the head near the top of the frame and the feet near the bottom
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A relatively close shot, revealing the human figure from the knees and waist up
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A detailed view of a person or object. A close-up of an actor usually includes only his or her head
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A minutely detailed view of an object or person. Usually includes only an actors mouth or eyes
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| Deep focus shot/ Wide Angle |
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A technque of photography that permits all distance planes to remain in focus, from close-up ranges to infinity
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Usually an extreme long shot or long shot offered at the beginning of a scene, provinding the viewer with the context of the close shots
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An uninterrupted shot, usually taken from a long or full shot range, that contains an entire scene.
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Usually a medium shot of two people, with the camera placed just behind the shoulder of lone character, directed at the face of the opposite
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The camera's angle relative to the subject being photographed.
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A shot in which the camera photographs a scene from directly overhead.
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A shot in which the subject is photographed from above. This angle gives the character a small and weak appearance
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Shot which the subject is photographed from below. It gives the character and appearance of strength and dominance
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A shot photographed by a tilted camera. When image is projected on the screen the subject itself seems to be titled on a diagnol
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Director of Photography or DP. The artist or technician responsible for the lighting of a shot and the quality of the photography
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A style of lighting emphasizing briht even lighting(illumination) with few shadows.
-Used mostly in Comedies and Musicals
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A style of lighting that emphasizes diffused shadows and atmospheric pools of light
-Often used in Mysteries and Thrillers
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A style of lighting emphasizing harshe shafts and dramatic streaks of lights and darks.
-Used in Thrillers and Melodramas
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Lighting the scene from three sources
-Key light, main source of illumination
-Fill Light, placed opposite of Key light
-Back Light, used to seperat the foreground from the background
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Too much light enters the aperture of a camera lens, bleaching out the image. Useful for fantasy and nightmare scenes
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When the lights for a shot derive from the rear of the set, thus throwing the foreground figures into semidarkness or silhouette
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that area of the film image that compels the viewer's most immediate attention
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Pieces of glass or plastic placed in front of the camera lens that distorts the quality of light entering the camera
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The blurring of focal planes in sequence, forcing the viewer's eyes to travel with those areas of an image that remain in sharp
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A previsualization technique in which shots are sketched in advance and in sequence, like a comic strip, thus allowing the filmmaker to outline the mise-en-scene
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the ratio between the horizontal and vertical dimensions of the scene.
-standard(1.85:1)
-Widescreen, (2.35:1)
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The arrangement of visual weights and movements within a given space. Cinematic mise-en-scene encompases the staging of action and the way it is photographed
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The dividing line between the edges of the screen image and the enclosing darkness of the theatre.
-also refers to a single photograph from the filmstrip
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The spatial relationship among characters within the mise-en-scene.
-The distance of the camera from the subject photographed
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A shot where there is considerable space for the character to walk around
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A shot where there is little space for the character to walk around
-Usually a medium shot that gives the impression of entrapment
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Used primarily by realisitic filmmakers.
-tends to be unobtrusive w/ informal composition
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Tends to be more stylistic
-Frame tends to be arranged in a stylistic and aestheticly pleasing manner
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A recognizeable type of movie, characterized by reestablished conventions
-Ex. Western, Horrow, Sci-Fi,etc.
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Implied agreemeant between the director and the audience to accept certain artificialities as real in a work of art
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A lens that permits the camera to photograph a wider area than a normal lens. -tends to exagerate perspective
-used in deep focus photography
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A lens that permits the photographer to switch from a wide angle shot to a telephoto shot in continuous movement
-plunges the viewer in and out of the scene rapidly
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-Short for panoramic
-Revolving horizontal camera movement from left to right
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The camera moves vertically up and down
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-A shot taken from a moving device called a crane, which resembles a huge mechanical arm
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-Shot taken from a moving device
-Originally tracks were layed on the set for a smoother movement of camera
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a type of editing in which the shots are arranged to preserve the fluidity of an action w/out showing all of it.
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