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| Salon d'Automne (Autumn Salon) |
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In 1903, a group of artist including Andre Derain and Henri Matisse, organized the first Salon d'Automne exhibtion
This salon was conceived in opposition to the official Academic Salon, which took place in the spring.
Works exhibited in the Autumn Salon were selected by juries who were more open to avant-garde art.
The Autumn Salon enjoyed a special status as a juried show where |
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- First Major style to emerge in the 20th Century
- A colorist tradition that can be traced back to Van Gogh, Gauguin, Monet, Delacroix, and Titian
- The Fauves took the free, expressive use of color to new heights |
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The Woman with the Hat
Henri Matisse
1905 |
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Mountains at Collioure
Andre Derain
1905 |
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Le Bonheur de Vivre (The Joy of Life)
Henri Matisse
1905-1906 |
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Family of Saltimbanques
Pablo Picasso
1905 |
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Acrobat and Young Harlequin
Pablo Picasso
1905 |
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Les Demoiselles d'Avignon (The Young Ladies of Avignon)
Pablo Picasso
1907 |
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Les Demoiselles d'Avignon (The Young Ladies of Avignon)
Pablo Picasso
1907
"Les Demoiselles annouced a new freedom for painting--now line, plane, color, mass and void were freed from their representational role to take on a life of their own." |
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Les Demoiselles d'Avignon (The Young Ladies of Avignon)
Pablo Picasso
1907 |
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Les Demoiselles d'Avignon (The Young Ladies of Avignon)
Pablo Picasso
1907 |
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- One of the most influential visual art styles of the 20th century, created by Pablo Picasso and George Braque
- Rejected the inherited concept that art should copy nature or that it should adobe traditional techniques of perspective, modeling, or foreshadowing
- emphasized the 2D of the canvas
- Reduced and fractured objects into geometric forms
- not only an innovative style that sparked new ways of thinking, but new ways of thinking about the purpose of art: What happens when the subject matter of the is not the still life or the portrait, but rather an analysis of the very language of the painting? |
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- In Analytical Cubism, Picasso and Braque abstracted their works to such a degree that there were reduced to a series of overlapping planes and facets, mostly in near monochromatic browns, grays, or blacks.
- By removing the "problem" of color, they could focus on structure, line, and space.
- Their favorite subjects were still lifes with musical instruments, bottles, pitchers, glasses, newspapers, playing cards, and the human face and figure. |
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The Portuguese
Georges Braque
1911 |
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Violin and Palette
Georges Braque
1909-1910 |
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Ma Jolie
Pablo Picasso
1911-1912 |
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The Woman with the Hat
Henri Matisse
1905 |
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Guitar, Sheet Music, and Wine Class
Pablo Picasso
1912
Charcoal, gouache, and pasted paper |
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Mandolin and Clarinet
Pablo Picasso
Constructed of painted wood with pencil marks
1913 |
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Violin
Pablo Picasso
Construction of painted metal
1915 |
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