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Figurine, Munhata
Clay, Neolithic
-Coffee-bean eyes
-Continues paleo tradition of steatopygus
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Head of a Clay Figure, Jericho
Clay and bitumen, Pre-Pottery Neolithic B
-represents possible early religiously motivated art
-use of bitumen is evidence for long-distance overland trade
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Clay Figurine, Munhata
Clay, Neolithic
-Again, coffee-bean eyes
-Represent deities
-Found in houses
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Mask, Nahal Hemar Cave
Stone, Pre-Pottery Neolithic
-evidence of early shamanistic tradition
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Modeled Skull, Jericho
Bone and plaster, Pre-Pottery Neolithic
-evidence of early ancestor worship
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Vessels, Bir Safadi
Basalt, Chalcolithic
-Conical cups made of basalt similar to Ghassul
-Basalt is evidence for long-distance overland trade
-Stone bowls seem to be specialty of Bir Safadi
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Woman Holding a Churn, Gilat
Clay, Chalcolithic
-Not utilitarian, but used in ritual activities – early evidence of religion and cultic practices in the Levant
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Ram Bearing Cornets, Gilat
Clay, Chalcolithic
-Not utilitarian, but used in ritual activities – early evidence of religion and cultic practices in the Levant
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Crown, Nahal Mishmar
Copper, Chalcolithic
-Totem-like objects have ibex horns emerging from the top, thus repetition of iconography that is an integral part of the Ghassulian culture
-Also, flat-topped projections common to repertoire - perhaps inspired by architecture, because opening like a doorway
-This type of artifact only found at Nahal Mishmar
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Scepters, Nahal Mishmar
Copper, Chalcolithic
-Tremendous amount of imagination in the ornamentation of the objects
-Images of humans and ibexes typical of Ghassulian people
-Similar to those occurring at Abu Matar
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Star Wall Painting, Ghassul
Chalcolithic
-Earliest fresco in the Levant
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Mask Wall Painting, Ghassul
Chalcolithic
-Mask reminiscent of Shamanism
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Ivory Figurines, Bir Safadi
Ivory and bitumen, Chalcolithic
-Small, male and female figurines indicated by sex characteristics
-Ornamented, evidence of bitumen used to attach some sort of inlay to eye sockets
-Ivory workshop at Bir Safadi = specialization, new craftsmen class
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House Idol, Golan
Basalt, Chalcolithic
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Ossuaries
Clay, Chalcolithic
-Contain the same flat-topped elements from Nahal Mishmar and seem to relate to architecture
-Figural elements present again, like a nose or a horn
-Size of the boxes means that they weren't primary burial spots
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Animal bearing vessels, Azor
Clay, Early Bronze Age I
-Compare to Gilat figurine, though it's unpainted
-Shows religious continuity from Chalcolithic
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Plaque depicting Canaanites, Egypt
Ivory, Early Bronze Age I
-Shows evidence for Palestinian imports into Egypt early on
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Model House, Arad
Clay, Early Bronze Age II
-Model discovered at Arad, made of clay, shows us a very important feature (the roof) - shows us flat-roofed houses that would have had a drainage system
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Goblet, Ain es-Samiya
Silver, Early Bronze Age IV
-Decorated in two techniques, repousse and engraving -Iconography not particularly Levantine; rather, much more of a Mesopotamian feel - skirt looks like a kaunakes -Star/rosette pattern associated with Inanna -Shows a knowledge of Mesopotamian imagery and iconography
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Weapons, Barqai
Copper, Early Bronze Age IV
-Tang spear heads - used to attach javelin point onto a wooden shaft -Appear in Cyprus, earlier than in the Levant, at Lapithos -Shows influence from Cyprus
-Fenestrated axes demonstrate skill of metalworkers at the time
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Canaanites in Egypt, Beni Hasan
Wall painting, Middle Bronze Age
-Wall painting shows arrival of non-Egyptians into Egypt, identified because skin color much lighter than the mud red color of Egyptians, also costumes very different, and strange, mushroom cap hairstyle -Canaanites, who wear same hairstyle, = Hyksos?
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Fish Vessel, Tel Poleg
Clay, Middle Bronze Age II
-Typical example of Tell el-Yehudiyeh ware
-Covered with a dark slip and surface decorated with incised patterns -Sometimes impressions were filled with white substance -Has a very wide distribution -Probably invented in the southern Levant but very soon manufactured in Cyprus
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Fish Vessel, Tell el-Ajjul
Alabaster, Middle Bronze Age II
-Of Egyptian manufacture
-Evidence that Egypt and Canaan traded during the Middle Bronze Age
-Could have been used as an unguent container
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Anthropomorphic Vessel, Jericho
Clay, Middle Bronze Age
-Example of Yehudiyeh ware
-Was accompanied by a strainer, indicating Levantine obsession with straining liquid
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Gold work, Tell el-Ajjul
Gold, Middle Bronze Age II
-Gold found in tombs, and buried below the floors of houses, perhaps as protection against an invading enemy (Ahmose later destroyed Tell el-Ajjul in the LBA) -Diadem plays around with floral motifs
-Evidence of specialized metal industry at Tell el-Ajjul, though workshops never found
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Goddess figurine, Tel Gezer
Gold, Middle Bronze Age II
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Plaque depicting a Canaanite dignitary, Hazor
Bronze, Middle Bronze II
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Inlays, Megiddo
Ivory, Middle Bronze II
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Serpent goddess relief, Tell Beit Mirsim
, Middle Bronze II
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-Unique because it's a square site, and most tells are round -Royal Palace of Ishki-Addu and Amud-pi-El of Qatna -Rectangular building dominated by large halls, some of which are actually open courtyards, others are actually throne rooms - one throne room for public audiences, one for private audiences -One hall (courtyard) had an impluvium in the center -One of the most important discoveries at the palace was wall painting
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-Located 100 km to the north of Qatna -MBA level is Level VII, dated to 18th century -In VII a palace, a temple, and a Syrian gate -Palace was constructed by Yarim-lim -Alalakh was a trading center -There were metal workshops at the palace
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-Where the particular chalcolithic culture was first identified, thus named Ghassulian culture -Ghassulians may have discovered copper accidentally - metallurgy may have played a v. important role in changing them from nomadic to sedentary -Fully open-air above-ground settlement -Inside houses, working platforms for grinding grains -Shrine at Ghassul has earliest frescos in the Levant
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-One of the only sites that has Chalcolithic remains, which were found on the outer edge of the tell -Fortification wall (in casemate style) follows the natural contours of the tell itself -Tell reoccupied in the Iron Age -Houses, like Bab edh-Drah, are wide room -Sanctuary consists of a cluster of temples that are wide-room buildings with benches around the side, which resemble Ein Gedi
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