Term
| Costume Design Objectives |
|
Definition
|
Reflect the design teams interpretation of the play
exhibit a unity of style
provide visual clues about the characters
reflect on character's age, gender, occupation, social economic status
|
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
anything an actor wears on stage (nothing is a choice, too)
|
|
|
Term
|
Definition
|
designs clothing, hats, wigs, hair styles, facial hair, shoes, accessories, etc.
brings the characters into the piece with the right look
|
|
|
Term
|
Definition
|
time, money, materials, body type, hair color, skin tone, movement of actor, scenery
|
|
|
Term
|
Definition
|
to remove a costume from storage
|
|
|
Term
|
Definition
|
costume crew who assist actors in putting on their costumes
|
|
|
Term
|
Definition
|
one ho constructs and styles hats
|
|
|
Term
|
Definition
|
person who makes patterns based on information contained in the designers sketch, notes, and instructions
|
|
|
Term
|
Definition
|
|
Term
|
Definition
|
costume that the theater already owns
|
|
|
Term
|
Definition
|
garments and fabric can change color
|
|
|
Term
| costume shop supervisor/assistant |
|
Definition
|
manager, production worker, artesian
|
|
|
Term
|
Definition
|
costume designer, costume shop supervisor/assistant, production, crafts person, wardrobe supervisor
|
|
|
Term
|
Definition
|
the creation and manipulation of aural environment
a technical/creative field
being able to hear the actors
|
|
|
Term
|
Definition
|
|
Term
|
Definition
|
sound - source - routing - amplifier - output
|
|
|
Term
|
Definition
|
microphone, cd, computer - that sounds enters the signal chain through
|
|
|
Term
|
Definition
|
|
Term
|
Definition
|
signal is made powerful enough to drive the speakers
|
|
|
Term
|
Definition
|
speakers, how the sound gets out
|
|
|
Term
| functions of sound design |
|
Definition
|
invoke a particular mood
help tell the story of the play
ensure that the actors/singers can be heard
|
|
|
Term
| main areas of sound design |
|
Definition
|
reinforcement
music
sound effects
|
|
|
Term
|
Definition
|
microphones are used to reinforce/amplify actor's vocals, music, instruments, etc.
|
|
|
Term
|
Definition
|
used to cover the noise of moving scenery
used to invoke a particular mood of the play
used to glue different scenes together and give a sense of cohesion
|
|
|
Term
|
Definition
|
music that plays underneath an actor's dialogue or action
used to evoke emotion
|
|
|
Term
|
Definition
|
help establish time period, location, time of day
can evoke mood
support character's dialogue
|
|
|
Term
|
Definition
|
time in the quiet theatre, before tech, used to set inital volume levels and evaluate the sound system
time to program cues
|
|
|
Term
|
Definition
|
refine volume levels
refine cues
perfect cueing with lighting designer and stage manager
|
|
|
Term
|
Definition
|
test all mics and speakers
run through cues to ensure proper function
|
|
|
Term
|
Definition
|
an electronic device that makes an audio signal strong enough to create sound
|
|
|
Term
|
Definition
|
the relative loudness or softness of the volume
can also refer to the bass or treble, or sound effect
a "level" is set for a cue
|
|
|
Term
|
Definition
|
an audio device that takes a multiple audio signals, adjusts them, and sends them out to amplifiers and other devices
|
|
|
Term
|
Definition
|
sound designer
sound engineer
mic tech/mic wrangler
sound board operator
sound crew
size of sound crew depends on the size of the theater and amount of work
|
|
|
Term
|
Definition
|
script -director-concept-design team-production team-construction/implementation-rehearsals-tech rehearsals
opening-closing-strike
|
|
|
Term
|
Definition
|
Actors Equity Association
|
|
|
Term
|
Definition
|
Society for Stage Directors and Choreographers
|
|
|
Term
|
Definition
|
The International Alliance of Theatrical Stage
|
|
|
Term
|
Definition
|
|
Term
|
Definition
|
League of Resident Theatres
a collective of resident theatres in teh US dedicated to the welfare and prosperity of theatre in America and its territories
PlayMakers operates under a LORT D contract
|
|
|
Term
|
Definition
|
person responsible for organizing the aspects of a theatrical production and disseminating information between the artistic, administrative, and production departments
sometimes called (PSM) Production Stage Manager
|
|
|
Term
|
Definition
|
|
Term
| four phases of a production |
|
Definition
|
pre-production
rehearsal
technical rehearsal and preview
performance
|
|
|
Term
|
Definition
|
meetings
cast, crew, designer information
calendars created
script determined
set designs finalized/finished
|
|
|
Term
|
Definition
|
ground plan is taped out
the show is rehearsed (blocking recorded)
cues and changes noted
direct and actor needs and wants noted
|
|
|
Term
| technical rehearsal/preview |
|
Definition
|
Stage Manager essentially runs the show - they are the one in charge
says when to stop and go
keeps everyone on time - not necessarily on schedule
|
|
|
Term
|
Definition
|
SM keeps the sho running
calls the cues
organizes the crew
keeps the show at performance level
|
|
|
Term
|
Definition
|
AEA basic rule - rehearsal cannot take place more than 8 out of 10 consecutive hours in a work day
a break of at least 1.5 hr is taken ever 5 hrs.
|
|
|
Term
|
Definition
|
AEA Basic rule - rehearsal cannot take place more than 10 out of 12 consecutive hours in a work day
break of a least an 1.5 hrs every 5 hrs
|
|
|
Term
|
Definition
|
AEA Basic Ruel - the half hour of time prior to curtain; the time at which all actors are expected to arrive at the theatre
|
|
|
Term
|
Definition
|
8/10
10/12
1/2 hour
angle of a raked stage
coffee maker
equity cot
actor and staff housing regulated
|
|
|
Term
|
Definition
|
see that the artistic vision of the company is realized through the production/technical aspects and planning of a production
|
|
|
Term
| IATSE careers in entertainment industry |
|
Definition
|
|
Term
| union careers in the entertainment industry |
|
Definition
|
bands, singers
cirque
cruise ship
corporate events- av companies, trade shows, NASCAR
|
|
|
Term
|
Definition
|
international alliance of theatrical stage employess, moving picture technicians, artists, and allied crafts
|
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
elaborate set piece with giant grotesque with jaws that spits fire - swallows people whole - opposite end of the row of mansions as heaven
|
|
|
Term
|
Definition
|
doors or platforms that allow quick and easy access through the stage floor for actors or scenery
may or may not move
|
|
|
Term
|
Definition
|
a means of lifting an actor through the stage floor while at the same time moving across the stage
|
|
|
Term
|
Definition
|
a looped belt that allows a moving actor or animal to remain stationary upon the stage
|
|
|
Term
|
Definition
|
method for showing a moving background where the scene moves across the stage from one roller to another
|
|
|
Term
|
Definition
|
1700s
trap elevators
stage elevators
revolves and concentric revolves
|
|
|
Term
|
Definition
|
circular platforms that can be rotated upon its axis, a revolving stage
|
|
|
Term
|
Definition
|
stage elevator
used to raise and lower actors and scenery
|
|
|
Term
|
Definition
|
using pressurized air to transfer force and movement
|
|
|
Term
|
Definition
|
a machine that uses a drum to move cable and create linear motion
|
|
|
Term
|
Definition
|
using chemicals or explosives to create smoke, light, and noise
fireworks, flash paper
|
|
|
Term
|
Definition
|
fog, haze, and rain
atmospheric effect
creates mood and realism
is an object, it will reflect light
|
|
|