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used in lighting design; specific area where scenes are played; usually in 8-12 foot pools or circles covering the stage; overlap for even light distribution
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| controllable qualities of light |
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distribution intensity movement color
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| functions of stage lights |
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visibility you can see them slelective visibility selective focus guide audience modeling controlling the appearance of objects mood
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a scale drawing that shows the location of lights on the grid or pipes, a description of instruments, the focus area, and color of the instrument
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script concept director/designers concepts artistic director producer
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"design process" CARE-IS-PIE |
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C-OMMITMENT A-NALYSIS R-ESEARCH E-VALUATION I-NCUBATION S-ELECTION P-RESENTATION I-MPLEMENTATION E-VALUATION
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--a show that changes scenery to change the location of a given scene --used in all forms of theater
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a single set in which all of the play's locations are always visible and the audiences attention is usually shifted by alternately lighting various parts of the set
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| styles of presentation--Presentational |
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a play in which the audience is recognized as the audience, for example, the actors may speak directly to the audience
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| styles of presentation--representational |
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a play performed as if the audience is watching the action through an imagery fourth wall
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scaled mechanical drawings of all the necessary elements of a show; provide all information to the Technical Director as to the look of the set they include: ground plan section elevations construction drawing
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side view that shows heights and angles
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cut away view showing the internal construction
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a drawing that shows how a scenic unit is to be built
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scene changes made with stage crew in full view of the audience
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changing the scenery or drops or some part of the set to set a different location or time of day or time period
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period of time after show closes when the stage is cleared of scenery
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time period between two productions when scenery is being switched on stage
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ageing or weathering a material to make it appear older
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the process of transferring lines from the designer's elevation to scenery
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transferring picture by means of a larger grid
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project image on surface-trace
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French for "to deceive the eye" creates the illusion of 3D objects on a 2D plane
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ratio of reduction or enlargement that allows someone to determine the true size of the object
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basic scenic elements that can be quickly and easily adapted for use in a production
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any horizontal playing surface
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a stage that is low at one end and rises in a wedge shape
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individual platform set at an angle as a path between two different levels
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material, wood or metal, used to hold a platform at a given height
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a series of platforms at different heights that allow an actor to move between different levels --rise and run
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a platform mounted on wheels so it can move
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a large, circular platform that pivots on its central axis; also called a revolve
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vertical walls of scenery; a framework of wood or metal covered with fabric or wood used as a vertical surface to create walls and backgrounds
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a thicker, more stable flat; originally used for TV sets; many times used in the construction of walls
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a thinner flat meant to be flown on a batten or stood up with a jack
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designed by the scenic designer who --researches period --finds pictures in painting and books --designs to fit vision of play --draws sketches or collects pictures --properties master then takes over
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Term
| properties manager/master |
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--works with designer --supervises staff --budgets (time, money, and materials)
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builds props from designs or creates them
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finds props through shopping
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any item that can be carried by an actor during the course of the show
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large set pieces that may or may not move
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--enhance the look of the set --make the set look real --fill in the details
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props that are used each show and must be replaced ex. cigarettes
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the person responsible for supervising the construction, mounting, rigging, and shifting of the scenery --he/she figures out how the set will be built, how much it will cost, how long it will take --they are responsible for the safe working environment of the crew and the actors when they are on stage
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| what technical director needs to know |
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DRAFTING --hand drafting and CAD (computer aided drafting) BUDGETING --estimating costs --estimating time, how long it will take ENGINEERING --structural engineering
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--to selectively illuminate the stage --to sculpt, mold, and model actors and costumes --to create an environmental atmosphere that is supportive to the production concept
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| functions of stage lights |
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Definition
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visibility selective focus modeling mood
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summary of cues for the show
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sheet of acting areas; cheat sheet for designer
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--hang the lights according to plot --designer focuses lights in acting areas --add or change lights as need --readjust lights according to actor movements and lighting need
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--completed before every performance --run through all of the lights --check for holes in gels --check for dim or burned out lights
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a two or three-wall set composed of flats representing an interior room, often covered by a ceiling (used in conventional manner with the 4th wall being up)
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finished color sketches in scale showing perspective, an accurate representation of size, shape, and color; provide physical information, but also meant to give a sense of a feeling of the set
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deals only with the special aspects of a set, not done in color; often used as a preliminary to determine how actors will use the stage
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--colors the world of the design --adds character to the set --adds depth and a sense of reality (shadows, depth, real from fake [wood grains, granites, marbles])
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a material that imparts color to a paint or dye
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the vehicle in which pigments and binders are suspended to create a paint mixture; after paint is applied, this evaporates ex. water, oil, lacquers
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the adhesive in the paint that glues the pigment to the painted surface
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latex paints, vinyl acrylic paint, solvent base (enamels)
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--water based --synthetic plastic in make up --easy to tint to exact colors
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--water based --flexible --can be used as a glaze
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--oil, lacquer, or synthetic based --hard, smooth surface after painting --usually glossy or satin finish --not used as much as other two paints
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--transparent --suspended in alcohol --seals other paints with high gloss, hard finish
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--transparent, synthetic coating material --good for coverage of wood finishes --matte, satin, and glossy finishes
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a proscenium built as a specific scenic element for a production to change the size, shape, or style of the stage opening
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any completely fabric scenic element
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a large, unframed piece of fabric with an image painted on it; typically fills the whole stage opening
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--a drop that has been cut with a profile leaving an opening --cut edges are supported by an invisible net or mesh
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white, seamless drop used to reflect light projects back to the audience
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drop made of a translucent material that can appear translucent or opaque depending on lighting
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--used to blend together areas onstage --soft, diffused edge --wide to narrow beam --many different sizes
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Term
| Ellipsoidal Reflector Spotlight (ERS) |
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Definition
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--named after the shape of the reflector --allows for precise control of beam shape or pattern projection
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--large container, seldom any lens --provides a wash of "uncontrolled" light --can be colored
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--6' to 8' units --broad, colored wash of light --can be above stage, on the floor, or vertical
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--big cans of lights --parabolic aluminized reflector (auto headlamp design) --soft edge
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--used to identify individual or small group --usually on a stand --variable focus, douser, shutter, iris, color
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changes color of light without having to change light
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