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| adding light to make colors |
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| how your brain interprets things |
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| stuff thats in the distance |
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| colors go away, fade with ultraviolet light, degrades over time |
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| Even perceptual steps between light and dark |
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| Position on a color wheel |
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| the gray of a black and white photo; Value it starts out with is max saturation; white has highest inherent value, which is 1; |
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| has a causal relationship (alot of smoke= big fire) |
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| Hue, value, saturation vs. unsaturation, cool vs. warm, simultaneous, complementary, extension |
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| distinct hue family, but not prismatic |
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| How your brain makes sense of opponent colors (there can't be a red-green) |
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| Little dots from far away that look like a different color- failure of mechanism. |
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| The most saturated of a paint color from a hue family |
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| Within our mechanism (eye) giving a stimulation |
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| something that stands for something else |
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| more permanent, lasts for a long time |
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| Names of colors written in different colrs (language wins over color) |
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| Subtractive mixing (paint) |
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| Mixing paints, gets less saturated, subtracting light |
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| Code, it has to be learned |
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| A comparison of music and color; hear-color; taste-sound |
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| Thought forms and theosophy |
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| Does a color want to be a shape; theosophy- study whats true |
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| theory that we have three color receptors in our eyes; red blue green cons |
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