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Europe After the Rain by Max Ernst
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Young Mother, Daughter, and Son by Cassatt
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A Sleeping Woman by Rembrandt
Brush and Wash
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Marilyn Monroe by Andy Warhol
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Faiyum Portraits Egypt Encaustic
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Sisteen Chapel by Michelangelo
Fresco
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Coronation of the Virgin by Quarton
Bilateral Symmetry
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Chartes Cathedral by Rose Window Absolute Symmetry
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The surface quality of a work
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As opposed to visual texture, the literal tactile quality or feel of a thing.
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A texture on the surface of a work that appears to be actual but is an illusion.
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(from the word SPACE) we experience these works all at once.
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Paint applied very thickly to canvas or support
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contradicts our past visual experience by using texture in ways that are unexpected.
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(from the word TIME) These works unfold over time.
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An art style particularly popular in the 60's in which line & color are manipulated in ways that stimulate the eye into believe it perceives movement.
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to organize the formal elements of a work of art in a unified whole.
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THe physical weight of materials. (Comes into play in sculpture).
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The apparent heaviness or lightness of the shapes and forms arranged in a composition. When both sides have equal visual weights, the composition is balanced.
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The two halves of a composition are similar, or exactly the same.
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Compositions that have two halves apparently balances but NOT mirror images of one another.
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Everything radiates from a central point.
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The area where an artist provides emphasis to draw a viewer's attention to that particular area of the work.
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refers to the relationship between parts of the object and the whole.
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The comparative size of a thing in relation to another like thing or its "normal" or "expected" size.
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a set of rules laying out ideal proportions of the human body.
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the orderly repition of progression of the visual elements in a work of art.
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A term used to describe the willfully plural and ecelctic art forms of contemporary art.
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Any material used to create a work of art. Plural form, media.
OR
In painting, a liquid added to the paint that makes it easier to manipulate.
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A drawing techinque in which a stylus with a point of gold, silver, or some other metal was applied to a sheet of paper treated with a mixture of powdered bones and gumwater.
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The addition of highlights to a drawing by the application of white or some other pale color.
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Any full size drawing, subsequently transferred to the working surface, subsequently transferred or fresco is made.
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A soft crayon made of chalk and pigment. A pale, light color.
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5 Processes: Relief, lithography, silscreen, monotype
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Any kind of printmaking process in which the image to be printed is raised off the background (image is in reverse)
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Any process in which the cut or incised lines in the plate are filled with ink, and that ink transfers onto the paper. (Italian --->engraving)
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means "stone writing" - the printing surface is flat. Very direct process .
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used to print on t-shirts
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Any one of multiple impressions made from a master image.
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A relief printing process, in which a wooden block is carved so that those parts not intended to print are cut away, leaving the design raised.
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A form of relief printmaking, similar to a woodcut, in which a block of linoleum is carved so as to leave the image to be printed raised above the surface of the block.
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In printmaking, the precise alignment of impressions made by two or more blocks or plates on the same sheet of paper, utilized particularly when printing two or more colors.
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An intaglio printmaking process in which a sharp tool called a burin is used to incise the plate.
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An intaglio printmaking process in which a metal plate coated with wax is drawn upon with a sharp tool down to the plate and then placed in an acid bath. The acid eats into the plate where the lines have been drawn, the wax is removed, and then the plate is inked and printed.
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A coating applied to a canvas or printmaking plate to prepare it for painting or etching.
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An intaglio printmaking process in which the copper or zinc plate is incised by a needle pulled back across the surface leaving a burr.
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In drypoint printmaking, the ridge of metal that is pushed up by the engraving tool as it is pulled across the surface of the plate and that results, when inked, in the rich, velvety texture of the drypoint print.
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In printmaking, the number of impressions authorized by the artist made from a single master image.
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areas carved, sratched or etched away (low areas, or grooves) hold and print the ink.
engraving
etching
drypoint
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like a rubber stamp, raised areas on the plate (areas artist did not carve away) will print the ink. Woodcut and linocut are both kinds of relief printmaking.
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the only printmaking process that does NOT print the reverse of the original image (what is on the plate, or screen). So, you don't have to reverse your text for it to come out right. You DO with every other kind of printmaking.
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This uses a stone "plate" rather than wood or metal. This technique is based on the idea that water and oil don't mix.
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| What is unique about printmaking as an art form? |
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it is reproduceable so when it first became popular, artists could communicate ideas, and share work across long distances for the first time.
it is much less expensive to buy an artist's print, than one of his/her paintings.
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The coloring agents of a medium
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The surface on which the artist works-a wall, a panel of wood, a canvas, or a sheet of paper.
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something that thins the paint, and cleans brushes
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| ground (diff meaning thatn in printmaking) |
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a paint like surface treatment applied to a support
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A method of painting with molten beeswax fused to the support after application by means of heat.
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means "fresh" or "wet" in Italian.
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A painting medium made by combining water, pigment, and usually, egg yolk.
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A painting ground made from glue and chalk.
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Pigment mixed with binder of linseed oil.
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