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| horizontal, vertical, diagonal |
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| size of shapes (blank, blank, and no blank) |
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| height, width, and no depth |
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| geometric, organic, curved, angular, positive, negative |
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| shapes have __ _____ and a ____ _____. |
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| one boundary and a single surface |
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| positive shapes are ___ ___. |
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| negative shapes are the ___ _____ ___ ___ ____. |
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| spaces around the positive shapes |
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| ____ shapes appear to be still |
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| ____ shapes appear active. |
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| yellow-orange, red-orange, red-violet, blue-violet, blue-green, yellow-green |
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| the hue of a color is ____________ and refers to ______________. |
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| the name of the color itself and refers to the color's position on the spectrum |
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| range of light to dark of a color |
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| chroma or ______ of a color is ______. |
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| intensity; the quality of light in a color |
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| yellow-green, green, blue-green, blue, blue-violet, violet, red-violet |
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| yellow-green, yellow, yellow-orange, orange, red-orange, red, red-violet |
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| helps viewers distinguish between the light and dark areas of an object |
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| high contrast of a value is the ____ _____ on an object. |
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| an implied texture is ___ or ___. |
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| uses lines and values to make something 2D look 3D |
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| demands a strong, hard quality |
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| a lightweight form is _____. |
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| conveyed with a lighter touch |
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| 3D space is __ and can be ____ or ____. |
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| 2D space is ____ and can be drawn to look ____ or _____ by using ____. |
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| flat; deep or shallow; overlapping |
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| overlap usage in space is to _____ _____. |
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| the seven elements of art |
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| lines, shapes, color, value, texture, form, and space |
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| the difference in values are the ___ and ___ values |
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| high value is on the ___ end of the scale and suggests ____. |
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| low value is on the ___ end of the scale and suggests ___. |
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| dark values are placed next to light values to create _____. |
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| in the location of values, darker values appear ____. |
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| in the location of values, lighter values appear____. |
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| the artist's method of organization (7) |
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| balance, repetition, rhythm, contrast, theme and variation, dominance, organic unity |
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| symmetry/asymmetry and simple/complex |
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| symmetry is balanced because |
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| both sides of the object are exactly the same |
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| asymmetry is balanced because |
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| even if the objects aren't exactly the same, the amount of positive and negative space is the same |
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| simple art can be balanced because |
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| there could be two symmetrical figures |
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| complex art could be balanced because |
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| there could be an equal amount of positive and negative space |
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| repetition in art has ___ ____ or ____. |
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| repeated objects or motifs |
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| even/varying and flowing/static |
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| one type of rhythm repeated throughout and entire shape |
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| multiple rhythms used throughout a shape |
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| gives a piece of art a sense movement |
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| rhythm that doesn't show movement |
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| the use of opposites that are close together |
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| theme and variation is a ___. |
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| main idea repeated with variety |
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| dominance uses _____ _____ to become dominate. |
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| in organic unity, __________. |
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| all parts contribute to the whole. |
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| french movement that covered structure and form |
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| 19th and 20th century radical movement from traditional art |
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| putting basic shapes and forms together to create a style of art |
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| free moving, counter-balanced, and hanging |
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| van gogh's main style was to |
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| paint in blots of colorful paint in still lifes and landscapes |
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| paul cezanne's main style was |
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| toned paintings that used repetitive brush strokes of pure color |
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| george seurat's main style was |
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| systematic and devoted to the use of the color theory and was the beginning of neo-impressionism |
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| paul gauguin's main style was |
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| the beginning of modern art and used linear patterns |
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| pablo picasso's main style of art was ___ and ___ ___ and he created ___. |
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| cubism and abstract art; masks |
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| who created a starry night? |
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| alexander calder's main style of art was |
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| worked with shapes and color in abstract and optical art |
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| black and white lines in her optical illusions and optical art |
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